Bassist and composer
Ben Allison's official web site containing bio and touring info,
photo gallery, downloadable press kit, music samples and info on the
Jazz Composers Collective.
Cited by Downbeat magazine as one of the "25 rising jazz stars for the future" and in the "Bassist of the Year," "Album of the Year," "Composer of the Year," "Acoustic Group of the Year," "Arranger of the Year," and "Jazz Artist of the Year," Rising Star categories of the 2003, 2004, and 2005 Downbeat Critics' Poll, bassist-composer Ben Allison has solidified his reputation as "one of the most original voices in modern jazz" (Amazon.com), a strong organizational force on the New York City music scene, and an advocate for artist empowerment.
With his groups Peace Pipe, New Quartet, Medicine Wheel, the Kush Trio, and the Herbie Nichols Project (which he co-leads with pianist Frank Kimbrough) Ben has toured extensively throughout the US, Canada, Europe, and Brazil winning fans and building new audiences with an adventurous yet accessible sound and a flair for the unexpected.
His six recordings as a leader - Buzz (2004), Peace Pipe (2002), Riding the Nuclear Tiger (2001), Third Eye (1999), and Medicine Wheel (1998) on Palmetto Records, and his 1996 debut Seven Arrows on the Koch Jazz label - showcase Ben's forward-thinking vision as a producer, composer, arranger, and bassist, and his hands-on approach to his craft.
Buzz, was #1 on the CMJ National Jazz radio charts for 6 consecutive weeks and has remained in the top 20 for over five months. His previous three albums, achieved similar radio success, being among the most played albums of the years in which they were released. and have been named as among the best of the year by publications such as The New York Times, The Boston Globe, The Village Voice, Jazz Times, Jazz Journalists Association,Downbeat Critics Poll, All About Jazz, Coda (Canada), and Jazz Review (UK), among others ...
Bassist Lisle Atkinson's website includes sound bites, itinerary, bio, recordings, reviews, etc.
Lisle began studying the violin at the age of four: he gave his first concert at the age of six. Lisle continued studying and playing violin until he was introduced to the bass violin at the age of twelve. Shortly thereafter, Lisle entered Music and Art High School, NYC where he played in the school orchestra. Upon graduation, Lisle entered Manhattan Music Conservatory, where he received a degree in Music. Since that time, Lisle has appeared with such artists as: Nina Simone, Betty Carter, Wynton Kelly, Hazel Scott, Billy Taylor, Stanley Turrentine, The New York Bass Violin Choir, Clark Terry, Thad Jones & Mel Lewis Big Band, Marylou Williams, the New York Jazz Quartet, Jon Hendricks and the Hendriks family, Hank Jones, Kenny Burrell and many, many other artists ...
Bassist Andy McKee's website features sound bites, itinerary, projects, biography, reviews.
Andy McKee is an internationally acclaimed musician well known for his dynamic and inventive approach to the acoustic bass. His reputation stretches from his home base of New York, across the United States and Europe to the far jazz corners of the world. Andy's talents as a composer and accomplished instrumentalist have earned him critical acclaim and a prominent place on the world jazz stage.
Having performed extensively with many jazz greats, Andy McKee is as comfortable on the concert stage in front of television cameras as he is in the recording studio or intimate jazz club setting. He has been a longtime member of groups led by Philly Joe Jones, Chet Baker, Michel Petrucciani, and Elvin Jones, as well as the Mingus Dynasty and currently, the Mingus Big Band. Arriving on the New York scene in 1980, Andy worked the jazz clubs with the likes of Jaki Byard, Clifford Jordan, Sal Nistico, Charlie Rouse, Billy Harper and Brazilian drummer extraordinaire, Edison Machado. While living in Paris, France in the mid-80's, he performed and toured exclusively with Mal Waldron, Clark Terry, Steve Lacy, Don Cherry, Horace Parlan, Steve Grossman, and Barry Altschul as well as European greats Daniel Humair, Marcial Solal, Franco D'Andrea and others.
Any McKee's unique style and hard-swinging approach evolved naturally from his formative years spent on the Philadelphia jazz scene. Working with musicians like Hank Mobley, Johnny Hartman, "Cee" Sharp, Walt Dickerson, and Philly Joe Jones provided a nurturing environment for him and other young players cutting their musical teeth ...
Bassist Bob Cunningham's website features jukebox, discography, itinerary, projects, biography.
Samadhi, that high meditative state whereby the human spirit realizes it's total oneness with the Creator, is deemed the greatest ecstasy one can experience. Bassist Bob Cunningham appears to reach, or closely approach that ecstatic state as he blends himself in oneness with his Bass and with the rich, luminous sounds he skillfully coaxes from it. He clearly enjoys and relishes every stroke and sound of the instrument, and this thorough enjoyment of his polished musical craft inevitably translates into the collective enjoyment and soul movement of each audience Cunningham musically serves.
Bassist Ray Drummond's website utilizes Shockwave and features reviews, sound bites, itinerary, biography, cds for sale, etc ...
Composer, arranger, bandleader, educator and producer are hats that bassist RAY DRUMMOND has worn well over the past 30 years. But it all comes down to one thing: musician Ray Drummond likes to make great music. Born the son of an Army colonel on November 23, 1946 in Brookline, Massachusetts, he attended 14 different schools around the world. Drummond's musical journey began at age eight with the trumpet, then French horn. Though, early on he developed a love of jazz and taught himself listening to the music of jazz masters. It wasn't until he was 14 years old that his music director persuaded him to play the bass. Ultimately, his family settled in California, where Drummond earned a B.A. in Political Science, and attended Stanford Business School.
While living in the San Francisco area, he worked with Bobby Hutcherson (that collaboration continues to this day), Michael White, Martha Young (Lester's Niece), Ed Kelly, Tom Harrell, and Eddie Marshall. In 1977, he left the corporate life behind in California, and moved to New York City where he quickly became a first call bassist. His solid rhythmic and harmonic innovations landed him gigs with artists including Betty Carter, The Thad Jones/Mel Lewis Orchestra, Wynton Marsalis, Woody Shaw, Hank Jones, Jon Faddis, Milt Jackson, Johnny Griffin, Kenny Barron, Pharoah Sanders, and George Coleman. Additionally, he has been documented on over 300 recordings with artists including Art Framer, David Murray, Houston Person, Stan Getz, Kenny Burrell, Kevin Mahogany, Toots Thielemans, Benny Golson, and Ray Bryant. In addition to working with jazz legends, Drummond also records and performs live with a diverse number of emerging artists including Joe Locke, Steve Wilson, Paul Bollenback, Jessica Williams, Rob Schneiderman and Jeanie Bryson ...
Charles Mingus:
One of the most important figures in twentieth century American music, Charles Mingus was a virtuoso bass player, accomplished pianist, bandleader and composer. Born on a military base in Nogales, Arizona in 1922 and raised in Watts, California, his earliest musical influences came from the church-- choir and group singing-- and from "hearing Duke Ellington over the radio when [he] was eight years old." He studied double bass and composition in a formal way (five years with H. Rheinshagen, principal bassist of the New York Philharmonic, and compositional techniques with the legendary Lloyd Reese) while absorbing vernacular music from the great jazz masters, first-hand. His early professional experience, in the 40's, found him touring with bands like Louis Armstrong, Kid Ory and Lionel Hampton.
Eventually he settled in New York where he played and recorded with the leading musicians of the 1950's-- Charlie Parker, Miles Davis, Bud Powell, Art Tatum and Duke Ellington himself. One of the few bassists to do so, Mingus quickly developed as a leader of musicians. He was also an accomplished pianist who could have made a career playing that instrument. By the mid-50's he had formed his own publishing and recording companies to protect and document his growing repertoire of original music. He also founded the "Jazz Workshop," a group which enabled young composers to have their new works performed in concert and on recordings ...