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doc dosco
Description
Canadian jazz guitarist Doc Dosco moved to Los Angeles from Canada in the late 1970s. Soon after he began playing gigs and doing studio work. With long time friend and producer Esmond Edwards, (George Benson, Kenny Burrell, B.B. King) Doc has played on recordings with jazz greats such as Blue Mitchell, Eddie Harris, Gene Harris, Red Halloway, Cedar Walton, Harold Land, Paulinho Da Costa and he has shared the stage with many others. He has had his jazz tunes recorded by Blue Mitchell, Eddie Harris and Herman Riley.
"I did tons of 'guitar for hire' studio dates back then", says Doc, "and I gigged a lot during the late seventies and eighties. I was a funky fusion style player and there was lots of funk style work. I also did pick-up work, casuals, society gigs and played numerous concerts with old timers such as Little Anthony, the Drifters, the Diamonds, the Platters, Freddie Cannon and such. I also wrote songs for Jerry Lee Lewis and German pop phenom Nina Hagen, and recorded several albums with the revolutionary Motown recording artists Black Russian. Towards the late eighties, I started drifting away from guitar playing and into electronic music, record production and audio consultation. This in turn, led to some pretty bleak years as far as playing went" ...
"I did tons of 'guitar for hire' studio dates back then", says Doc, "and I gigged a lot during the late seventies and eighties. I was a funky fusion style player and there was lots of funk style work. I also did pick-up work, casuals, society gigs and played numerous concerts with old timers such as Little Anthony, the Drifters, the Diamonds, the Platters, Freddie Cannon and such. I also wrote songs for Jerry Lee Lewis and German pop phenom Nina Hagen, and recorded several albums with the revolutionary Motown recording artists Black Russian. Towards the late eighties, I started drifting away from guitar playing and into electronic music, record production and audio consultation. This in turn, led to some pretty bleak years as far as playing went" ...
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Dec 25, 2005
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1. pat travers
Pat Travers was born in Toronto, Canada on April 12, 1954. Soon after picking up the guitar at age 12 Pat saw the legend Jimi Hendrix perform in Ottawa. This obvious inspirational concert must have sparked the young Pat to go after the dream of becoming a star like so many of his early influences. Inspired by such guitarists as Hendrix, Jeff Beck, Eric Clapton and Jimmy Page, Pat began playing in bands early in his teens. His first bands were "Red Hot" and "Merge" who played in Quebec area clubs. While the early years were hard, they would eventually pay off in the form of improved musicianship, style, and exposure.
While performing with Merge, he was noticed by the 50's rock artist Ronnie Hawkins who soon had Pat off on the road performing with him. While Hawkins music was mostly old rock and roll, country and rockabilly, Pat used this experience to hone his skills and voice as Hawkins lead guitarist. After a year on the road with Hawkins, Pat traded in the tuxedoes and ties to go after his true dream, to have his own band and become a star....
pat travers,pt,ptrocks,pat travers band,pat thrall,tommy alderidge,mars cowling,sean shannon,dave la rue,kevin rian,eric frates,rick navarro,ed tierney,edtheedge, albums:
Makes No Difference,
Pat Travers
,Makin' Magic
,Putting It Straight
,Heat In The Street
,The Pat Travers
,You Missed
,Go For
What You
Know,
,Live! Boom Boom
(Out Go The Lights)
,Crash And Burn
,Is This Love
(Japanese Single)
,Is This Love
Snortin' Whiskey
(US Single)
,Snortin' Whiskey
Stateboro Blues
(Single)
,Evie
(Single)
,Black Pearl
,Valley Girl
,Hot Shot
,Best Of Pat Travers
Boom Boom
,School Of Hard Knocks
,Anthology
Vol 1
,Anthology
Vol 2
,Best Of Pat Travers
,Boom Boom
,BBC Radio 1
Live Concert
,Blues Tracks
,Just A Touch
,Hats Off To
Stevie Ray Vaughn
,Fit For A King
,Songs From The Better Blues Bureau
,Masters Of Metal
,Blues Magnet
,Cream Of The Crop
,Animal Magnetism
,Halfway To Somewhere
,Lookin' Up
,King Biscuit
,Summerdaze
,Whiskey Blues
,Best Of Blues + Live!
,King Biscuit
,Blues Tracks 2
,Don't Feed The Alligators
,Boom Boom
,BBC Radio 1
Live!
,Voices Of Classic Rock
Voices For America
,Etched In Stone
Live - Tempe, AZ
NYE 2002
,Putting It Striaight
Heat In The Street
Double CD
,Power Trio
,20th Century Masters
Best Of Pat Travers
While performing with Merge, he was noticed by the 50's rock artist Ronnie Hawkins who soon had Pat off on the road performing with him. While Hawkins music was mostly old rock and roll, country and rockabilly, Pat used this experience to hone his skills and voice as Hawkins lead guitarist. After a year on the road with Hawkins, Pat traded in the tuxedoes and ties to go after his true dream, to have his own band and become a star....
pat travers,pt,ptrocks,pat travers band,pat thrall,tommy alderidge,mars cowling,sean shannon,dave la rue,kevin rian,eric frates,rick navarro,ed tierney,edtheedge, albums:
Makes No Difference,
Pat Travers
,Makin' Magic
,Putting It Straight
,Heat In The Street
,The Pat Travers
,You Missed
,Go For
What You
Know,
,Live! Boom Boom
(Out Go The Lights)
,Crash And Burn
,Is This Love
(Japanese Single)
,Is This Love
Snortin' Whiskey
(US Single)
,Snortin' Whiskey
Stateboro Blues
(Single)
,Evie
(Single)
,Black Pearl
,Valley Girl
,Hot Shot
,Best Of Pat Travers
Boom Boom
,School Of Hard Knocks
,Anthology
Vol 1
,Anthology
Vol 2
,Best Of Pat Travers
,Boom Boom
,BBC Radio 1
Live Concert
,Blues Tracks
,Just A Touch
,Hats Off To
Stevie Ray Vaughn
,Fit For A King
,Songs From The Better Blues Bureau
,Masters Of Metal
,Blues Magnet
,Cream Of The Crop
,Animal Magnetism
,Halfway To Somewhere
,Lookin' Up
,King Biscuit
,Summerdaze
,Whiskey Blues
,Best Of Blues + Live!
,King Biscuit
,Blues Tracks 2
,Don't Feed The Alligators
,Boom Boom
,BBC Radio 1
Live!
,Voices Of Classic Rock
Voices For America
,Etched In Stone
Live - Tempe, AZ
NYE 2002
,Putting It Striaight
Heat In The Street
Double CD
,Power Trio
,20th Century Masters
Best Of Pat Travers
Category:
Steve Baughman: I am a San Francisco based fingerstyle guitar player with a passion for Celtic music. I value a strong melodic presence in guitar music & have explored melodic & percussive right hand techniques, expressing fiddle tune melodies on guitar.
Category:
Michael Ripoll: guitarist/composer:
Growing up in New York and Miami with his influential Cuban heritage, Michael is positively one of the most gifted and versatile young guitarists on the horizon. His technique and style encompass everything from, melodic Jazz phrasing, fiery Flamenco and passionate Latin chops, greasy Funk grooves, gut-bucket bluesy Soul, untamed Rock fury, and everything else in between, while possessing the innate ability to speak, sing, cry, and essentially communicate any and every emotion to the listener.
These are just a few of the artists that Michael has performed and/or recorded with:
India Arie, Michelle Williams (Destiny's Child), Pat Boone, KC & JoJo, The Temptations, Mary J. Blige, Take 6, Yolanda Adams, Nick Lachey, BeBe & CeCe Winans, Michael W. Smith, Jonathan Butler, Jacki Velasquez, Peter White, Robert Randolph, DC Talk, Norman Brown, Boney James, Wayman Tisdale, Amy Grant, Marc Antoine, and Kirk Whalum.
Currently residing in Los Angeles Michael is staying busy in the music and film recording industry, as well as doing a host of live performances. ...
Growing up in New York and Miami with his influential Cuban heritage, Michael is positively one of the most gifted and versatile young guitarists on the horizon. His technique and style encompass everything from, melodic Jazz phrasing, fiery Flamenco and passionate Latin chops, greasy Funk grooves, gut-bucket bluesy Soul, untamed Rock fury, and everything else in between, while possessing the innate ability to speak, sing, cry, and essentially communicate any and every emotion to the listener.
These are just a few of the artists that Michael has performed and/or recorded with:
India Arie, Michelle Williams (Destiny's Child), Pat Boone, KC & JoJo, The Temptations, Mary J. Blige, Take 6, Yolanda Adams, Nick Lachey, BeBe & CeCe Winans, Michael W. Smith, Jonathan Butler, Jacki Velasquez, Peter White, Robert Randolph, DC Talk, Norman Brown, Boney James, Wayman Tisdale, Amy Grant, Marc Antoine, and Kirk Whalum.
Currently residing in Los Angeles Michael is staying busy in the music and film recording industry, as well as doing a host of live performances. ...
Category:
4. rusty cooley
Guitarist Rusty Cooley received his first guitar on his 15th birthday and never looked back. Unsatisfied with local Instructors, Rusty began teaching himself through Doug Mark’s Metal Method and various other instructional books and video’s. During High School he took music theory classes and also attended the National Guitar Workshop. Rusty performed solo guitar in high school talent shows. He performed such pieces as Van Halen’s “Eruption” and Randy Rhoads “Revelation Mother Earth” solo. During his senior year he was offered his first teaching job at the same store that just three years earlier, he had bought his first guitar.
Some of Rusty’s early influences included: Rhoads, Malmsteen, Becker, Gilbert, Holdsworth, Paganini, Bach, Vai, Gambale, Moore, MacAlpine, Taffolla, Friedman, Howe, Kotzen, Firkins, and Housholder. He was also influenced by many styles including: Jazz, Classical, Funk, Blues and even Country if you can believe that. There where times when Rusty was pulled in so many different directions by music, he didn’t know if he wanted to be a Classical Conductor or a Jazz guitarist.
After graduating High School, Rusty continued studying Music Theory at the local college, as well as Music History and Class Piano. In 1989, Rusty joined local rock band Revolution. Revolution wrote, performed and recorded all original music. They became one of Houston’s top drawing bands. Revolution opened for national acts like Badlands, Nitro, Every Mothers Nightmare, and South Gang. In 1992, Revolution released a four-song EP. Revolution’s music was once described as Skid Row meets Yngwie Malmsteen. Revolution made two appearances on a local TV show called “Metallurgy” and “Metallurgy Unplugged”. Rusty also taught guitar on a college TV show called “Stay Tuned”. In 1993, Rusty quit the band due to musical differences and started a new band Dominion. Dominion wrote and performed locally as well but was short lived and broke up in 1995. Also during 1995 Rusty entered and won the “Guitar Master Series” winning the title of “Best Guitarist” in Houston.
1996 marked the beginning of a new direction. Rusty bought his first 7-string guitar and decided it was time to go for it on his own. Rusty went back to the woodshed and started working on his guitar playing intensely pushing himself to new levels. Along with this came a whole new list of influences that fueled the fire….Shawn Lane, Derek Taylor, Buckethead, Todd Duane, Scott Stine and Haji’s Kitchen. It was during this period that Rusty began to work on instrumental guitar compositions. These songs represented his desire to record an over-the-top guitar instrumental release featuring state of the art chops and strong melodic content. Rusty was also selected as a runner up in the AIM "Jason Becker Scholarship Search." Rusty hosted three episodes of a local cable show called "World Class Guitar Techniques," which aired in the Houston area. Rusty taught for the National Guitar Summer Workshop in 96, 97, 98 at the Austin and Connecticut Campuses ...
Some of Rusty’s early influences included: Rhoads, Malmsteen, Becker, Gilbert, Holdsworth, Paganini, Bach, Vai, Gambale, Moore, MacAlpine, Taffolla, Friedman, Howe, Kotzen, Firkins, and Housholder. He was also influenced by many styles including: Jazz, Classical, Funk, Blues and even Country if you can believe that. There where times when Rusty was pulled in so many different directions by music, he didn’t know if he wanted to be a Classical Conductor or a Jazz guitarist.
After graduating High School, Rusty continued studying Music Theory at the local college, as well as Music History and Class Piano. In 1989, Rusty joined local rock band Revolution. Revolution wrote, performed and recorded all original music. They became one of Houston’s top drawing bands. Revolution opened for national acts like Badlands, Nitro, Every Mothers Nightmare, and South Gang. In 1992, Revolution released a four-song EP. Revolution’s music was once described as Skid Row meets Yngwie Malmsteen. Revolution made two appearances on a local TV show called “Metallurgy” and “Metallurgy Unplugged”. Rusty also taught guitar on a college TV show called “Stay Tuned”. In 1993, Rusty quit the band due to musical differences and started a new band Dominion. Dominion wrote and performed locally as well but was short lived and broke up in 1995. Also during 1995 Rusty entered and won the “Guitar Master Series” winning the title of “Best Guitarist” in Houston.
1996 marked the beginning of a new direction. Rusty bought his first 7-string guitar and decided it was time to go for it on his own. Rusty went back to the woodshed and started working on his guitar playing intensely pushing himself to new levels. Along with this came a whole new list of influences that fueled the fire….Shawn Lane, Derek Taylor, Buckethead, Todd Duane, Scott Stine and Haji’s Kitchen. It was during this period that Rusty began to work on instrumental guitar compositions. These songs represented his desire to record an over-the-top guitar instrumental release featuring state of the art chops and strong melodic content. Rusty was also selected as a runner up in the AIM "Jason Becker Scholarship Search." Rusty hosted three episodes of a local cable show called "World Class Guitar Techniques," which aired in the Houston area. Rusty taught for the National Guitar Summer Workshop in 96, 97, 98 at the Austin and Connecticut Campuses ...
Category:
Jonathan Adams: composer-guitarist:
Thanks for visiting! In addition to information about Jonathan and his music, you will also find fun and valuable resources for classical and fingerstyle guitarists. Join the mailing list to receive information about new sheet music releases as well as CD's and performances. You will also be automatically entered in our CD giveaway! Enjoy the site, if you have questions or comments please contact us.
guitar tips: The Capricious Caddis
This study is one that I use frequently as a warm-up exercise. It is also included in the soon to be released book from Mel Bay publications entitled Getting into Fingerstyle Guitar. This study is called "The Capricious Caddis." A caddis is a water bug, and because this piece uses slurs it reminded me of the erratic or "capricious" movements of a water bug. The entire piece is based on slurs, which are also known as "hammer-on’s" and "pull-off’s." In order to properly execute slurs and other challenging fingerings, it is very important to keep your fingers and left hand in the optimal position.
In addition to slurs, there are many instances in fingerstyle pieces in which the player must achieve long stretches or unorthodox hand positions in order to achieve the desired harmony. These hand positions are much easier to achieve if the correct "hand posture" is adhered to. Let’s look at some of the main points of correct "hand posture". These points describe the "general" or "home base" hand position. Of course your hand position changes angles throughout the performance of a piece, but this is the basic position ...
Thanks for visiting! In addition to information about Jonathan and his music, you will also find fun and valuable resources for classical and fingerstyle guitarists. Join the mailing list to receive information about new sheet music releases as well as CD's and performances. You will also be automatically entered in our CD giveaway! Enjoy the site, if you have questions or comments please contact us.
guitar tips: The Capricious Caddis
This study is one that I use frequently as a warm-up exercise. It is also included in the soon to be released book from Mel Bay publications entitled Getting into Fingerstyle Guitar. This study is called "The Capricious Caddis." A caddis is a water bug, and because this piece uses slurs it reminded me of the erratic or "capricious" movements of a water bug. The entire piece is based on slurs, which are also known as "hammer-on’s" and "pull-off’s." In order to properly execute slurs and other challenging fingerings, it is very important to keep your fingers and left hand in the optimal position.
In addition to slurs, there are many instances in fingerstyle pieces in which the player must achieve long stretches or unorthodox hand positions in order to achieve the desired harmony. These hand positions are much easier to achieve if the correct "hand posture" is adhered to. Let’s look at some of the main points of correct "hand posture". These points describe the "general" or "home base" hand position. Of course your hand position changes angles throughout the performance of a piece, but this is the basic position ...
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