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earl klugh
earl klugh
Description
An acoustic guitarist with a very pretty tone, Earl Klugh does not consider himself a jazz player and thinks of Chet Atkins as being his most important influence. Klugh played on a Yusef Lateef album when he was 15 and gained recognition in 1971 for his contributions to George Benson's White Rabbit record. He played regularly with Benson in 1973, was a member of Return to Forever briefly in 1974, and then in the mid-'70s, began recording as a leader. After a couple well-received solo albums on different Capitol imprints including Blue Note, Klugh hit pay dirt with 1979's One on One, a Grammy-winning collaboration with pianist Bob James. More solo albums followed before the sequel to One on One, Two of a Kind, appeared in 1982. In 1984 he changed labels and released one of his most popular albums, Soda Fountain Shuffle, on Warner Brothers. Klugh made his biggest artistic impression yet in 1989 with the self-explanatory Solo Guitar. Two years later he would return to the "serious jazz" repertoire of Solo Guitar, but this time with bassist Ralphe Armstrong and drummer Gene Dunlap on the acoustic bebop outing The Earl Klugh Trio, Vol. 1. Cool from 1992 found him working with Bob James again and was followed by three more smooth releases for the Warner Brothers family before the jump was made to Windham Hill with 1999's Peculiar Situation. Compilations, live albums, appearances with others, and reissues filled the years leading up to 2005's Naked Guitar, a stripped down, standards-heavy album for the Koch label. ~ Scott Yanow, All Music Guide.
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Date
Jan 1, 2006
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11781

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Jerry Hahn is a jazz guitarist and instructor currently residing in Wichita, Kansas. He has played with such notables as the John Handy, and is the author of the Complete Jerry Hahn Method for Jazz Guitar series published by Mel Bay Publications. Jerry offers University Curriculum guitar instruction for music majors and has several recordings available online.
Jerry Hahn has long been recognized as one of jazz’s most influential guitarists. He became a major name in the 1960s and 1970s for his de facto contribution to the emerging fusion movement, and has remained one of its ardent promoters throughout his career.

Born in Nebraska September 21, 1940, he was raised in Kansas. He began playing the guitar at age 7. At age 11 he began playing professionally with the Bobby Wiley Rhythmaires, appearing daily on Wichita’s first television station KEDD. At 21 he moved to San Francisco, where he joined the John Handy Quintet in 1964, recording two albums for Columbia Records including the critically acclaimed “Live at Monterey”.

In 1967 he recorded his first album The Jerry Hahn Quintet for Arhoolie Records with Jack DeJohnette on drums. In 1968, he joined the Gary Burton Quartet with Roy Haynes and Steve Swallow, recording three albums and toured the United States, Europe, Canada, and Japan. Then, in 1970, he formed the Jerry Hahn Brotherhood, performing, touring, and recording for Columbia Records. In his book “The Jazz Book”, German born jazz authority Joachim Berendt noted the Jerry Hahn Brotherhood as being one of the “trailblazers of rock-jazz integration”. Jerry also began to write a monthly column for Guitar Player magazine entitled “Jerry Hahn’s Guitar Seminar” which continued for five years, and started work on his formidable book and CD Complete Jerry Hahn Method For Jazz Guitar for Mel Bay Publications ...
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David Lindley performs music that redefines the word eclectic.
Multi-instrumentalist David Lindley performs music that redefines the word "eclectic." Lindley, well known for his many years as the featured accompanist with Jackson Browne, and leader of his own band El Rayo-X, has long championed the concept of world music. The David Lindley electro-acoustic performance effortlessly combines American folk, blues, and bluegrass traditions with elements from African, Arabic, Asian, Celtic, Malagasy, and Turkish musical sources. Lindley incorporates an incredible array of stringed instruments including but not limited to Kona and Weissenborn Hawaiian lap steel guitar, Turkish saz and chumbus, Middle Eastern oud, and Irish bouzouki. The eye-poppingly clad "Mr. Dave's" uncanny vocal mimicry and demented sense of humor make his onstage banter a highlight of the show ...
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Danny Kalb:
A guitar god in the pre-Jimi Hendrix, early 1960s, when he played on albums by Phil Ochs, Bob Dylan, and Judy Collins and founded the influential Blues Project. Danny Kalb continues to show his instrumental mastery. Kalb's second album, All Together Now, following a nearly three decade absence from the studio, is a text-book of six-string wizardry. Performing mostly solo, Kalb rewrites folk, blues and jazz standards, Christmas tunes and originals -- including a heartfelt tribute to the late Dave Van Ronk -- with his highly proficient playing ...
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Fred Deluc:
The musicianship immediately stands out and will either make you want to pick up your guitar and start practicing or hide in the closet because it's so good.

Leduc has created a magnificent album that is very pleasing to listen to any time of the day.
With the success and affluence of various new age/ international guitarists, Fred Leduc ranks right up there in the top quartile.His guitar sings, giving us both melody and harmony, and with guitar solos that enrich the entire experience.The music and engineering it contains are outstanding!
Fred began playing Guitar during his teenage years, he attended the Northern Metropolitan College of Tafe and completed the 2 year Advanced Certificate in Jazz Performance. During this time, Fred was involved in the recording of an album with the Progressive Rock band named 'Vaudeville'. This album proved extremely popular landing him contracts throughout Asia and parts of Europe. Fred continued on to complete further study, attending La Trobe University studying the Bachelor of Music Degree based on classical influences, which he successfully completed in 1998 ...
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