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dwayne burno
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Bassist Dwayne Burno's website features sound bites, discography, itinerary, projects, biography.
Dwayne Burno made his entry into this world on June 10, 1970 in Philadelphia, Pennsylvania, a city rich in its musical traditions and history. He gained his initial musical exposure to music through his mother. "My mother is my first musical influence. She told me of the times when she sat me on her lap while she accompanied, directed, and sang with the church choir which she continues to do to this very day."
Dwayne's first chosen musical instrument was the violin which he played until his unexpected first encounter with the double bass. "During my junior year of high school, I was told to begin learning and playing the bass. I was chosen because of my musical aptitude, knowledge and love of music, intellect, character, physique and the bottom line fact that a gig was scheduled to occur in one week's time. I had one week's time to begin 'gettin' it together' and have been a professional musician ever since."
Upon graduation from high school, Dwayne set off to continue his quest for a higher education at Boston's famed Berklee College of Music. There, he remained for three semesters before leaving once again for Philly. In 1989, while in attendance at Berklee, Dwayne began a personal and musical association with his first major employer, alto saxophonist Donald Harrison ...
Dwayne Burno made his entry into this world on June 10, 1970 in Philadelphia, Pennsylvania, a city rich in its musical traditions and history. He gained his initial musical exposure to music through his mother. "My mother is my first musical influence. She told me of the times when she sat me on her lap while she accompanied, directed, and sang with the church choir which she continues to do to this very day."
Dwayne's first chosen musical instrument was the violin which he played until his unexpected first encounter with the double bass. "During my junior year of high school, I was told to begin learning and playing the bass. I was chosen because of my musical aptitude, knowledge and love of music, intellect, character, physique and the bottom line fact that a gig was scheduled to occur in one week's time. I had one week's time to begin 'gettin' it together' and have been a professional musician ever since."
Upon graduation from high school, Dwayne set off to continue his quest for a higher education at Boston's famed Berklee College of Music. There, he remained for three semesters before leaving once again for Philly. In 1989, while in attendance at Berklee, Dwayne began a personal and musical association with his first major employer, alto saxophonist Donald Harrison ...
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Jan 7, 2006
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Other links at Guitar, Bass... > bass players
Bassist Bob Cunningham's website features jukebox, discography, itinerary, projects, biography.
Samadhi, that high meditative state whereby the human spirit realizes it's total oneness with the Creator, is deemed the greatest ecstasy one can experience. Bassist Bob Cunningham appears to reach, or closely approach that ecstatic state as he blends himself in oneness with his Bass and with the rich, luminous sounds he skillfully coaxes from it. He clearly enjoys and relishes every stroke and sound of the instrument, and this thorough enjoyment of his polished musical craft inevitably translates into the collective enjoyment and soul movement of each audience Cunningham musically serves.
Samadhi, that high meditative state whereby the human spirit realizes it's total oneness with the Creator, is deemed the greatest ecstasy one can experience. Bassist Bob Cunningham appears to reach, or closely approach that ecstatic state as he blends himself in oneness with his Bass and with the rich, luminous sounds he skillfully coaxes from it. He clearly enjoys and relishes every stroke and sound of the instrument, and this thorough enjoyment of his polished musical craft inevitably translates into the collective enjoyment and soul movement of each audience Cunningham musically serves.
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2. peter ind
Bassist Peter Ind and his record label Wave Records' website features reviews, sound bites, itinerary, photo and art gallery, Wave Record label, biography.
Peter Ind was born on July 20, 1928 in Uxbridge Middlesex. U.K. He played on the ship the Queen Mary (1949-51) before settling in New York (1951), where he taught, and performed and recorded with Lennie Tristano (1951), Lee Konitz (1954-57), and Buddy Rich (1957).
He established a recording studio in 1957, and in 1961 started his own record company, Wave. His album Looking Out (1958-61, Wave 1) includes solos, duos with Joe Puma and the drummer Dick Scott, and tracks recorded with a trio and with a quartet. While living in Big Sur, California (1963-6), he became the first double bass player to give concerts and broadcasts as an unaccompanied soloist. In 1965 he played with Konitz and Warne Marsh. Thereafter he returned to England and continued to perform, teach and manage Wave. He toured with Konitz and Marsh in 1975-6. In 1984 he opened the Bass Clef in London, which became one of the city's most popular clubs. The New Grove Dictionary of Jazz ...
Peter Ind was born on July 20, 1928 in Uxbridge Middlesex. U.K. He played on the ship the Queen Mary (1949-51) before settling in New York (1951), where he taught, and performed and recorded with Lennie Tristano (1951), Lee Konitz (1954-57), and Buddy Rich (1957).
He established a recording studio in 1957, and in 1961 started his own record company, Wave. His album Looking Out (1958-61, Wave 1) includes solos, duos with Joe Puma and the drummer Dick Scott, and tracks recorded with a trio and with a quartet. While living in Big Sur, California (1963-6), he became the first double bass player to give concerts and broadcasts as an unaccompanied soloist. In 1965 he played with Konitz and Warne Marsh. Thereafter he returned to England and continued to perform, teach and manage Wave. He toured with Konitz and Marsh in 1975-6. In 1984 he opened the Bass Clef in London, which became one of the city's most popular clubs. The New Grove Dictionary of Jazz ...
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Charles Mingus:
One of the most important figures in twentieth century American music, Charles Mingus was a virtuoso bass player, accomplished pianist, bandleader and composer. Born on a military base in Nogales, Arizona in 1922 and raised in Watts, California, his earliest musical influences came from the church-- choir and group singing-- and from "hearing Duke Ellington over the radio when [he] was eight years old." He studied double bass and composition in a formal way (five years with H. Rheinshagen, principal bassist of the New York Philharmonic, and compositional techniques with the legendary Lloyd Reese) while absorbing vernacular music from the great jazz masters, first-hand. His early professional experience, in the 40's, found him touring with bands like Louis Armstrong, Kid Ory and Lionel Hampton.
Eventually he settled in New York where he played and recorded with the leading musicians of the 1950's-- Charlie Parker, Miles Davis, Bud Powell, Art Tatum and Duke Ellington himself. One of the few bassists to do so, Mingus quickly developed as a leader of musicians. He was also an accomplished pianist who could have made a career playing that instrument. By the mid-50's he had formed his own publishing and recording companies to protect and document his growing repertoire of original music. He also founded the "Jazz Workshop," a group which enabled young composers to have their new works performed in concert and on recordings ...
One of the most important figures in twentieth century American music, Charles Mingus was a virtuoso bass player, accomplished pianist, bandleader and composer. Born on a military base in Nogales, Arizona in 1922 and raised in Watts, California, his earliest musical influences came from the church-- choir and group singing-- and from "hearing Duke Ellington over the radio when [he] was eight years old." He studied double bass and composition in a formal way (five years with H. Rheinshagen, principal bassist of the New York Philharmonic, and compositional techniques with the legendary Lloyd Reese) while absorbing vernacular music from the great jazz masters, first-hand. His early professional experience, in the 40's, found him touring with bands like Louis Armstrong, Kid Ory and Lionel Hampton.
Eventually he settled in New York where he played and recorded with the leading musicians of the 1950's-- Charlie Parker, Miles Davis, Bud Powell, Art Tatum and Duke Ellington himself. One of the few bassists to do so, Mingus quickly developed as a leader of musicians. He was also an accomplished pianist who could have made a career playing that instrument. By the mid-50's he had formed his own publishing and recording companies to protect and document his growing repertoire of original music. He also founded the "Jazz Workshop," a group which enabled young composers to have their new works performed in concert and on recordings ...
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4. rufus reid
Bassist Rufus Reid's website features reviews, sound bites, itinerary,
biography, cds, educational activities, discography.
Rufus Reid, one of today's premiere bassists on the international jazz scene, with his reputation firmly established in the education arena, now adds composition to his vitae. Rufus participanted in the BMI Jazz Composer's Workshop for five years which has empowered him to move more deeply into the composing arena. He won the Charlie Parker Jazz Composition Award for his composition, "Skies Over Emilia." His composition, "Whims of the Blue Bird" is the result of this award's commission. This has led to further commissions. He is writing for string orchestra, jazz ensembles large and small, and double bass ensemble pieces.
Rufus Reid is equally known as an exceptional educator as well, teaching clinics since 1971, with associations with Jamey Aebersold Summer Jazz Workshops, the Stanford University Jazz Workshop, and the Lake Placid Institute, to name a few. Rufus was on the faculty of William Paterson University in Wayne, New Jersey, as Full Professor and Director of the Jazz Studies and Performance program for twenty years completing his tenure in 1999. The WPU Jazz Program continues to be considered one of the best in the country for the aspiring jazz student.
Rufus Reid's major professional career began in Chicago and continues since 1976 in New York City. His extensive jazz background and discography reads literally like the Who's Who in jazz. He has traveled, performed and recorded with many of the great Jazz Masters. He was privileged to share many musical moments with some that have passed on: Gene Ammons, Kenny Dorham, Eddie Harris, Sonny Stitt, Don Byas, Philly Joe Jones, Thad Jones, Mel Lewis, Dexter Gordon, Bill Evans, Stan Getz, Dizzy Gillespie, and Art Farmer ...
biography, cds, educational activities, discography.
Rufus Reid, one of today's premiere bassists on the international jazz scene, with his reputation firmly established in the education arena, now adds composition to his vitae. Rufus participanted in the BMI Jazz Composer's Workshop for five years which has empowered him to move more deeply into the composing arena. He won the Charlie Parker Jazz Composition Award for his composition, "Skies Over Emilia." His composition, "Whims of the Blue Bird" is the result of this award's commission. This has led to further commissions. He is writing for string orchestra, jazz ensembles large and small, and double bass ensemble pieces.
Rufus Reid is equally known as an exceptional educator as well, teaching clinics since 1971, with associations with Jamey Aebersold Summer Jazz Workshops, the Stanford University Jazz Workshop, and the Lake Placid Institute, to name a few. Rufus was on the faculty of William Paterson University in Wayne, New Jersey, as Full Professor and Director of the Jazz Studies and Performance program for twenty years completing his tenure in 1999. The WPU Jazz Program continues to be considered one of the best in the country for the aspiring jazz student.
Rufus Reid's major professional career began in Chicago and continues since 1976 in New York City. His extensive jazz background and discography reads literally like the Who's Who in jazz. He has traveled, performed and recorded with many of the great Jazz Masters. He was privileged to share many musical moments with some that have passed on: Gene Ammons, Kenny Dorham, Eddie Harris, Sonny Stitt, Don Byas, Philly Joe Jones, Thad Jones, Mel Lewis, Dexter Gordon, Bill Evans, Stan Getz, Dizzy Gillespie, and Art Farmer ...
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5. ben allison
Bassist and composer
Ben Allison's official web site containing bio and touring info,
photo gallery, downloadable press kit, music samples and info on the
Jazz Composers Collective.
Cited by Downbeat magazine as one of the "25 rising jazz stars for the future" and in the "Bassist of the Year," "Album of the Year," "Composer of the Year," "Acoustic Group of the Year," "Arranger of the Year," and "Jazz Artist of the Year," Rising Star categories of the 2003, 2004, and 2005 Downbeat Critics' Poll, bassist-composer Ben Allison has solidified his reputation as "one of the most original voices in modern jazz" (Amazon.com), a strong organizational force on the New York City music scene, and an advocate for artist empowerment.
With his groups Peace Pipe, New Quartet, Medicine Wheel, the Kush Trio, and the Herbie Nichols Project (which he co-leads with pianist Frank Kimbrough) Ben has toured extensively throughout the US, Canada, Europe, and Brazil winning fans and building new audiences with an adventurous yet accessible sound and a flair for the unexpected.
His six recordings as a leader - Buzz (2004), Peace Pipe (2002), Riding the Nuclear Tiger (2001), Third Eye (1999), and Medicine Wheel (1998) on Palmetto Records, and his 1996 debut Seven Arrows on the Koch Jazz label - showcase Ben's forward-thinking vision as a producer, composer, arranger, and bassist, and his hands-on approach to his craft.
Buzz, was #1 on the CMJ National Jazz radio charts for 6 consecutive weeks and has remained in the top 20 for over five months. His previous three albums, achieved similar radio success, being among the most played albums of the years in which they were released. and have been named as among the best of the year by publications such as The New York Times, The Boston Globe, The Village Voice, Jazz Times, Jazz Journalists Association,Downbeat Critics Poll, All About Jazz, Coda (Canada), and Jazz Review (UK), among others ...
Ben Allison's official web site containing bio and touring info,
photo gallery, downloadable press kit, music samples and info on the
Jazz Composers Collective.
Cited by Downbeat magazine as one of the "25 rising jazz stars for the future" and in the "Bassist of the Year," "Album of the Year," "Composer of the Year," "Acoustic Group of the Year," "Arranger of the Year," and "Jazz Artist of the Year," Rising Star categories of the 2003, 2004, and 2005 Downbeat Critics' Poll, bassist-composer Ben Allison has solidified his reputation as "one of the most original voices in modern jazz" (Amazon.com), a strong organizational force on the New York City music scene, and an advocate for artist empowerment.
With his groups Peace Pipe, New Quartet, Medicine Wheel, the Kush Trio, and the Herbie Nichols Project (which he co-leads with pianist Frank Kimbrough) Ben has toured extensively throughout the US, Canada, Europe, and Brazil winning fans and building new audiences with an adventurous yet accessible sound and a flair for the unexpected.
His six recordings as a leader - Buzz (2004), Peace Pipe (2002), Riding the Nuclear Tiger (2001), Third Eye (1999), and Medicine Wheel (1998) on Palmetto Records, and his 1996 debut Seven Arrows on the Koch Jazz label - showcase Ben's forward-thinking vision as a producer, composer, arranger, and bassist, and his hands-on approach to his craft.
Buzz, was #1 on the CMJ National Jazz radio charts for 6 consecutive weeks and has remained in the top 20 for over five months. His previous three albums, achieved similar radio success, being among the most played albums of the years in which they were released. and have been named as among the best of the year by publications such as The New York Times, The Boston Globe, The Village Voice, Jazz Times, Jazz Journalists Association,Downbeat Critics Poll, All About Jazz, Coda (Canada), and Jazz Review (UK), among others ...
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