|
 |
connexions: francesco geminiani: the art of playing the violin
Description
Connexions: Francesco Geminiani: the art of playing the violin:
Three primary 18th century violin treatises (Geminiani, Leopold Mozart and L'Abbé Fils - the Italian, the German and the French) were all created within the space of the decade 1751-1761 and summarize the traditions they represent. A paradox exists, however, in that both too few and too many details of violin playing are known. Certain questions cannot be answered with assurance; the bewildering array of answers within the boundaries of accepted practice leads to the conclusion that there is not one but a variety of 18th century styles ...
Three primary 18th century violin treatises (Geminiani, Leopold Mozart and L'Abbé Fils - the Italian, the German and the French) were all created within the space of the decade 1751-1761 and summarize the traditions they represent. A paradox exists, however, in that both too few and too many details of violin playing are known. Certain questions cannot be answered with assurance; the bewildering array of answers within the boundaries of accepted practice leads to the conclusion that there is not one but a variety of 18th century styles ...
Date
Sep 16, 2006
Contact name
Email
Link ID
15884
Write a Review
Add to My Favorite
Refer it to Friend
Report Broken Link
Other links at Tutorials, music education, instructional products ... > violin
How to Play the Violin
From Wikibooks, the open-content textbooks collection:
This is a list of tips on how to play the violin.
When holding the neck of your violin, ensure your wrist is curved and your posture is perfect in order to create a rich tone.
Make sure your left wrist does not "collapse". You should support your violin with your neck and shoulder. Your left hand must be free to move, though you can bring your thumb underneath a bit to slightly counterbalance your fingers.
Keep your fingernails trimmed short. This is important for a clear sound. You should depress the strings with the tips of your fingers on your left hand and you won't do that well with long fingernails. Also, a good vibrato will not be achieved with long fingernails ...
From Wikibooks, the open-content textbooks collection:
This is a list of tips on how to play the violin.
When holding the neck of your violin, ensure your wrist is curved and your posture is perfect in order to create a rich tone.
Make sure your left wrist does not "collapse". You should support your violin with your neck and shoulder. Your left hand must be free to move, though you can bring your thumb underneath a bit to slightly counterbalance your fingers.
Keep your fingernails trimmed short. This is important for a clear sound. You should depress the strings with the tips of your fingers on your left hand and you won't do that well with long fingernails. Also, a good vibrato will not be achieved with long fingernails ...
Category:
Answers: Playing the violin This article is part of the Fiddle & Violin series. Violin construction Playing the violin Making and maintenance History of.
The violin player usually holds the instrument under the chin, supported by the left shoulder (but see below for variations of this posture). The strings are sounded either by drawing the bow across them or by plucking them (pizzicato). The left hand regulates the sounding length of the strings by stopping them against the fingerboard with the fingertips, producing different notes ...
The violin player usually holds the instrument under the chin, supported by the left shoulder (but see below for variations of this posture). The strings are sounded either by drawing the bow across them or by plucking them (pizzicato). The left hand regulates the sounding length of the strings by stopping them against the fingerboard with the fingertips, producing different notes ...
Category:
3. stage fright playing the violin performing the violin tips to help musicians by violinist sue aston
Sue Aston has appeared on professional classical recordings, radio broadcasts, and television, both nationally and internationally, and worked with eminent musicians such as Simon Rattle, Nigel Kennedy, Peter Donohoe, Yehudi Menuhin, Sir Charles Groves, and Esa Pekka Salonen.
Stage Fright
One of the commonest and most natural problems of playing the violin – or indeed any instrument – occurs when the time finally comes to perform in public. This could arise either during a concert or in an exam situation. I have suffered from severe nerves and stage fright myself, so I understand how awful fellow performers and pupils feel. The approach I use to help myself comes under four headings: - Preparation, Visualisation, Breathing, and Exposure ...
Celtic Cornwall CDs DVDs Celtic Classical Music from Cornish Composer and proffessional violinist Sue Aston
Stage Fright
One of the commonest and most natural problems of playing the violin – or indeed any instrument – occurs when the time finally comes to perform in public. This could arise either during a concert or in an exam situation. I have suffered from severe nerves and stage fright myself, so I understand how awful fellow performers and pupils feel. The approach I use to help myself comes under four headings: - Preparation, Visualisation, Breathing, and Exposure ...
Celtic Cornwall CDs DVDs Celtic Classical Music from Cornish Composer and proffessional violinist Sue Aston
Category:
John Mark Ministries: Playing a violin with three strings:
On Nov. 18, 1995, Itzhak Perlman, the violinist, came on stage to give a concert at Avery Fisher Hall at Lincoln Center in New York City.
If you have ever been to a Perlman concert, you know that getting on stage is no small achievement for him. He was stricken with polio as a child, and so he has braces on both legs and walks with the aid of two crutches. To see him walk across the stage one step at a time, painfully and slowly, is an awesome sight.
He walks painfully, yet majestically, until he reaches his chair.
Then he sits down, slowly, puts his crutches on the floor, undoes the clasps on his legs,tucks one foot back and extends the other foot forward. Then he bends down and picks up the violin, puts it under his chin, nods to the conductor and proceeds to play ...
On Nov. 18, 1995, Itzhak Perlman, the violinist, came on stage to give a concert at Avery Fisher Hall at Lincoln Center in New York City.
If you have ever been to a Perlman concert, you know that getting on stage is no small achievement for him. He was stricken with polio as a child, and so he has braces on both legs and walks with the aid of two crutches. To see him walk across the stage one step at a time, painfully and slowly, is an awesome sight.
He walks painfully, yet majestically, until he reaches his chair.
Then he sits down, slowly, puts his crutches on the floor, undoes the clasps on his legs,tucks one foot back and extends the other foot forward. Then he bends down and picks up the violin, puts it under his chin, nods to the conductor and proceeds to play ...
Category:
5. violin world
Violin-World contains an on-line secure shopping centre where you can find anything for stringed instruments; strings, bows, cases, accessories and outfits. Also a virtual violin making school, advice, articles, teacher's directory, free music lessons and classifieds.
string instrument, violin, viola, cello, double bass, strings, bows, cases, sheet music, online store and catalogue, announcements, classifieds, teachers directory, sound advice, articles, music jokes, music
string instrument, violin, viola, cello, double bass, strings, bows, cases, sheet music, online store and catalogue, announcements, classifieds, teachers directory, sound advice, articles, music jokes, music
Category:
Main Category
11
2005
555
335
215
6
791
59
2257
363
411
190
140
211
22
2321
74
120
3
178
36
145
105
36
14
26
1038
159
234
98
273
9
1068
151
245
144
312
255
348
15
78
214
128
70
414
536
2604
91
Top 10
Statistics
Links: 17467
Categories: 1112
Unique Outgoing Hits: 4637474
Pagerank Statistics
