Dubb Box: a virtual tape delay, loosely modelled on my venerable Roland Space Echo. Does a fairly good job of emulating the tape saturation, unpredictability and wild self-oscillation of the real deal.
Features main echo and 'second-tapehead' sub-echoes, as well as adjustable vintageness (tape hiss, motor inertia, tape and motor age).
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Narcissus + ECho is a freeware FSU delay plug-in.
Narcissus + Echo VST by runagate.
Narcissus + Echo is an FSU-style delay plug-in.
Unless you load the preset bank (manually, through your host, it won't load on itself by default) it'll probably just feed back and scream at you.
Narcissus + Echo is complexly modulated by the audio that is input into it, as well as modulating various part of itself. There are many unseen bits of kit under the hood that you can't control, they're just hard-wired. I figured that way there'd be some chance of making it make good sounds without carefully testing a billion possibilities amongst the interelated parameters.
Possible sounds include sea-sickness chorus, long, modulated dub delays, hissing sounds, short, bouncing ball-type echoes, vurt is a hippie, and swirling walls of psychedellic madness.
Narcissus + Echo is constructed upon 3 main signal pathways, each output of which has it's own mix level controller.
Path A is the main delay line. It has up to 1500 ms of delay. That delay time, as well as it's feedback, can be modulated by either the LFO, the ADSR, the Envelope Follower or the Zero-Crossing Detector. The settings for these features do not have controls. The LFO's pulse width, frequency and offset parameters are themselves modulated by the other three modulators. The Envelope Follower converts the incoming audio's amplitude into a control voltage. The Zero-Crossing Detector outputs a control voltage every time the incoming audio crosses the zero point of the wave, therefore more complex sounds (such as woodwind multiphonics, raspier singing or cybals) created a higher modulation level ...
Roku is a basic multi tap delay effect.
- Two modes of operation multi-tap or multi-delay.
Multi-tap; 6 taps using a single delay line.
Multi-delay; 6 indepenent delay lines.
- Five seconds max delay
- Tempo syncable
- State variable filter with low, band and high pass outputs.
- Delay buffers can be reversed.
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GDuckDly is a digital delay that allows the wet signal to be compressed by the dry signal.
Using high levels of feedback in a digital delay can create a busy sound. This can obscure the original, dry signal. In particular, it can make vocal tracks incomprehensible.
The compression in GDuckDly is configured so that the effect is turned down when the dry signal sounds. When the dry signal is quiet the effect is turned back up. This allows the dry signal to be heard over even extreme delay effects.
Parameters
Delay: The length of the delay.
Feedback: The level of the delayed signal that is fed back into the delay line.
Dry: The output level of the dry input signal.
Effect: The output level of the delayed signal.
Attack: The attack of the wet signal compression.
Release: The release of the wet signal compression.
Amount: The amount of compression to apply.
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