Jay Graydon Official Web Site:
ay Graydon may not be known to each and everyone, but to all lovers of quality music he is known as one of the greatest guitar players and songwriters of all time in music history. Together with super producer/songwriter and long time pal David Foster he is also known to die-hard fans in Europe and Asia as the co-founder of "Westcoast Music". This music genre has its roots in the late 70s, and is also labeled Adult Contemporary Pop Music or AOR for short.
Between the late 60s and the late 70s Jay played on practically every "A" list session in Los Angeles, acquiring a glowing reputation as an ace studio guitarist/ solo specialist on numerous albums with Barbara Streisand, Dolly Parton, Diana Ross, The Jackson Five, Cheap Trick, Christopher Cross, Ray Charles, Cher, Joe Cocker, Marvin Gaye, Hall & Oates, Olivia Newton-John, and Albert King just to name a few. It is almost easier to enumerate those artists he hasn't played with or produced or written songs for, than those artists whose career he has participated in ...
Down on 5th:
Joe Larson - banjo
From soulful melodic banjo playing to hard driving three finger jump style rolls, Joe Larson leaves no string or fret untouched on the banjo ...
Kelsie Westfall - Acoustic Bass
Playing acoustic bass in a bluegrass band has been the up front thought for Kelsie for sometime and D.O.5. has opened that door for him to play the BIG strings. Kelsie provides the big string driving sound and back up vocals for the D.O.5. Band and endorses Labella Bass Strings
Marke Richardson - Guitar
Singer, songwriter Marke Richardson helps make up the D.O.5. sound and brings it front and center. Marke takes on the job of playing guitar for D.O.5. and is endorsed by Elixir Strings.
Dennis Haycraft - Mandolin
When it comes to singing and playing on the mandolin, D.O.5. no doubt found the guy that can make it happen. Playing and singing just about all styles of music, Dennis Haycraft can take the mandolin and make it into a deadly weapon with his ability to fire down with solid mandolin chops to rapid fire picking on songs running warp speed.
Even at warp speed playing, all is under control with pick close at hand.
James Taylor's musical reliance upon nuance and subtle feeling would make it seem that he is a bad fit for generally impersonal large venues, but his ability to project those qualities to sizable audiences has always served his material well.
Friday night, he opened his summer tour at the ctnow.com Meadows Music Theater in Hartford, and lavished an abundance of his still-potent mellow charm on a captivated audience with a classy, first-rate performance.
Taylor's brand of showmanship is stylistically earthbound, understated in ways that allowed him to glide nonchalantly into his program with the supple "Secret O' Life," a lightly ringing synthesizer accompaniment married to his lone acoustic guitar. The mood set, he brought on his full seven-piece band and three backup vocalists and eased into the airy, flute-edged bounce of "Summer's Here."
Taylor was accommodating enough to sign autographs from the stage during the show, but not so slavish to fan desires that his set list was predictable. He left out several notable songs from his catalog, "You've Got a Friend" among them, opting instead for the less obvious, idyllic storytelling of "On the 4th of July" and a chipper, soulful cover of the Dixie Chicks tune "Some Days You Gotta Dance" ...
Jimmy Wyble (1922) was playing western swing music in 1942 with guitarist Cameron Hill when Bob Wills hired both of them for his Texas Playboys. Wills called their sound "twin guitars". The results of this unique paring can be heard on Wills' Roly Poly.
Wyble continued his association with western swing bands well into the 1950's when he released his first jazz album as leader, The Jimmy Wyble Quintet (1953). This recording had the unusual instrumentation of accordion, clarinet, guitar, bass and drums. That same year he recorded four sides with the Barney Kessel Quartet which are on the Swing Guitars album.
During the late 1950's and early 1960's he toured with Benny Goodman and recorded with Red Norvo. His association with Red Norvo produced two outstanding albums of straight ahead jazz: Naturallyand HiFive.
In 1977 Jimmy Wyble made another album with unusual instrumentation: Jimmy Wyble & Love Bros.
Jimmy Wyble enjoyed a long association with the studios in Los Angeles and he was also a member of Tony Rizzi's Five Guitars.
Devoted to jazz rhythm guitar and the man who epitomized the big band guitar style.
This site is dedicated to the master of the rhythm guitar - Freddie Green - and exists to collect and share information that will aid the big band jazz guitarist in keeping this style alive and well. Musicians, scholars, and Freddie Green fans from around the world continue to collaborate in assembling technical explanations, transcriptions, historical information, and photos for this on-line resource.
This web site is strictly a not-for-profit, educational endeavor. All research, writing, and editing is done by volunteers. The site is continuously expanding. We hope that you will find it useful throughout its evolution.
Remi Boucher: classical guitar:
Classical Guitarist Rémi Boucher was born in 1964 in Rouyn-Noranda (Québec Canada). He studied the classical guitar at the Montreal Conservatory with Jean Vallières and afterwards completed his studies in Spain (with J. Henriquez, J. L. Rodrigo, V. Mikulka, David Russell, M. Barrueco), in Belgium at the Royal Conservatory of Antwerp with (V. van Puijenbroeck) and in Switzerland at the Basel Academy with O. Ghiglia. He is now living in Austria. Those travels would not have been accomplished without the aid of the "Conseil des Arts et des Lettres du Québec" and the Canada Council, which not only offered him many grants, but the Sylva Gelber Award, making Rémi Boucher the first guitarist in 30 years to win this honor! In addition to his many national and international prizes, in less than 18 months, Rémi Boucher has conquered Europe, America and Asia winning at the unanimously
the first prize in five of the most important international music competitions. (Alessandria in Italy, Andrès Segovia in Palma de Mallorca in Spain, Havana in Cuba, Mauro Guiliani in Turin, and Fernando Sor in Roma).
With such success, he was invited by many major symphonic orchestras giving him the opportunity to perform up to ten of the greatest guitar concertos and having the privilege to play under the direction of Leo Brouwer, the famous Cuban composer.
His love and relationship with other cultures, and his interest in all kinds of instruments, helped him to discover new technical possibilities which allow him to enlarge the capabilities of the instrument. A pioneer in that domain, he collaborates closely with composers to create a repertory that serves these new musical possibilities. To study those techniques Rémi Boucher has also created a series of his own compositions and a new technical method. His most recent success was the result of seven years collaboration with his favorite composer and pianist Canadian Jacques Marchand ...