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eduardo alan moreno moore, luthier
eduardo alan moreno moore, luthier
Description
Eduardo Alan Moreno Moore, chilean luthier maker of modern nylon strings guitars, using traditional and exotic woods. Luthier chileno, fabricante de guitarras acusticas modernas con cuerdas de nylon, usando maderas tradicionales y exoticas.
Eduardo Alan Moreno Moore, born in Santiago, Chile in 1954, started his musical career studying classical guitar when he was 13 years old, under the guidance of professor Julio Escobar. It started out as a form of rebellion against the piano lessons his mother would supposedly impose on him. But rebellion turned to love and the ambition to be a concert player, starting with his first appearance in public when he was 14, followed with many other guitar preformances.
His University studies, in the Music School of the Univeristy of Chile, where interrupted in 1978 with a scholarship in Washington State Univerity. From this Univeristy he took part in an student exchange to continue his guitar studies at the University of Idaho with professor John Reed. Later he was granted another scholarship in the University of Colorado where he took part in the master classes of professors Oscar Ghiglia and Elliot Fisk. Back home in Chile he continued as a concert player in Chile, U.S.A., Belgium, Germany and Switzerland ...
Date
Jan 21, 2006
Contact name
Email
Link ID
12275

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Other links at Guitar, Bass... > guitar, bass builders and repairers
I am Ted Kim, owner of the Potato's Guitar. Welcome to our on-line store.
I offer the finest selection of classical, steel string, electric, and bass guitars from Korea's premiere manufactures and hand-makers, and exclusively distribute my own brand, Mr. Potato guitars, featuring the quality and craftsmanship available anywhere.
So, make your self at home while you browse the guitar selections, Lessons and repair techniques. Feel free to use these in any way you can.
I hope you enjoy this site.Welcome friend,

Ted Kim
Category:

Cntarasi Guitars:
Mission:

To make a distinctive guitar! One that looks good and more importantly plays and sounds great. A unique guitar that is hand made using quality hardware, great pickups and good tone wood. A guitar that gets better with age. Most of all a guitar that is affordable to everyone who wants to own and play a great guitar!


Profile:

I built my first guitar in 1986. I didn't have the money to buy a good guitar but that's what I wanted so I improvised and made one for myself. The project worked out well and I got just what I was looking for along with something I wasn't expecting. I wasn't expecting to become addicted to building guitars.

I began to build and re-build all kinds of guitars. I tried everything from using different woods and scale lengths to custom electronics and finishes. At one point I even had a guitar with over 100 different pickup switching options. I learned a lot about what makes a good guitar and how to go about building one.

After building more guitars than I knew what to do with for myself, I realized that the guitars that I was building were playing just as well and sounding better than the expensive "name brand" guitars my friends were playing. More importantly, I was building them for a lot less money than they were paying for theirs!

It was then that I decided to go into business.
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Official Website of Gretsch Guitars, Basses and Amps:
"That Great Gretsch Sound!"
For more than 100 years Gretsch has developed what came to be known as "That Great Gretsch Sound," but it all began with a young German immigrant in Brooklyn.

At 27, Friedrich Gretsch founded a small musical instrument shop 1883 to make banjos, drums and tambourines. Only 12 years later Friedrich died, leaving the fledgling company in the hands of his teenage son Fred.

While it may be an unlikely start for a century-long (and growing) musical legacy, young Fred wasn't the typical teen. By 1916 he had built the company into one of America's leading importers and manufacturers of musical instruments, and the operations moved into a 10-story building at 60 Broadway in Brooklyn.

Fred knew listening to what the public wanted was the key to growth, and the public wanted guitars. So, Gretsch began making guitars.

Initially, Gretsch offered acoustic archtops aimed at jazz musicians, and a handful of flat-tops for country-western performers.

Meanwhile, 1935 marked an important year for Gretsch — Duke Kramer joined the team. Kramer went on to become a mainstay of the Gretsch company, and remains a valued counsel to this day.

"That distinctive sound was our product, the sound that energized the market for decades," Kramer says.

Fred Gretsch, Sr. retired from the company in 1942, leaving the day-to-day operations to his sons Fred, Jr. and William ...
Category:

Alesa Lajana:
Equiped with both an accoustic guitar and accoustic lap-steel slide guitar, Alesa conjures a magical language that draws on the complex ornamentation of traditional Scottish and Irish bagpipe and fiddle tunes, blues, and the music of Eastern Europe.
Alesa grew up in Southern Queensland, Australia, where she attended the Brisbane Independant
School. From an early age, she showed promise in Visual Art, Dance and Music. As a youngster, she studied the Middle Eastern dance discipline of Raks Sharki performing with a dance troupe at multicultural events. At 16 she took up guitar, inspired by some of the outstanding performers she had witnessed at World and Folk Music Festivals in Australia ...
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Steve Grimes has built arch top and double soundhole flat top guitars for some of the top players in the world. He specializes in custom tailoring his guitars to suit the tonal, aesthetic, and playability requirements of his customers ... Music and woodworking are two very different types of “performing” arts. Being both a woodworker and a working musician in 1972, I found myself fascinated by the prospect of combining these two professions. After studying with a violin maker and working in the instrument repair trade, I set up my own shop in Seattle, Washington, USA and began making arch top mandolins. For the first two years I made mandolins exclusively, subsidizing my new venture by doing repairs on all types of string instruments. When I was able to increase production of new instruments and get them into the hands of some good players, I was finally able to devote myself fully to building new instruments.

Being more of a guitar player than a violin or mandolin player, I found that my interests were leaning more toward guitar construction, and in 1974 I began making acoustic arch top guitars. Soon the number of guitars exceeded the number of mandolins being produced, and new and different models of guitars found their way into the product line. In 1982, I began making two new types of flat top guitars (a steel string and a classical), a semi hollow body arch top electric, and an oval soundhole acoustic arch top ...
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