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dave illig
dave illig
Description
Dave Illig, Jazz Guitarist:
Welcome to our web site. Both David Illig and Stephanie Illig play guitar but their styles are very different. Hopefully after you spend some time on the site you will get to know them and their music. We hope you enjoy it.
Stephanie is 18 years old and has been playing since the age of 7. Her interests run toward a unique solo acoustic genre. We will be updating her page regularly with some of her solo tunes.

David Illig played professionally for many years. After being hired by a major airline he put the guitar away for 12 years. A visit from some friends from his playing days motivated him to start playing again ...
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Date
Dec 31, 2005
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Email
Link ID
11762

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Other links at Guitar, Bass... > guitar players
Rock guitarist Charlie Hargrett discusses his 15-year history with southern-rock band Blackfoot, the new Blackfoot-reunion, Blackfoot-merchandise, and a link to the official Blackfoot-website. Guitarists, be sure to check out the guitar maintenance tips ...
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John Fogerty has been rocking and stomping his way across select cities in Australia for the first time since 1998, showing excited audiences and press there why he remains one of THE most dynamic and important figures in American music. Fogerty is on a one-month tour "down under", in support of his recently released and acclaimed career retrospective THE LONG ROAD HOME (Fantasy). Fogerty played an amazing sold-out show at Brisbane's Entertainment Centre, followed by two memorable sold-out nights at the famed Sydney Opera House. Even a few kangaroos have gotten in on the act, showing up at one of his outdoor shows! ...
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Margaret Stowe guitarist:
Toronto-based guitarist Margaret Stowe has performed all over Canada and Europe. A versatile, jazz-based guitarist and bandleader for over 2 decades, she has worked with and accompanied a host of artists including Jackie Richardson, Ellen McIlwaine, Georgette Fry, Rita Chiarelli, Suzie Vinnick, Mose Scarlett, Jackie Washington, Lorraine Segato, Salome Bey, Cheryl Lescom, Phynix, Big Rude Jake and the incomparable Daisy DeBolt. She has worked in musical theatre including 2 runs of Jacques Brel is Alive and Well and Living in Paris. She has performed with several symphony orchestras, done concerts with Brass Roots and the Swing Sisters, and has been a member of the Canadian Modernaires Orchestra and the Jazz Writer’s Workshop ...

Pics from European tour with Big Rude Jake - Pictures of the 1999-2000 European tour.
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Jazz guitarist Gene Shimosato's website features biography, sound bites, itinerary, cds, photo gallery, etc ...
Award winning guitarist, Gene Ess, draws upon a diverse background to form his unique style. Studying classical piano, Ess's early years were filled with sounds of Beethoven and Chopin. Growing up on a US Air Force Base, Ess was simultaneously receiving a mix of influences: he was exposed to the indigenous music of Okinawa and - to the pop and jazz music coming out of the clubs for the American soldiers. All this amounted for an early obsession with music.

Considered a child prodigy by fellow musicians and instructors, Ess performed in clubs and festivals all around Okinawa at the early age of 14. After graduating high school, not satisfied, Ess left for George Mason University. There, Ess pursued classical music studies with Larry Snitzler, a prominent concert guitarist who was once Andres Segovia's disciple and orchestral composition under Dr. Glenn Smith.

Downbeat magazine presented Ess's performance of Lennox Berkeley's 'Theme and Variations' with the 'Outstanding Performance Award' in 1983. Consequently, Ess received a scholarship to attend the prestigious Berklee College of Music in Boston. There he continued his musical quest and was heavily influenced by the music of John Coltrane. During those years, Ess started leading his own groups, which included among others, pianist Danilo Perez. After studies with Jerry Bergonzi and Charlie Banacos, Ess graduated from Berklee with honors in 1989 and moved to New York in 1991 ...
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Jimmy Bruno:
Bruno_maaaann!" says George Benson of one of the brightest talents in the guitar firmament. And while Benson's comment may be short on detail, there's no question that it gets the point across: he's impressed, which in itself speaks volumes about Jimmy Bruno's abilities.
What makes Bruno special enough to attract the attention of someone of George Benson's stature? Simply that he plays from within the tradition of straight-ahead jazz while taking the guitar to a new technical level. When Jimmy gets revved up and begins tossing off blistering single-note runs and blindingly fast arpeggios, look out. In terms of sheer chops, he's practically untouchable in the jazz guitar world. At the same time, he's much more than just a sterile technician. He knows jazz, uses his technique for musical ends,and can play pretty and swing hard. It's a unique combination that sets him apart_and is especially evident on Live At Birdland One (CCD-4768-2)with Special Guest Bobby Watson, his latest Concord Jazz recording ...
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