Designer Dave Hill has always had an interest in electronics, and started designing and building devices at an early age. He was building synthesizers from scratch and started doing professional level sound recording and equipment maintenance at a local music store while still in school. After high school Dave decided to pursue a career in electronics and enrolled in a course at a local community college. After his first semester he was asked by the college to take over teaching the course. He taught for 8 years and continued his involvement in pro audio.
To date Dave has been doing studio and film sound recording since 1972. He has also been involved in film post production. Early in the 1980's Dave was asked by a used equipment dealer if he could design a tube compressor that would have the sound of the older tube type devices and still be clean enough to compete with modern devices. The result of this request was the Summit Audio TLA-100. Due to the success of that design Dave Hill went on to design and set up the manufacture of all Summit Audio products until September of 1994 at which time Summit Audio was relocated the manufacturing to California. From 1984 to 1994 Summit Audio grew from a single product and one employee working out of the basement of Dave's home to a full product line and over a dozen fulltime employees ...
avocet, stereo controller, egret, workstation back end, stereo line mixer, spider, 8-channel mic-pre amplifier/mixer, trakker, single channel discrete class a compressor limiter, class a, hedd, a/d, d/a, converters, pro studio recording, project studios, daw, mastering, preparation, stc-8, stereo compressor, peak limiter, flamingo, 2-channel discrete class a microphone preamplifier, analog dither, add warmth to your tracks, phoenix, tdm plug-in.
KeyToSound designs, develops and manufacturs Digital Audio technology offering musical instruments, audio signal processors, and technology solutions to the MI market.
The company was founded in Denmark in 2003. Today, it has offices located in Denmark and the U.S. and works with many professional independent contractors world wide.
Founder, Max Groenlund, has over 15 years in synthesizer and software design and was a pioneering developer in software synthesizers in the late 1990's. His first company, Koblo, broke new ground in the development of software synthesizers with the Vibra.
MHLabs, Metric Halo Labs: SpectraFoo provides all of the tools today's digital projects demand. Whether you are a live sound engineer or a studio mixer, you need the power that Foo provides. Including standards-based level metering, high-speed, high-resolution spectral analysis, the unique Phase Torch, correlation metering, triggerable waveform display, power balancing and a variety of power, envelope and spectral histories and phase analysis on any number of input or output channels, the SpectraFoo range is absolutely essential for broadcast production and critical mixing & mastering.
The Focusrite brand was established way back in 1985 and the founding principles of the company were to develop products that sounded more musical, in addition to just measuring well - today,we still carry these founding principles forward in our class-leading and award-winning designs.
We measure our success by the success of you, our clients, and you will find Focusrite product prominent in professional and project studios throughout the world.
Based just outside of London, we work with the best design talent throughout the world to bring you the tools to enhance the way you work. Our product is made with pride and principle in a highly automated ISO 9002 factory with significant level of test by engineers who themselves are musicians and understand the part our product plays in your process.
liquid channel,liquid mix, saffire, saffire le, saffire pro 10 i/o, saffire pro 26 i/o, compounter, octopre, octopre le, trakmaster pro, twintrak pro, voicemaster pro , isa 220 , isa 428, isa 430 mkII, red 1 red 3, red 7, red 8, saffire plugins, forte suite, isa 220/isa430 mk1 adc, isa 428 adc, isa 430 mkII adc, octopre adc, octopre le codec , platinum pro adc
What would the intro to Pink Floyd’s 'Wish You Were Here' have sounded like without those moody string machine chords? Can anyone imagine 'Oxygene' without the swirling tones imparted by the Eminent 310 and Small Stone Phaser? Likewise, what would Lonnie Liston Smith’s 'Expansions' have sounded like without that effervescent Solina?