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doobie brothers
Description
The official website for legendary rock group The Doobie Brothers.
Guy Allison - Keyboards/Vocals
Michael Hossack - Drums
Tom Johnston - Vocals/Guitar
John McFee - Guitar/Strings/Vocals
Marc Russo - Saxophones
Pat Simmons - Vocals/Guitar
Skylark - Bass/Vocals
Ed Toth - Drums
doobie,
brothers,
official,
website,
john,
mcfee,pat,
simmons,
keith,knudsen,
tom,tommy,
johnston,johnson,
mike,michael,
hossack,
mcdonald,
macdonald,
bruce,cohn,
cohen,wolf,trap,
dvd,cd,music,
rock
Guy Allison - Keyboards/Vocals
Michael Hossack - Drums
Tom Johnston - Vocals/Guitar
John McFee - Guitar/Strings/Vocals
Marc Russo - Saxophones
Pat Simmons - Vocals/Guitar
Skylark - Bass/Vocals
Ed Toth - Drums
doobie,
brothers,
official,
website,
john,
mcfee,pat,
simmons,
keith,knudsen,
tom,tommy,
johnston,johnson,
mike,michael,
hossack,
mcdonald,
macdonald,
bruce,cohn,
cohen,wolf,trap,
dvd,cd,music,
rock
Category
Keywords
Date
May 12, 2005
Contact name
Email
Link ID
8276
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Other links at Musicians-Artists > B
1. jeff beck
Jeff Beck isn’t your typical guitar legend. His goal, in fact, is to make you forget that he plays guitar.
“I don’t understand why some people will only accept a guitar if it has an instantly recognizable guitar sound,” says Beck. “Finding ways to use the same guitar people have been using for 50 years to make sounds that no one has heard before is truly what gets me off. I love it when people hear my music but can’t figure out what instrument I’m playing. What a cool compliment.”
Beck burst onto the music scene in 1966 after joining the Yardbirds. Although his stint with the band lasted only 18 months, Beck played on almost all of the group’s hits. More importantly, Beck’s innovative style heard on classics like “Heart Full of Soul” and “Shapes of Things” helped influence the psychedelic sound of the ‘60s.
At the height of the Yardbirds’ popularity in 1967, Beck left the group and embarked upon unpredictable journey of musical discovery that has lasted nearly four-decades as an Epic recording artist. During that time, Beck has left his distinctive mark on hard rock, jazz-fusion and modern music history....discography:
jeff, you had it coming, who else!,best of beck, crazy legs, beckology, jeff beck's guitar shop, there and back, flash, jeff beck with the jan hammer group live, wired, blow by blow, beck bogert appice live in japan, beck bogert appice, jeff beck group, rough & ready, beck-ola, truth
“I don’t understand why some people will only accept a guitar if it has an instantly recognizable guitar sound,” says Beck. “Finding ways to use the same guitar people have been using for 50 years to make sounds that no one has heard before is truly what gets me off. I love it when people hear my music but can’t figure out what instrument I’m playing. What a cool compliment.”
Beck burst onto the music scene in 1966 after joining the Yardbirds. Although his stint with the band lasted only 18 months, Beck played on almost all of the group’s hits. More importantly, Beck’s innovative style heard on classics like “Heart Full of Soul” and “Shapes of Things” helped influence the psychedelic sound of the ‘60s.
At the height of the Yardbirds’ popularity in 1967, Beck left the group and embarked upon unpredictable journey of musical discovery that has lasted nearly four-decades as an Epic recording artist. During that time, Beck has left his distinctive mark on hard rock, jazz-fusion and modern music history....discography:
jeff, you had it coming, who else!,best of beck, crazy legs, beckology, jeff beck's guitar shop, there and back, flash, jeff beck with the jan hammer group live, wired, blow by blow, beck bogert appice live in japan, beck bogert appice, jeff beck group, rough & ready, beck-ola, truth
Category:
2. jeff buckley
Jeff Buckley was born in California's Orange County in 1966 and died in a tragic drowning accident in Memphis on May 29, 1997. He had emerged in New York City's avant-garde club scene in the 1990's as one of the most remarkable musical artists of his generation, acclaimed by audiences, critics, and fellow musicians alike. His first commercial recording, the four-song EP Live At Sin-é, was released in December 1993 on Columbia Records. The EP captured Buckley, accompanying himself on electric guitar, in a tiny coffeehouse in New York's East Village, the neighborhood he'd made his home.
By the time of the EP's release during the fall of 1993, Buckley had already entered the studio with Mick Grondahl (bass), Matt Johnson (drummer), and producer Andy Wallace and recorded seven original songs (including "Grace" and "Last Goodbye") and three covers (among them Leonard Cohen's "Hallelujah", Benjamin Britten's "Corpus Christi Carol") that comprised his debut album Grace. Guitarist Michael Tighe became a permanent member of Jeff Buckley's ensemble and went on to co-write and perform on Grace's "So Real" just prior to the release of the album ...
By the time of the EP's release during the fall of 1993, Buckley had already entered the studio with Mick Grondahl (bass), Matt Johnson (drummer), and producer Andy Wallace and recorded seven original songs (including "Grace" and "Last Goodbye") and three covers (among them Leonard Cohen's "Hallelujah", Benjamin Britten's "Corpus Christi Carol") that comprised his debut album Grace. Guitarist Michael Tighe became a permanent member of Jeff Buckley's ensemble and went on to co-write and perform on Grace's "So Real" just prior to the release of the album ...
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3. bauhaus
The official web site for the band Bauhaus - not the art movement. See up to date news, biography, exclusives, photographs and subscribe to the mailing list for the godfathers of goth.
Bauhaus,Kevin Haskins,David J,Peter Murphy,Daniel Ash,Bauhaus Resurrection,goth,gothic music,Love and Rockets,Tones on Tail,The Hunger,Bela Lugosi,Ziggy Stardust,gothic,alternative,new wave,bauhaus,peter murphy,
david j,daniel ash,kevin haskins
Bauhaus,Kevin Haskins,David J,Peter Murphy,Daniel Ash,Bauhaus Resurrection,goth,gothic music,Love and Rockets,Tones on Tail,The Hunger,Bela Lugosi,Ziggy Stardust,gothic,alternative,new wave,bauhaus,peter murphy,
david j,daniel ash,kevin haskins
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4. blindman
Eric Sleichim’s BL!NDMAN, one of the most exciting groups of contemporary music in Belgium, is not just another saxophone quartet, but the name of a lab that houses a continual working process.
Ward Daenen, De Morgen
Composer/saxophonist Eric Sleichim founded BL!NDMAN in 1988. The name refers to the title of Marcel Duchamp’s magazine “The Blind Man” released in New York in 1917 and based on the dadaist idea of a blind man, guiding the public through exhibitions and commenting on the art works. Sleichim is interested in finding a way of translating visual art concepts into a musical language.
He therefore seeks confrontation with other disciplines. This has led him to create and write music for multimedia projects, choreographic works, performances and exhibitions. He also composed music for the live accompaniment of silent films by Buster Keaton, Teinosuke Kinugasa and Jean Epstein.
BL!NDMAN has recorded several CD’s, among which the worldwide distributed BL!NDMAN plays Bach (Universal 2000). Eric Sleichim recorded Antonyms (Sub Rosa 1994) with Steve Lacy and played with Ictus ensemble on Terry Riley’s In C (Cypres) and David Shea - Classical Works (Tzadik). The cd Multiple Voice, an encounter between early polyphonic and contemporary music was released by Universal Music and won the award of the Belgian classical radio ‘Klara’ for best cd of 2003. In September 2004, Universal Music released the CD Max!mal BL!NDMAN, in which the group recreated Maximalist!’s legendary compositions of the 1980s.
After touring with the live programme of the well received cd BL!NDMAN plays Bach, BL!NDMAN has continued the research into early music with a triptych on polyphony. Under the auspices of Brugge 2002 Cultural Capital of Europe the group has presented its interpretation of Flemish and Northern French polyphony in two programs. The project gave birth to award winning cd Multiple Voice and was concluded by a collaboration with Paul Van Nevel and Huelgas in the spring of 2003. Philippe Herreweghe invited these programmes at Cité de la Musique in Paris and in Italy ...
Ward Daenen, De Morgen
Composer/saxophonist Eric Sleichim founded BL!NDMAN in 1988. The name refers to the title of Marcel Duchamp’s magazine “The Blind Man” released in New York in 1917 and based on the dadaist idea of a blind man, guiding the public through exhibitions and commenting on the art works. Sleichim is interested in finding a way of translating visual art concepts into a musical language.
He therefore seeks confrontation with other disciplines. This has led him to create and write music for multimedia projects, choreographic works, performances and exhibitions. He also composed music for the live accompaniment of silent films by Buster Keaton, Teinosuke Kinugasa and Jean Epstein.
BL!NDMAN has recorded several CD’s, among which the worldwide distributed BL!NDMAN plays Bach (Universal 2000). Eric Sleichim recorded Antonyms (Sub Rosa 1994) with Steve Lacy and played with Ictus ensemble on Terry Riley’s In C (Cypres) and David Shea - Classical Works (Tzadik). The cd Multiple Voice, an encounter between early polyphonic and contemporary music was released by Universal Music and won the award of the Belgian classical radio ‘Klara’ for best cd of 2003. In September 2004, Universal Music released the CD Max!mal BL!NDMAN, in which the group recreated Maximalist!’s legendary compositions of the 1980s.
After touring with the live programme of the well received cd BL!NDMAN plays Bach, BL!NDMAN has continued the research into early music with a triptych on polyphony. Under the auspices of Brugge 2002 Cultural Capital of Europe the group has presented its interpretation of Flemish and Northern French polyphony in two programs. The project gave birth to award winning cd Multiple Voice and was concluded by a collaboration with Paul Van Nevel and Huelgas in the spring of 2003. Philippe Herreweghe invited these programmes at Cité de la Musique in Paris and in Italy ...
Category:
At the age of thirteen, Stephen Bishop found himself at a crossroads. A clarinetist with hopes of becoming a History teacher, he was forever changed after watching the Beatles one night on “The Ed Sullivan Show.” He convinced his brother to buy him an electric guitar. He bought a “Mel Bay” chordbook and began to learn to play guitar and make up chords as well, writing his first song,”Surf’s Turf..” a pathetic sounding instrumental. He formed a band called, “The Weeds” and began to play at local fraternity parties incorporating his own original songs with various songs from top 40...
He sang the hit theme, “It Might Be You,” from the movie, “Tootsie,” as well as writing and/or singing 13 other films including, “Animal House,” and “Separate Lives..” from “White Nights.” His songs have been sung by artists such as: Phil Collins, Eric Clapton, Barbra Streisand, Art Garfunkel, Steve Perry, Stephanie Mills, Kenny Loggins, Johnny Mathis, Phoebe Snow, David
Crosby, The Four Tops, Aswad and Pavarotti...
albums: careless, bish, red cab to manhattan, best of bish, bowling in paris, on and on, blue guitars, the demo album 1, the demo album 2, merry bishmas
He sang the hit theme, “It Might Be You,” from the movie, “Tootsie,” as well as writing and/or singing 13 other films including, “Animal House,” and “Separate Lives..” from “White Nights.” His songs have been sung by artists such as: Phil Collins, Eric Clapton, Barbra Streisand, Art Garfunkel, Steve Perry, Stephanie Mills, Kenny Loggins, Johnny Mathis, Phoebe Snow, David
Crosby, The Four Tops, Aswad and Pavarotti...
albums: careless, bish, red cab to manhattan, best of bish, bowling in paris, on and on, blue guitars, the demo album 1, the demo album 2, merry bishmas
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