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cad audio
Description
We are a danish company working with PA-systems , HIFI systems ,
PWM Amplifiers , Switch Mode Power Supplies, Software development.
We build our products on many years of experience combined
with innovation and use of new technology.
pa loudspeakers, pa amplifiers, flightcases, pwm amplifiers.
digital amplifier pwm amplifier switch mode powersupply
B&C drivers pa loudspeaker amplifier flightcase hifi loudspeakers
PWM Amplifiers , Switch Mode Power Supplies, Software development.
We build our products on many years of experience combined
with innovation and use of new technology.
pa loudspeakers, pa amplifiers, flightcases, pwm amplifiers.
digital amplifier pwm amplifier switch mode powersupply
B&C drivers pa loudspeaker amplifier flightcase hifi loudspeakers
Category
Date
Sep 13, 2005
Contact name
Email
Link ID
10020
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PACRIM AUDIO was established fifteen years ago which has been total dedication to the design and manufacture of a vital mix of innovative products, carefully crafted for the specific needs of the sound reinforcement fields and developed through advanced & methodical research. We are also committed to providing top quality products with reasonable prices as well as best services, quality echnical support, and a reliable distribution network.
Our production facility measures 6000 square meters and is located in Guangzhou City, which is about 20 minutes form the airport to the factory. With more than one hundred and fifty skillful facilities such as computer testing system, milling machines, painting equipments etc.
We are specialized in producing professional sound systems, the main product ranges are covering the Theatrical reinforcement, Concert Sound Reinforcement, Clubs & Disco, House of Worship, Sports Arena and Amplifiers system. Especially the Line Array systems, we are concentrating on doing more scientific research for developing this touring system with sound technical innovation.
Now, we have three sizes available, they are 2X8",2X10",2X15",these systems have been widely used in domestic and oversea for some big concerts. Your valuable comment for us will be much appreciate, we would like to invite you to work with us to make everything good to great in the sound industry. Assuring that PACRIM AUDIO is the right choice for you!
PSH Series is designed mainly for different sizes of touring concerts. It has Line Array System., Stadium Array that can cater for many touring performances. The PSH-PAL3, PSH-PAL3B, PSH-PAL5, PSH-PAL5B are mainly for medium to small size touring performances. While the PSH-152, PSH-181B and PSH-a1, PSH-a2 are mainly for large size to small size touring performances. Also, there is an extra subwoofer PSH-218B and monitor system PSH-15M that can form a complete touring system in the PSH Series.
PS Project Installation Series are mainly designed for some high requirement of music venues. There are many sizes of the systems available, which is from 8” to 15” full range, and double 15” to 18” subwoofer system. The enclosure is designed in multi-shape and it is in order to protect the acoustic wave interference. PS Series are with soft and clear voice as well as very naturally performance. The enclosures are fixed with flying tracks and stand socket that it very convenient for many music venues.
Our production facility measures 6000 square meters and is located in Guangzhou City, which is about 20 minutes form the airport to the factory. With more than one hundred and fifty skillful facilities such as computer testing system, milling machines, painting equipments etc.
We are specialized in producing professional sound systems, the main product ranges are covering the Theatrical reinforcement, Concert Sound Reinforcement, Clubs & Disco, House of Worship, Sports Arena and Amplifiers system. Especially the Line Array systems, we are concentrating on doing more scientific research for developing this touring system with sound technical innovation.
Now, we have three sizes available, they are 2X8",2X10",2X15",these systems have been widely used in domestic and oversea for some big concerts. Your valuable comment for us will be much appreciate, we would like to invite you to work with us to make everything good to great in the sound industry. Assuring that PACRIM AUDIO is the right choice for you!
PSH Series is designed mainly for different sizes of touring concerts. It has Line Array System., Stadium Array that can cater for many touring performances. The PSH-PAL3, PSH-PAL3B, PSH-PAL5, PSH-PAL5B are mainly for medium to small size touring performances. While the PSH-152, PSH-181B and PSH-a1, PSH-a2 are mainly for large size to small size touring performances. Also, there is an extra subwoofer PSH-218B and monitor system PSH-15M that can form a complete touring system in the PSH Series.
PS Project Installation Series are mainly designed for some high requirement of music venues. There are many sizes of the systems available, which is from 8” to 15” full range, and double 15” to 18” subwoofer system. The enclosure is designed in multi-shape and it is in order to protect the acoustic wave interference. PS Series are with soft and clear voice as well as very naturally performance. The enclosures are fixed with flying tracks and stand socket that it very convenient for many music venues.
Category:
Antelope introduces a new level of quality and innovation in digital audio. Over ten years ago, Antelope founder Igor Levin changed the face of digital audio technology by creating Aardvark's legendary AardSync. His unique innovations inspired a new generation of digital audio gear, and established new standards in quality and performance.
Igor continues to innovate, and founded Antelope to take these revolutionary ideas to the next level. Twenty years experience and an unparalleled understanding of digital audio have lead to gear that trancends all expectations. Antelope proves that digital can be done better, providing the full benefits of digital technology alongside warmth and acessability typically associated with analog. With Antelope, digital is not a compromise.
Igor continues to innovate, and founded Antelope to take these revolutionary ideas to the next level. Twenty years experience and an unparalleled understanding of digital audio have lead to gear that trancends all expectations. Antelope proves that digital can be done better, providing the full benefits of digital technology alongside warmth and acessability typically associated with analog. With Antelope, digital is not a compromise.
Category:
3. mp audio
Welcome to the MP-audio website.
This is the official site of mp-audio Belgium. Thank you for visiting. top cabinets, sub cabinets, monitors, line array
This is the official site of mp-audio Belgium. Thank you for visiting. top cabinets, sub cabinets, monitors, line array
Category:
The official website of George Massenburg, Massenburg Design Works, and GML. Website features extensive product specs, factory direct ordering, tips, links, and more.Massenburg, George Massenburg, GML, GMLINC, George Massenburg Labs, Massenburg Labs, Massenburg Design Works, MDW, parametric, parametric eq, equalization, parametric equalization
The Model 2030 Mastering Dynamic Gain Control is a precise tool for mastering and other critical applications where the utmost in control, flexibility, and transparency is demanded. Based on the proven GML Series III control and audio architecture, this no-compromise dynamic range controller continues the GML engineering tradition and expands familiar Model 8900 capabilities, including multi-channel operation.
Twenty-two years of progressive research into loudness perception resulted in a limiter/compressor unlike any other. The 8900 Dynamic Range Controller was intrinsically developed to react to loudness (rather than volts) like our ears do. The 8900’s psycho-acoustic approach uses multiple true-RMS detectors, remarkably accurate log converters, and fast peak detectors to respond intelligently to real signal energy, not just level. This unusual design employs unique controls, like Crest Factor, Timing, and Release Hysteresis to access the parameters that you really want to adjust. Familiar features such as Stereo Link, Soft/Hard Knee, Ratio, Output Level, as well as the comprehensive 40- segment tricolor Gain/Loss metering have been carefully optimized for flexible, creative control over a wide dynamic range with a lack of audible artifacts. Very useful is the Side Chain Input that permits external frequency shaping to be introduced into the detection circuitry. The entire audio path is all-discrete, including the VCA, for unsurpassed transparency and low-level resolution. The 8900 packs all of this in a formidable 2U, two-channel unit which requires requires the external GML 9015 Power Supply.
Brought to you from the man who invented the very concept of Parametric Equalization, the 8200 has been an industry standard for over twenty years, and can be found on virtually every major recording studio’s stereo bus. Each of the five broadly-overlapping bands offers 15dB of Boost or Cut and adjustable bandwidth (or “Q”) from 0.4 to 4. The lowest and highest bands also can be switched to Shelf mode. Quite simply, the 8200 is the archetype Stereo Parametric Equalizer. Its extraordinary resolution, benchmark transparency, generous headroom, and surgical precision have been the reference for many other equalizers, but exceeded by no other. It fits into a 2U, 19" space and requires the external GML 8355 Power Supply.
The 9500 is the Mastering Version of the 8200. The Gain, Frequency, and Q controls are fully-detented for absolute precision and repeatability. With 1/2dB steps of Boost and Cut and 24 different frequency choices per band, the 9500 is a powerful and comprehensive workhorse for Mastering Engineers around the world. This dual-mono, 3U “King of All Equalizers” requires two 8355 power supplies.
Four Channel Microphone Preamplifier
Two Channel Microphone Preamplifier
The 2020 is GML's latest mono blockbuster combo of the legendary 8300 Mic Pre, a 4-band version of the 8200 Parametric EQ, and a complete 8900 Dynamic Range Controller. Additional enhancements not found in the stand-alone units include: Mic, Line, and Direct Instrument input selection, front panel mounted 2-Pole High Pass Filter, Phase Reverse, and Phantom Power switches, as well as accurate LED input metering. From -10dB of attenuation up to a whopping 70dB of amplification, Input Gain is selectable in precise 5dB steps accommodating all sources from low output ribbon mics through semi-pro keyboards to inserts in super hot mastering chains with one knob. Both the EQ and Dynamics sections are independently bypassable and up to eight 2020 units can be linked for multichannel work. Especially useful about the 2020 is the way the 8200 EQ section can be placed either before or after the 8900 Dynamics section, or inserted into the Side Chain at the flick of a switch. This feature alone makes the 2020 an extremely flexible recording tool. A rugged 2U chassis houses all these fabulous features together. The 2020 requires one 9015 external power supply..
GML2032 Mic Pre and Parametric EQ
The Model 2030 Mastering Dynamic Gain Control is a precise tool for mastering and other critical applications where the utmost in control, flexibility, and transparency is demanded. Based on the proven GML Series III control and audio architecture, this no-compromise dynamic range controller continues the GML engineering tradition and expands familiar Model 8900 capabilities, including multi-channel operation.
Twenty-two years of progressive research into loudness perception resulted in a limiter/compressor unlike any other. The 8900 Dynamic Range Controller was intrinsically developed to react to loudness (rather than volts) like our ears do. The 8900’s psycho-acoustic approach uses multiple true-RMS detectors, remarkably accurate log converters, and fast peak detectors to respond intelligently to real signal energy, not just level. This unusual design employs unique controls, like Crest Factor, Timing, and Release Hysteresis to access the parameters that you really want to adjust. Familiar features such as Stereo Link, Soft/Hard Knee, Ratio, Output Level, as well as the comprehensive 40- segment tricolor Gain/Loss metering have been carefully optimized for flexible, creative control over a wide dynamic range with a lack of audible artifacts. Very useful is the Side Chain Input that permits external frequency shaping to be introduced into the detection circuitry. The entire audio path is all-discrete, including the VCA, for unsurpassed transparency and low-level resolution. The 8900 packs all of this in a formidable 2U, two-channel unit which requires requires the external GML 9015 Power Supply.
Brought to you from the man who invented the very concept of Parametric Equalization, the 8200 has been an industry standard for over twenty years, and can be found on virtually every major recording studio’s stereo bus. Each of the five broadly-overlapping bands offers 15dB of Boost or Cut and adjustable bandwidth (or “Q”) from 0.4 to 4. The lowest and highest bands also can be switched to Shelf mode. Quite simply, the 8200 is the archetype Stereo Parametric Equalizer. Its extraordinary resolution, benchmark transparency, generous headroom, and surgical precision have been the reference for many other equalizers, but exceeded by no other. It fits into a 2U, 19" space and requires the external GML 8355 Power Supply.
The 9500 is the Mastering Version of the 8200. The Gain, Frequency, and Q controls are fully-detented for absolute precision and repeatability. With 1/2dB steps of Boost and Cut and 24 different frequency choices per band, the 9500 is a powerful and comprehensive workhorse for Mastering Engineers around the world. This dual-mono, 3U “King of All Equalizers” requires two 8355 power supplies.
Four Channel Microphone Preamplifier
Two Channel Microphone Preamplifier
The 2020 is GML's latest mono blockbuster combo of the legendary 8300 Mic Pre, a 4-band version of the 8200 Parametric EQ, and a complete 8900 Dynamic Range Controller. Additional enhancements not found in the stand-alone units include: Mic, Line, and Direct Instrument input selection, front panel mounted 2-Pole High Pass Filter, Phase Reverse, and Phantom Power switches, as well as accurate LED input metering. From -10dB of attenuation up to a whopping 70dB of amplification, Input Gain is selectable in precise 5dB steps accommodating all sources from low output ribbon mics through semi-pro keyboards to inserts in super hot mastering chains with one knob. Both the EQ and Dynamics sections are independently bypassable and up to eight 2020 units can be linked for multichannel work. Especially useful about the 2020 is the way the 8200 EQ section can be placed either before or after the 8900 Dynamics section, or inserted into the Side Chain at the flick of a switch. This feature alone makes the 2020 an extremely flexible recording tool. A rugged 2U chassis houses all these fabulous features together. The 2020 requires one 9015 external power supply..
GML2032 Mic Pre and Parametric EQ
Category:
5. KS Audio
KS Audio: Digital studiomonitors and speakers for bradcast, sourround sound und firetec.
Founded in 1997, the firm is primarily dedicated to developing digital studio technology. Our developments are based on digital signal transmission, wherever it is superior to analog technology in precision and sound neutrality. The development of the ADM series is the result of the combination of modern digital signal processing with 15 years of experience building loudspeakers, controller boxes, as well as planning and developing the most complex acoustic systems in numerous theaters, festival halls etc. (the Reichstag, for example). Several patented innovations in the area of digital signal processing are to be found among KSdigital products. For example, the ADM2 revolutionized the studio monitor landscape with a previously unheard of spatial definition of music which has been certified in various tests performed by specialist magazines and leading sound engineers.
digital, Studiomonitor, Rundfunk-Lautsprecher, surround sound, FIRTEC, broadcast, referencemonitor, surround sound, firtec
Founded in 1997, the firm is primarily dedicated to developing digital studio technology. Our developments are based on digital signal transmission, wherever it is superior to analog technology in precision and sound neutrality. The development of the ADM series is the result of the combination of modern digital signal processing with 15 years of experience building loudspeakers, controller boxes, as well as planning and developing the most complex acoustic systems in numerous theaters, festival halls etc. (the Reichstag, for example). Several patented innovations in the area of digital signal processing are to be found among KSdigital products. For example, the ADM2 revolutionized the studio monitor landscape with a previously unheard of spatial definition of music which has been certified in various tests performed by specialist magazines and leading sound engineers.
digital, Studiomonitor, Rundfunk-Lautsprecher, surround sound, FIRTEC, broadcast, referencemonitor, surround sound, firtec
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