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a.l.l. digital
Description
A.L.L. Digital: Full service 24 bit digital CD mastering, editing and production
for record companies and musicians alike, offering personalized service, affordable
pricing and a grammy-winning roster of clients.
for record companies and musicians alike, offering personalized service, affordable
pricing and a grammy-winning roster of clients.
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Date
Nov 8, 2005
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Link ID
10818
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Golden Track Mastering is based out of San Diego, California. Credits: P.O.D. , Atlantic, Verity, Jive. We offer affordable CD Mastering services for independent artists as well as labels. We have Gold and Platinum Mastering credits, and Grammy nominated engineers, Golden Track Mastering is the place for your audio mastering needs.
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Omni Online Mastering: our online source for audio cd mastering. Whether you're looking for audio cd mastering, cd mastering, audio mastering, digital mastering, audio mastering software our site provides everything you'll ever need for audio cd mastering.
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Golden Mastering specializes in high quality mastering for compact discs and lacquer mastering for vinyl. This family run business combines extensive knowledge with a friendly and helpful service to deliver great results.
Started in 1993 by John Golden, Golden Mastering has maintained a reputation as one of the most popular and well respected mastering studios for the independent record industry. By the time he was ready to start his own facility, John Golden had already made a name for himself at K Disc, where he put the finishing touches on entire catalogues of releases, including Sub-Pop, SST, Kill Rock Stars and K Records. At Golden Mastering, John has taken his reputation and turned it into a family operation.
John's son J.J. joined forces with his father in 1998 and has become an accomplished mastering engineer in his own right. This father and son team are further augmented by John's daughter April, who as studio manager keeps things running smoothly.
We've recently added a second room for CD Mastering in the Analog and/or Digital domain.
Started in 1993 by John Golden, Golden Mastering has maintained a reputation as one of the most popular and well respected mastering studios for the independent record industry. By the time he was ready to start his own facility, John Golden had already made a name for himself at K Disc, where he put the finishing touches on entire catalogues of releases, including Sub-Pop, SST, Kill Rock Stars and K Records. At Golden Mastering, John has taken his reputation and turned it into a family operation.
John's son J.J. joined forces with his father in 1998 and has become an accomplished mastering engineer in his own right. This father and son team are further augmented by John's daughter April, who as studio manager keeps things running smoothly.
We've recently added a second room for CD Mastering in the Analog and/or Digital domain.
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4. jpmaster
JP Masters:
For over a decade, Dave Locke has been an established audio engineer working in the Boston area with a wide variety of musical groups and notable figures, everything from punk bands like Doc Hopper, to world renown composers such as Gunther Schuller. His expertise in the realms of recording, mixing, editing, mastering, and production make him a uniquely well-rounded engineer, ensuring that regardless of which hat he is wearing, he brings a wealth of experience to the table.
We offer high quality mastering at affordable rates
(Please inquire about our special mail-in rates)
We accept the following sources: DAT, CDR, MD, Exabyte Sonic Archive, Exabyte DDP, Apogee Bit Split (ADAT or DA-88), AIFF and SDII Files, 1/4'' and 1/2'' Analog with or without Dolby SR.
We also offer Digital Noise Reduction and Restoration for old or damaged recordings from Vinyl or audio cassette using Sonic Solutions NoNoise.
For over a decade, Dave Locke has been an established audio engineer working in the Boston area with a wide variety of musical groups and notable figures, everything from punk bands like Doc Hopper, to world renown composers such as Gunther Schuller. His expertise in the realms of recording, mixing, editing, mastering, and production make him a uniquely well-rounded engineer, ensuring that regardless of which hat he is wearing, he brings a wealth of experience to the table.
We offer high quality mastering at affordable rates
(Please inquire about our special mail-in rates)
We accept the following sources: DAT, CDR, MD, Exabyte Sonic Archive, Exabyte DDP, Apogee Bit Split (ADAT or DA-88), AIFF and SDII Files, 1/4'' and 1/2'' Analog with or without Dolby SR.
We also offer Digital Noise Reduction and Restoration for old or damaged recordings from Vinyl or audio cassette using Sonic Solutions NoNoise.
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Mayfield Mastering:
Nashville's Premier Mastering Facility "If It's Audio, We Do It" .
Digital Mastering history:
For many years, the Sony PCM1630 digital processor and Umatic tape were the standard for CD cutting masters. In the late 1980's, Doug Carson and Associates, who specialize in manufacturing hardware and software, wrote an LBR mastering scheme called Disc Description Protocol (DDP) utilizing 8mm Exabyte tapes as the mastering medium. This was used for many years for the mastering of Yellow Book CD-ROMS. Later, it was adapted for use as a Red Book mastering medium to replace the aging 1630. The audio was converted to data, then transferred the tape as a CD image utilizing the Yellow Book standard error correction CIRC. In the late 1990's, manufacturing plants began accepting Red Book CD-R's as cutting masters. Red Book CDs use a different error correction scheme allowing each CD player to evaluate, correct, and even interpolate errors.
Nashville's Premier Mastering Facility "If It's Audio, We Do It" .
Digital Mastering history:
For many years, the Sony PCM1630 digital processor and Umatic tape were the standard for CD cutting masters. In the late 1980's, Doug Carson and Associates, who specialize in manufacturing hardware and software, wrote an LBR mastering scheme called Disc Description Protocol (DDP) utilizing 8mm Exabyte tapes as the mastering medium. This was used for many years for the mastering of Yellow Book CD-ROMS. Later, it was adapted for use as a Red Book mastering medium to replace the aging 1630. The audio was converted to data, then transferred the tape as a CD image utilizing the Yellow Book standard error correction CIRC. In the late 1990's, manufacturing plants began accepting Red Book CD-R's as cutting masters. Red Book CDs use a different error correction scheme allowing each CD player to evaluate, correct, and even interpolate errors.
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