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billy cobham
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Billy Cobham's Official Web Site.
Only a few times in history has a musician been singled out as the world-class master of his instrument. Billy Cobham is one of those few artists. For over 30 years, he has received international acclaim as the total consummate percussionist.
The legendary Billy Cobham, with his matchless, dazzling, ambidextrous skills as a drummer, has applied the same insistent fervor to his long list of monumental achievements. He’s an accomplished composer and record producer.
It is a rarely known fact that he was at the forefront of the electronic music industry and it’s development through Jazz. He was one of the first percussionists, along with Max Roach and Tony
Williams to utilize the Electronic Drum Controller made in 1968 by the Meazzi Drum Company in Milano, Italy while on concert tour with Horace Silver in Europe. He is one of the few Percussionists, specializing in the Jazz drum set to lead his own band. The award winning Cobham has custom designed trend setting acoustic and electronic drum sets and has endorsed products that he created and refined ...
Only a few times in history has a musician been singled out as the world-class master of his instrument. Billy Cobham is one of those few artists. For over 30 years, he has received international acclaim as the total consummate percussionist.
The legendary Billy Cobham, with his matchless, dazzling, ambidextrous skills as a drummer, has applied the same insistent fervor to his long list of monumental achievements. He’s an accomplished composer and record producer.
It is a rarely known fact that he was at the forefront of the electronic music industry and it’s development through Jazz. He was one of the first percussionists, along with Max Roach and Tony
Williams to utilize the Electronic Drum Controller made in 1968 by the Meazzi Drum Company in Milano, Italy while on concert tour with Horace Silver in Europe. He is one of the few Percussionists, specializing in the Jazz drum set to lead his own band. The award winning Cobham has custom designed trend setting acoustic and electronic drum sets and has endorsed products that he created and refined ...
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Date
Oct 7, 2005
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10366
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Other links at Drums & Percussion > drummers, percussionists
The Official Website of Keith Carlock, drummer for Donald Fagen, Walter Becker, Sting, Steely Dan, Wayne Krantz, David Johansen and more.
In 2003's Modern Drummer cover story on Keith, Ken Micallef writes, "Since his arrival in New York City from Clinton via North Texas State University, Keith Carlock has scurried up the drumming food chain with an inventive style that is equal parts Zigaboo Modeliste fire, Jon Christensen finesse, and Bernard Purdie funk.... Keith Carlock's achievements prove that talent, skill, and determination is no respecter of locales."
Clinton, Mississippi is is where Keith Carlock was born and raised and where he started playing the drums at age 5. In High School, he joined the jazz band, show choir and drum corps. During that period he would also listen to a lot of rock, R&B and soul music - artists including Stevie Wonder, Earth Wind & Fire, and Tower of Power.
He would spend countless hours playing along to records from John Scofield, Michel Camilo and The Meters, to name a few. Keith also joined several top-40 bands. "I practiced all the time, so much that my parents built me a soundproof room in the garage. I began taking lessons with George Lawrence and later Quinous Johnson in Jackson, Mississippi. And they both turned me on to jazz and fusion."
After receiving music scholarships to Berklee, University of Miami and North Texas State, Keith chose to attend North Texas State University in Denton, Texas because he wanted to study with Ed Soph (pictured left). Of his experience with Ed, Keith says, "He completely changed my approach to the drums; thinking of the drums in a musical way instead of only being a timekeeper for songs. He's able to find your weaknesses. He teaches you how to play jazz standards on the drums, soloing concepts, and ways to get different sounds out of the drums. My technique changed drastically. I came from a drum corps background. I was in a really good high school band, but I wasn't loose. Soph helped me to loosen up by teaching me the 'Moeller' technique. Depending on the style and feel of music being played, I learned to change my technique to make the music hopefully feel better and have a flow" ...
In 2003's Modern Drummer cover story on Keith, Ken Micallef writes, "Since his arrival in New York City from Clinton via North Texas State University, Keith Carlock has scurried up the drumming food chain with an inventive style that is equal parts Zigaboo Modeliste fire, Jon Christensen finesse, and Bernard Purdie funk.... Keith Carlock's achievements prove that talent, skill, and determination is no respecter of locales."
Clinton, Mississippi is is where Keith Carlock was born and raised and where he started playing the drums at age 5. In High School, he joined the jazz band, show choir and drum corps. During that period he would also listen to a lot of rock, R&B and soul music - artists including Stevie Wonder, Earth Wind & Fire, and Tower of Power.
He would spend countless hours playing along to records from John Scofield, Michel Camilo and The Meters, to name a few. Keith also joined several top-40 bands. "I practiced all the time, so much that my parents built me a soundproof room in the garage. I began taking lessons with George Lawrence and later Quinous Johnson in Jackson, Mississippi. And they both turned me on to jazz and fusion."
After receiving music scholarships to Berklee, University of Miami and North Texas State, Keith chose to attend North Texas State University in Denton, Texas because he wanted to study with Ed Soph (pictured left). Of his experience with Ed, Keith says, "He completely changed my approach to the drums; thinking of the drums in a musical way instead of only being a timekeeper for songs. He's able to find your weaknesses. He teaches you how to play jazz standards on the drums, soloing concepts, and ways to get different sounds out of the drums. My technique changed drastically. I came from a drum corps background. I was in a really good high school band, but I wasn't loose. Soph helped me to loosen up by teaching me the 'Moeller' technique. Depending on the style and feel of music being played, I learned to change my technique to make the music hopefully feel better and have a flow" ...
Category:
Become a Better Drummer - Jamie Kuijpers of Australia holds professional drum clinics to inspire and motivate drummers.
I was born 21st of May, 1971 as James Kuijpers (although I was only EVER called James when I was being told off! - Jamie is what it turned into). I started playing music when I was just 5 years of age, beginning with guitar and throughout my teenage years I performed in cover and original bands and created lots of music (or in some cases noise!!). Whilst at high school I was shown how to play a VERY basic 4/4 beat on a kit and suddenly my desire to play percussion grew and a new hobby was born.
While spending a number of years (13 to be exact!) working in the music retail industry and teaching private guitar students, I found that I began to play more and more kit and less guitar. Then, when I left the retail industry to work with Music Link (Australian distributors for Pearl, Zildjian and loads of other brands), I finally made drums my main instrument and continued to perform regularly in the Adelaide music scene. I have spent the past 5 years working with the worlds leading musical instrument manufactures including, Pearl, Zildjian, Latin Percussion, Remo, and Vic Firth. In that time I have had an amazing opportunity to travel the world, meet and learn from some of today’s finest musicians and business people including Karl Lewis of Savage Garden, Terrepia Richmond of The Whitlams, John Otto of Limp Bizkit, Virgil Donati, Steve Smith, Grant Collins, Dom Famularo, Alejandro Vega, Vic Firth, Debbie Zildjian and Remo Belli ...
I was born 21st of May, 1971 as James Kuijpers (although I was only EVER called James when I was being told off! - Jamie is what it turned into). I started playing music when I was just 5 years of age, beginning with guitar and throughout my teenage years I performed in cover and original bands and created lots of music (or in some cases noise!!). Whilst at high school I was shown how to play a VERY basic 4/4 beat on a kit and suddenly my desire to play percussion grew and a new hobby was born.
While spending a number of years (13 to be exact!) working in the music retail industry and teaching private guitar students, I found that I began to play more and more kit and less guitar. Then, when I left the retail industry to work with Music Link (Australian distributors for Pearl, Zildjian and loads of other brands), I finally made drums my main instrument and continued to perform regularly in the Adelaide music scene. I have spent the past 5 years working with the worlds leading musical instrument manufactures including, Pearl, Zildjian, Latin Percussion, Remo, and Vic Firth. In that time I have had an amazing opportunity to travel the world, meet and learn from some of today’s finest musicians and business people including Karl Lewis of Savage Garden, Terrepia Richmond of The Whitlams, John Otto of Limp Bizkit, Virgil Donati, Steve Smith, Grant Collins, Dom Famularo, Alejandro Vega, Vic Firth, Debbie Zildjian and Remo Belli ...
Category:
David Oromaner, information, music, photos, bio, equipment, discography.
Known for his versatility, vibrant live energy, and musical malleability, David Oromaner has entered the realm of New York City's in-demand drummers. His diverse background as a musician ranges from live performances, studio sessions and recording dates, to Carnegie-Hall neighborhood clinics, Cabarets, and finally to teaching his craft.
Growing up in the suburbs of Long Island, David was constantly surrounded by music. "My earliest musical memories are of my older cousin Richard playing drums in his basement for hours. There was just something about being surrounded by sound—a raw, primal energy that instantly got me hooked." Adding to the fire was David's musically obsessed older brother, who would blast Led Zeppelin, The Beatles, and Pink Floyd from his boom box, which was set at no less than an "11." In addition to influences seeping in from his bedroom wall, David was also discovering classical and jazz on his own. The objects of his admiration included Basie, Roach, Bonham, Bruford, Peart, and John Williams. The combination of all these influences helped shape David as a drummer, which he became at the early age of eleven, when he inherited his cousin's drums.
However, from ages 10 to 17, David's main instrument was trumpet. David attented Wantagh High School, where he studied theory and jazz improvisation under the tutelage of Rolann Masciarelli. As a senior he was awarded the prestigious' Louis Armstrong Jazz Award.' In addition to trumpet studies, David pursued private drum lessons at the Long Island Drum Center with a great teacher and fusion drummer named Dave Stark. David then went on to pursue both business and music at SUNY Albany, where he studied with percussionist Richard Abagli and jazz drummer Dave Calarco.
After college, David relocated to Atlanta, Georgia. One of the first musicians he met was guitarist Dan Marshall, who had recently opened the doors to his studio in Little Five Points, called 'Levelheads.' David began laying down live,' pre-produced' drum tracks at the studio in order to develop recording techniques and sounds. Eventually, he garnered the attention of various Atlanta based singer/songwriters who needed drum tracks for their LPs and demos ...
Known for his versatility, vibrant live energy, and musical malleability, David Oromaner has entered the realm of New York City's in-demand drummers. His diverse background as a musician ranges from live performances, studio sessions and recording dates, to Carnegie-Hall neighborhood clinics, Cabarets, and finally to teaching his craft.
Growing up in the suburbs of Long Island, David was constantly surrounded by music. "My earliest musical memories are of my older cousin Richard playing drums in his basement for hours. There was just something about being surrounded by sound—a raw, primal energy that instantly got me hooked." Adding to the fire was David's musically obsessed older brother, who would blast Led Zeppelin, The Beatles, and Pink Floyd from his boom box, which was set at no less than an "11." In addition to influences seeping in from his bedroom wall, David was also discovering classical and jazz on his own. The objects of his admiration included Basie, Roach, Bonham, Bruford, Peart, and John Williams. The combination of all these influences helped shape David as a drummer, which he became at the early age of eleven, when he inherited his cousin's drums.
However, from ages 10 to 17, David's main instrument was trumpet. David attented Wantagh High School, where he studied theory and jazz improvisation under the tutelage of Rolann Masciarelli. As a senior he was awarded the prestigious' Louis Armstrong Jazz Award.' In addition to trumpet studies, David pursued private drum lessons at the Long Island Drum Center with a great teacher and fusion drummer named Dave Stark. David then went on to pursue both business and music at SUNY Albany, where he studied with percussionist Richard Abagli and jazz drummer Dave Calarco.
After college, David relocated to Atlanta, Georgia. One of the first musicians he met was guitarist Dan Marshall, who had recently opened the doors to his studio in Little Five Points, called 'Levelheads.' David began laying down live,' pre-produced' drum tracks at the studio in order to develop recording techniques and sounds. Eventually, he garnered the attention of various Atlanta based singer/songwriters who needed drum tracks for their LPs and demos ...
Category:
The website of drummer Scott Amendola. View his biography, discography, performance schedule, photos, download MP3s, and other fun stuff.
Category:
Information about drummer Austin McMahon, including biography, pictures and audio.
Austin McMahon was raised in northern New Jersey, USA and began playing the drumset
at age fourteen. Immediately after acquiring a drumset of his own, he began to study with
Tommy Igoe, currently known for his work as drummer/assistant musical director on Broadway
with The Lion King. Sonny Igoe and John Riley were also very important teachers who greatly
influenced Austin's playing and direction in music.
During high school, Austin was chosen to perform with the New Jersey All-state Jazz
Ensemble, Wind Ensemble and Orchestra and particpated in jazz workshops including Jazz for
Teens, William Paterson College Summer Jazz Workshop and Litchfield Jazz Festival and Summer Music School in Litchfield, Connecticutt. These programs introduced Austin to
numerous other young musicians interested in pursuing careers in Jazz.
After graduating from Roxbury High School, Austin was invited to attend the University of
Miami (Florida) on a music scholarship.
While based out of Miami, Florida, Austin quickly became active in the live music scene.
Austin developed his sound with many other students from the University playing in a wide
variety of musical situations including: A two year residency with the reknowned University
of Miami Concert Jazz Band, as well as the Salsa Orchestra, and Bop Brothers.
After five years in Miami, Austin completed his Bachelors and Masters of Music Degrees in
the University of Miami Studio Music and Jazz program ...
Austin McMahon was raised in northern New Jersey, USA and began playing the drumset
at age fourteen. Immediately after acquiring a drumset of his own, he began to study with
Tommy Igoe, currently known for his work as drummer/assistant musical director on Broadway
with The Lion King. Sonny Igoe and John Riley were also very important teachers who greatly
influenced Austin's playing and direction in music.
During high school, Austin was chosen to perform with the New Jersey All-state Jazz
Ensemble, Wind Ensemble and Orchestra and particpated in jazz workshops including Jazz for
Teens, William Paterson College Summer Jazz Workshop and Litchfield Jazz Festival and Summer Music School in Litchfield, Connecticutt. These programs introduced Austin to
numerous other young musicians interested in pursuing careers in Jazz.
After graduating from Roxbury High School, Austin was invited to attend the University of
Miami (Florida) on a music scholarship.
While based out of Miami, Florida, Austin quickly became active in the live music scene.
Austin developed his sound with many other students from the University playing in a wide
variety of musical situations including: A two year residency with the reknowned University
of Miami Concert Jazz Band, as well as the Salsa Orchestra, and Bop Brothers.
After five years in Miami, Austin completed his Bachelors and Masters of Music Degrees in
the University of Miami Studio Music and Jazz program ...
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