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gene jackson
gene jackson
Description
Drummer Gene Jackson's website features biography, itinerary, photo gallery, discography, equipment setup, etc ...
Jazz musicians all over the world are likely to be aware of drummer Gene Jackson's talent and expressive performances. While Roy Haynes, Philly Joe Jones, Elvin Jones, Billy Higgins, and Tony Williams were some of his drumming influences, Jackson has a style that can change in accordance to what genre of music he plays. His ability to range from African to Latin to Cool rhythms have afforded Jackson the opportunity to be recommended by dozens of eminent musicians since his career took off 15 years ago. Jackson was born October 16, 1961 in West Philadelphia, Pa. Though he grew up as an only child, Jackson began to focus on music with the help of his guardian's grandson, Greg McDonald who played the drums. "(Greg) would have rehearsals with a band of excellent musicians, which helped inspire me early on," Jackson said.

In 1979, Jackson, who had the ambition to become a professional drummer as soon as he picked up the sticks, went to Boston to attend the well-renowned Berklee College of Music. In the five years Gene spent at Berklee, he counted among his peers and classmates: Walter Beasley, Branford Marsalis, Mark Whitfield, Monty Croft, Donald Harrison, Cindy Blackman, Terri Lynn Carrington, Billy Kilson, Jeff "Tain" Watts, Marvin Smitty Smith, Cyrus Chestnut, Danilo Perez, Dave Kakowski, Jovan Jackson, to name a few. Jackson also lived in an apartment with saxophonist Branford Marsalis, with whom he had established a good friendship. When Branford moved to New York City, fellow drummer Marvin "Smitty" Smith became Gene's roommate ...
Date
Jan 7, 2006
Contact name
Email
Link ID
11924

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Other links at Drums & Percussion > drummers, percussionists
Drummer Gene Jackson's website features biography, itinerary, photo gallery, discography, equipment setup, etc ...
Jazz musicians all over the world are likely to be aware of drummer Gene Jackson's talent and expressive performances. While Roy Haynes, Philly Joe Jones, Elvin Jones, Billy Higgins, and Tony Williams were some of his drumming influences, Jackson has a style that can change in accordance to what genre of music he plays. His ability to range from African to Latin to Cool rhythms have afforded Jackson the opportunity to be recommended by dozens of eminent musicians since his career took off 15 years ago. Jackson was born October 16, 1961 in West Philadelphia, Pa. Though he grew up as an only child, Jackson began to focus on music with the help of his guardian's grandson, Greg McDonald who played the drums. "(Greg) would have rehearsals with a band of excellent musicians, which helped inspire me early on," Jackson said.

In 1979, Jackson, who had the ambition to become a professional drummer as soon as he picked up the sticks, went to Boston to attend the well-renowned Berklee College of Music. In the five years Gene spent at Berklee, he counted among his peers and classmates: Walter Beasley, Branford Marsalis, Mark Whitfield, Monty Croft, Donald Harrison, Cindy Blackman, Terri Lynn Carrington, Billy Kilson, Jeff "Tain" Watts, Marvin Smitty Smith, Cyrus Chestnut, Danilo Perez, Dave Kakowski, Jovan Jackson, to name a few. Jackson also lived in an apartment with saxophonist Branford Marsalis, with whom he had established a good friendship. When Branford moved to New York City, fellow drummer Marvin "Smitty" Smith became Gene's roommate ...
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The official web site of drummer Jon "bermuda" schwartz.
Bermuda has been the drummer with "Weird Al" Yankovic
since 1980, and is seen and heard on all of Weird Al's albums,
videos, and concert and television performances.
Born in Chicago in 1956, drums came into Jon's family from Wm. Ludwig Jr. as a gift to Jon's older brother in return for some advertising work their father did for the drum company. After a family move to Phoenix, Arizona, Jon inherited the kit and began taking formal lessons in 1965. He also listened and played along to the radio hits of the day, as well as albums including everything from Gene Krupa to Elvis, Latin orchestras, and especially the Beatles.
Another family move took the Schwartzes to Los Angeles in 1968, and it was then that Jon decided to be a professional drummer. He continued to take lessons, joined his school's advanced band class and a local junior marching band, and later drummed in a precision marching band where he brushed up on his rudiments. In high school, Jon was in the theater arts band playing for school productions of the Music Man, Hello Dolly, My Fair Lady and The Sound Of Music, and had even managed to join another high school's stage band for a semester.

Other early accomplishments include Jon's first recording session (at age 13) with studio guitarist Al Casey, playing with youth orchestras, performing at California state and national junior band competition finals, teaching beginning and intermediate students, and his first group (formed in 1971) winning the 1974 L.A. County Battle of the Bands at the Hollywood Bowl. And some of the home recordings made by Jon and fellow school band members received airplay on the Dr. Demento show, which would later lead to a turning point in Jon's career.

By his late teens, Jon already had a good feel for working with other musicians in a variety of situations and musical styles. 1975-76 were quiet drumming-wise, and Jon attended a local college, left home, and landed in retail management for about a year until he joined his first top-40 band in 1977. Jon was beginning to live his dream and make a living playing drums. The band had a steady 6-night a week gig and worked together for over a year, and Jon started to pursue other groups and session work ...
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Billy Cobham's Official Web Site.
Only a few times in history has a musician been singled out as the world-class master of his instrument. Billy Cobham is one of those few artists. For over 30 years, he has received international acclaim as the total consummate percussionist.

The legendary Billy Cobham, with his matchless, dazzling, ambidextrous skills as a drummer, has applied the same insistent fervor to his long list of monumental achievements. He’s an accomplished composer and record producer.

It is a rarely known fact that he was at the forefront of the electronic music industry and it’s development through Jazz. He was one of the first percussionists, along with Max Roach and Tony

Williams to utilize the Electronic Drum Controller made in 1968 by the Meazzi Drum Company in Milano, Italy while on concert tour with Horace Silver in Europe. He is one of the few Percussionists, specializing in the Jazz drum set to lead his own band. The award winning Cobham has custom designed trend setting acoustic and electronic drum sets and has endorsed products that he created and refined ...
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Kenny Aronoff is one of the most in-demand and influential drummers in rock music. He has worked with many of the world's top artists including The Rolling Stones, The Smashing Pumpkins, John Mellencamp, Alanis Morissette, Bob Seger, Melissa Etheridge, Jon Bon Jovi, Elton John, Bob Dylan, Rod Stewart, Michelle Branch, Lynyrd Skynyrd, Willie Nelson, Waylon Jennings, Bonnie Raitt, John Fogerty, Joe Cocker, Mick Jagger, Alice Cooper, Meat Loaf, Avril Lavigne and many others. With a style of playing that combines power and finesse, Kenny was named the #1 Pop/Rock Drummer and the #1 Studio Drummer for five consecutive years by the readers of Modern Drummer Magazine, and in addition has played on over 30 Grammy-nominated recordings.

Growing up in Massachusetts, Kenny joined his first band at age ten. At the time a self-taught drummer, he played in local bands throughout junior high and high school. At sixteen, he decided to focus on classical music, and began to study seriously with members of the Boston Symphony Orchestra. He went on to study at the University of Massachusetts and at Indiana University, where, among other honors, he was awarded the school's prestigious Performer's Certificate. During the summers, he participated in the Aspen and Tanglewood Music Festivals.

After graduating from Indiana University in 1976, Kenny passed on offers of timpani positions in both the Jerusalem and Quito, Equador symphony orchestras and decided to head for the East Coast where he studied drum set in Boston and New York. During this time he began to concentrate on jazz and fusion music, and in 1977 he returned to Bloomington, Indiana and spent several years in a popular local band, playing throughout the Midwest. In 1980 he joined the John Mellencamp band, recording 10 albums and touring with him over a 17-year period. Kenny's innovative style and solid backbeat became the driving force behind Mellencamp's long run of definitive hit records in the '80's and '90s, a list that includes "American Fool", "Scarecrow", "Uh Huh", "The Lonesome Jubilee", "Whenever We Wanted", "Dance Naked", "Big Daddy", "Human Wheels" and others ...
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Maurizio Boco: A drummer who has worked with pop music artists such as Amii Stewart, Mimmo Locasciulli, Formula Tre, Patty Pravo ...
Has been theaching director of the UM from 2001 to 2005. In september 2005 he set up Music Unit. He has published two didactic videos and he is working on a third, which will be launched in 2003 ...
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