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Cranesong
Description
Designer Dave Hill has always had an interest in electronics, and started designing and building devices at an early age. He was building synthesizers from scratch and started doing professional level sound recording and equipment maintenance at a local music store while still in school. After high school Dave decided to pursue a career in electronics and enrolled in a course at a local community college. After his first semester he was asked by the college to take over teaching the course. He taught for 8 years and continued his involvement in pro audio.
To date Dave has been doing studio and film sound recording since 1972. He has also been involved in film post production. Early in the 1980's Dave was asked by a used equipment dealer if he could design a tube compressor that would have the sound of the older tube type devices and still be clean enough to compete with modern devices. The result of this request was the Summit Audio TLA-100. Due to the success of that design Dave Hill went on to design and set up the manufacture of all Summit Audio products until September of 1994 at which time Summit Audio was relocated the manufacturing to California. From 1984 to 1994 Summit Audio grew from a single product and one employee working out of the basement of Dave's home to a full product line and over a dozen fulltime employees ...
avocet, stereo controller, egret, workstation back end, stereo line mixer, spider, 8-channel mic-pre amplifier/mixer, trakker, single channel discrete class a compressor limiter, class a, hedd, a/d, d/a, converters, pro studio recording, project studios, daw, mastering, preparation, stc-8, stereo compressor, peak limiter, flamingo, 2-channel discrete class a microphone preamplifier, analog dither, add warmth to your tracks, phoenix, tdm plug-in.
To date Dave has been doing studio and film sound recording since 1972. He has also been involved in film post production. Early in the 1980's Dave was asked by a used equipment dealer if he could design a tube compressor that would have the sound of the older tube type devices and still be clean enough to compete with modern devices. The result of this request was the Summit Audio TLA-100. Due to the success of that design Dave Hill went on to design and set up the manufacture of all Summit Audio products until September of 1994 at which time Summit Audio was relocated the manufacturing to California. From 1984 to 1994 Summit Audio grew from a single product and one employee working out of the basement of Dave's home to a full product line and over a dozen fulltime employees ...
avocet, stereo controller, egret, workstation back end, stereo line mixer, spider, 8-channel mic-pre amplifier/mixer, trakker, single channel discrete class a compressor limiter, class a, hedd, a/d, d/a, converters, pro studio recording, project studios, daw, mastering, preparation, stc-8, stereo compressor, peak limiter, flamingo, 2-channel discrete class a microphone preamplifier, analog dither, add warmth to your tracks, phoenix, tdm plug-in.
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Date
Jan 26, 2005
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Link ID
153
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Other links at Digidesign Pro Tools > plug-ins
KIWA are leading providers of digital ADR and Dubbing technology for the film and television post production industries. The products VoiceQ ADR, VoiceQ DUB and VoiceQ QML are quickly becoming recognised as the best available on the market today.
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Welcome to Roger Nichols Digital: Plug-ins that matter: Having worked with some of the world's most successful artists over nearly four decades in the record business, and picking up seven Grammy Awards in the process, Roger Nichols knows of what he speaks. Roger Nichols Digital was formed in 2005 to make his proven hands-on experience available to all DAW users in the form plug-ins.
Roger Nichols has been designing DSP software for his personal use since 1981. These powerful devices have been used to great effect on countless albums and mastering projects with such artists as Steely Dan, Al DiMeola and Bela Fleck. "It is now time to make these plug-ins available to the ever-expanding universe of DAW-based mixing and mastering," Nichols said. "RND is fully committed to plug-in development."
Inspector Free: free powerful analysis tool.
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Roger Nichols has been designing DSP software for his personal use since 1981. These powerful devices have been used to great effect on countless albums and mastering projects with such artists as Steely Dan, Al DiMeola and Bela Fleck. "It is now time to make these plug-ins available to the ever-expanding universe of DAW-based mixing and mastering," Nichols said. "RND is fully committed to plug-in development."
Inspector Free: free powerful analysis tool.
rtas, mac/win, vst mac/win, au
free vst plugin, pc, mac
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3. Audioease
Audioease: Altiverb 6 is a convolution reverb plug-in for Mac OS X and Windows XP. It uses top quality samples of real spaces to create reverb, ranging from Sydney Opera House to the cockpit of a Jumbo Jet. Altiverb 6 offers the most extensive set of parameters, it supports all professional plug-in formats including protools TDM on the Mac, parameter automation and surround. Altiverb 6 gives you a choice between iLok SmartKey or Challenge/response copy protection, it lets you sample your own spaces (currently Mac only), and Altiverb is efficient on your cpu.
Vst Wrapper,
BarbaBatch V4 is a batch sound file conversion program for Mac OSX. It includes version 3.9 for Mac OS9. All information on this page refers to the OSX version. Please click here for info on the OS9 version.
For over a decade BarbaBatch has been winning awards and acclaim for its top quality conversions.
Its unrivaled samplerate conversion algorithm, its support for high end files like BWF, Sonic Solutions and 32 bit float files, its 192kHz sampling rate support and Redbook CD image extraction has made it popular among mastering engineers.
Vst Wrapper,
BarbaBatch V4 is a batch sound file conversion program for Mac OSX. It includes version 3.9 for Mac OS9. All information on this page refers to the OSX version. Please click here for info on the OS9 version.
For over a decade BarbaBatch has been winning awards and acclaim for its top quality conversions.
Its unrivaled samplerate conversion algorithm, its support for high end files like BWF, Sonic Solutions and 32 bit float files, its 192kHz sampling rate support and Redbook CD image extraction has made it popular among mastering engineers.
Category:
4. Cranesong
Designer Dave Hill has always had an interest in electronics, and started designing and building devices at an early age. He was building synthesizers from scratch and started doing professional level sound recording and equipment maintenance at a local music store while still in school. After high school Dave decided to pursue a career in electronics and enrolled in a course at a local community college. After his first semester he was asked by the college to take over teaching the course. He taught for 8 years and continued his involvement in pro audio.
To date Dave has been doing studio and film sound recording since 1972. He has also been involved in film post production. Early in the 1980's Dave was asked by a used equipment dealer if he could design a tube compressor that would have the sound of the older tube type devices and still be clean enough to compete with modern devices. The result of this request was the Summit Audio TLA-100. Due to the success of that design Dave Hill went on to design and set up the manufacture of all Summit Audio products until September of 1994 at which time Summit Audio was relocated the manufacturing to California. From 1984 to 1994 Summit Audio grew from a single product and one employee working out of the basement of Dave's home to a full product line and over a dozen fulltime employees ...
avocet, stereo controller, egret, workstation back end, stereo line mixer, spider, 8-channel mic-pre amplifier/mixer, trakker, single channel discrete class a compressor limiter, class a, hedd, a/d, d/a, converters, pro studio recording, project studios, daw, mastering, preparation, stc-8, stereo compressor, peak limiter, flamingo, 2-channel discrete class a microphone preamplifier, analog dither, add warmth to your tracks, phoenix, tdm plug-in.
To date Dave has been doing studio and film sound recording since 1972. He has also been involved in film post production. Early in the 1980's Dave was asked by a used equipment dealer if he could design a tube compressor that would have the sound of the older tube type devices and still be clean enough to compete with modern devices. The result of this request was the Summit Audio TLA-100. Due to the success of that design Dave Hill went on to design and set up the manufacture of all Summit Audio products until September of 1994 at which time Summit Audio was relocated the manufacturing to California. From 1984 to 1994 Summit Audio grew from a single product and one employee working out of the basement of Dave's home to a full product line and over a dozen fulltime employees ...
avocet, stereo controller, egret, workstation back end, stereo line mixer, spider, 8-channel mic-pre amplifier/mixer, trakker, single channel discrete class a compressor limiter, class a, hedd, a/d, d/a, converters, pro studio recording, project studios, daw, mastering, preparation, stc-8, stereo compressor, peak limiter, flamingo, 2-channel discrete class a microphone preamplifier, analog dither, add warmth to your tracks, phoenix, tdm plug-in.
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5. gmedia music
GMEDIA Music Home Page:
Virtual Instruments.
What would the intro to Pink Floyd’s 'Wish You Were Here' have sounded like without those moody string machine chords? Can anyone imagine 'Oxygene' without the swirling tones imparted by the Eminent 310 and Small Stone Phaser? Likewise, what would Lonnie Liston Smith’s 'Expansions' have sounded like without that effervescent Solina?
GMEDIA, GForce, Sample CD's, Garidge, Garage, Trance, Rhodes, Swing, Tapes, MTron, M-Tron, Phat, Phat.Boy, Barbieri, Wakeman, Signature, Sounds,
DR-008, Drum Machine, FXpansion, OSCar, VST Instruments,MIDI controller
Virtual Instruments.
What would the intro to Pink Floyd’s 'Wish You Were Here' have sounded like without those moody string machine chords? Can anyone imagine 'Oxygene' without the swirling tones imparted by the Eminent 310 and Small Stone Phaser? Likewise, what would Lonnie Liston Smith’s 'Expansions' have sounded like without that effervescent Solina?
GMEDIA, GForce, Sample CD's, Garidge, Garage, Trance, Rhodes, Swing, Tapes, MTron, M-Tron, Phat, Phat.Boy, Barbieri, Wakeman, Signature, Sounds,
DR-008, Drum Machine, FXpansion, OSCar, VST Instruments,MIDI controller
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