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jerzy drozd basses
Description
Jerzy Drozd Basses:
We are makers of fine custom electric multistring basses.Our instruments comes with many options like woods,electronics,pickups,inlays and custom designs.
We are makers of fine custom electric multistring basses.Our instruments comes with many options like woods,electronics,pickups,inlays and custom designs.
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Date
Jan 16, 2006
Contact name
Email
Link ID
12181
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1. dave maize
Custom fine instrument creation. Acoustic bass guitars and 6-string steel string acoustic guitars.handbuilt guitar, environmentally friendly guitar,acoustic bass guitar, bass guitar,alternative woods,non-endangered woods,handmade guitar,luthier,tonewoods,guitar woods,handcrafted guitar,certified guitar,recycled woods, reclaimedwoods, rediscovered woods, certified woods,instrument woods,guitar building woods,certified tonewoods,alternative tonewoods,acoustic guitar, guitar supplies,bass,bass,woodworking,guitar,acoustic guitar
Category:
Michael Cone Classical Guitars: Exceptional hand made classical guitars by Michael Cone, with images, MP3 files, and links to luthier tools and supplies.
The designs of my guitars are based on the patterns of Torres and Hauser and are tailored to each individual. A guitar for concert performance must be able to produce the desired sound effortlessly. From the clarity, sustain, tone quality, volume, projection, evenness and balance, to the playability and aesthetics, these are instruments suitable for concert hall or recording studio.
I began building musical instruments in 1968. Initially inspired by the sound of Julian Bream playing a Bouchet, I finished my first classical guitar in 1969. Early influences included Pagés, Torres, Panormo, Fleta, and Hauser. Through the fortuitous circumstance of finding an 1803 Juan Pagés guitar at a garage sale in Maine, I was able to examine one of the earliest examples of five fan bracing as well as 18th century building techniques first hand ...
The designs of my guitars are based on the patterns of Torres and Hauser and are tailored to each individual. A guitar for concert performance must be able to produce the desired sound effortlessly. From the clarity, sustain, tone quality, volume, projection, evenness and balance, to the playability and aesthetics, these are instruments suitable for concert hall or recording studio.
I began building musical instruments in 1968. Initially inspired by the sound of Julian Bream playing a Bouchet, I finished my first classical guitar in 1969. Early influences included Pagés, Torres, Panormo, Fleta, and Hauser. Through the fortuitous circumstance of finding an 1803 Juan Pagés guitar at a garage sale in Maine, I was able to examine one of the earliest examples of five fan bracing as well as 18th century building techniques first hand ...
Category:
Rene Wilhelmy, Luthier:
René Wilhelmy studied classical guitar at the Institut Marguerite Bourgeois with guitarist Jean Vallières. During this training, he learned instrument making on his own, thus launching his career as a luthier. Two grants, one from the Canada Council and the other from the Office franco-québécois, enabled him to hone his skill, and his travels in Europe brought him into contact with major luthiers and guitarists. With his solid experience acquired over the years, Wilhelmy has become a prominent luthier.
While he works on historic guitar models, René Wilhelmy also experiments with building more modern instruments, such as folk guitars and electric guitars. To date, he has produced nearly one hundred instruments, including lutes, folk and electric guitars, and more than seventy-five classical guitars. These instruments, many of which are owned by award-winning musicians, are widely admired as much for their artistic beauty as for their fine tone.
René Wilhelmy a étudié la guitare à l'institut Marguerite-Bourgeois, puis chez Jean Vallières. C'est au cours de ses études qu'il débute, en autodidacte, sa carrière de luthier. Il obtient deux bourses, l'une du Conseil des Arts du Canada et l'autre de l'Office franco-qué bécois qui lui permettent de perfectionner son art. Ses voyages en Europe lui donnent l'occasion de rencontrer des luthiers et des guitaristes importants. Il acquiert une solide expérience et, au fil des ans, il parvient au rang des plus grands luthiers.
S'il travaille sur des modèles anciens de guitares, René Wilhelmy explore aussi la fabrication d'instruments plus modernes comme les guitares folk et électriques. Il a déjà fabriqué près de cent instruments dont des luths, des guitares folk et électriques et plus de 75 guitares classiques. Ses instruments sont grandements appréciés, tant pour leur beauté plastique que pour leur fine sonorité. Bon nombre de musiciens gagnants de divers prix nationaux possèdent de ses instruments.
René Wilhelmy studied classical guitar at the Institut Marguerite Bourgeois with guitarist Jean Vallières. During this training, he learned instrument making on his own, thus launching his career as a luthier. Two grants, one from the Canada Council and the other from the Office franco-québécois, enabled him to hone his skill, and his travels in Europe brought him into contact with major luthiers and guitarists. With his solid experience acquired over the years, Wilhelmy has become a prominent luthier.
While he works on historic guitar models, René Wilhelmy also experiments with building more modern instruments, such as folk guitars and electric guitars. To date, he has produced nearly one hundred instruments, including lutes, folk and electric guitars, and more than seventy-five classical guitars. These instruments, many of which are owned by award-winning musicians, are widely admired as much for their artistic beauty as for their fine tone.
René Wilhelmy a étudié la guitare à l'institut Marguerite-Bourgeois, puis chez Jean Vallières. C'est au cours de ses études qu'il débute, en autodidacte, sa carrière de luthier. Il obtient deux bourses, l'une du Conseil des Arts du Canada et l'autre de l'Office franco-qué bécois qui lui permettent de perfectionner son art. Ses voyages en Europe lui donnent l'occasion de rencontrer des luthiers et des guitaristes importants. Il acquiert une solide expérience et, au fil des ans, il parvient au rang des plus grands luthiers.
S'il travaille sur des modèles anciens de guitares, René Wilhelmy explore aussi la fabrication d'instruments plus modernes comme les guitares folk et électriques. Il a déjà fabriqué près de cent instruments dont des luths, des guitares folk et électriques et plus de 75 guitares classiques. Ses instruments sont grandements appréciés, tant pour leur beauté plastique que pour leur fine sonorité. Bon nombre de musiciens gagnants de divers prix nationaux possèdent de ses instruments.
Category:
October Guitars is a high-end custom guitar shop, hand crafting quality instruments for the discriminating musician.
Each and every October USA instrument is hand-crafted, and is an individual work of art, with no two guitars alike. We work closely with each customer on their instruments, down to the smallest detail, insuring that the end result is a guitar the artist will never put down ...
No mass production or high turnaround takes place at October Guitars. Our combination of old world craftsmanship and cutting edge designing make an October instrument stand out among all others. Take a moment to browse our site, and feel free to contact us with any questions. And remember, if you can dream it, we can build it.
Each and every October USA instrument is hand-crafted, and is an individual work of art, with no two guitars alike. We work closely with each customer on their instruments, down to the smallest detail, insuring that the end result is a guitar the artist will never put down ...
No mass production or high turnaround takes place at October Guitars. Our combination of old world craftsmanship and cutting edge designing make an October instrument stand out among all others. Take a moment to browse our site, and feel free to contact us with any questions. And remember, if you can dream it, we can build it.
Category:
After more than 35 years of experience as guitarmaker and founder partner of
prestigious companies, Antonio Aparicio, has acquired in his new professional step the
commitment of reaching the highest quality in the instruments with his signature.
In our new workshop, we have joined the best craftsmanship of our workers with the
advantages that offers the advanced technology applied to our first ambition: To build
guitars with the best sound and tone, with the best woods, materials and with the greatest
finish and beaty.
Any guitar of our catalogue, from the Standard series to the Signature series, is built
with solid top and varnished with the traditional finish, not with polyester. Our new finish
provides a better looking of the wood, a great sonority, and a brillant and bigger sound.
Each model has been designed thinking in the performance qualities that the player is
going to requiere to the guitar. For this reason, we have included several bracings and
the most appropiate woods for getting the sounding features that define each model.
Different inner compositions and the combination of the woods in the construction
make each guitar special.
We have selected the best woods around the World, the best crafstmen and we have
put a lot of daydreaming and ideas for building the best Guitars.
Después de más de 35 años de experiencia como constructor de guitarras y socio
fundador de prestigiosas marcas, Antonio Aparicio ha adquirido el compromiso
personal en su nueva etapa profesional de alcanzar las más altas cotas de calidad
en aquellos instrumentos que lleven su firma.
En nuestros talleres hemos combinado el buen hacer artesanal de nuestros profesionales
con las ventajas que nos ofrece la tecnología de última generación, aplicada a nuestro
objetivo primordial: construir guitarras con el mejor tono y sonido, con las mejores
maderas y materiales y con el mejor acabado y belleza.
Cualquier guitarra de nuestro catálogo, desde la serie Standard hasta la serie Signature
se construye siempre con tapa sonora de madera maciza y en el acabado se utiliza,
en cualquier caso, laca tradicional. Con el empleo de la laca se consigue una mayor
belleza de la madera, una gran sonoridad, un tono más brillante y una mayor presencia
de sonido.
Cada modelo ha sido diseñado pensando en las prestaciones que el música va a exigir
a su guitarra. De esta forma hemos incluido barretajes interiores distintos y maderas
adecuadas a cada modelo con el fin de obtener las características sonoras que los definen.
Distintas formas de construcción interna y la combinación de las distintas maderas
utilizadas en la construcción hacen cada guitarra diferente.
Hemos seleccionado las mejores maderas del mundo, los mejores artesanos y hemos
puesto una gran dosis de ilusión e ideas para construir las mejores guitarras.
prestigious companies, Antonio Aparicio, has acquired in his new professional step the
commitment of reaching the highest quality in the instruments with his signature.
In our new workshop, we have joined the best craftsmanship of our workers with the
advantages that offers the advanced technology applied to our first ambition: To build
guitars with the best sound and tone, with the best woods, materials and with the greatest
finish and beaty.
Any guitar of our catalogue, from the Standard series to the Signature series, is built
with solid top and varnished with the traditional finish, not with polyester. Our new finish
provides a better looking of the wood, a great sonority, and a brillant and bigger sound.
Each model has been designed thinking in the performance qualities that the player is
going to requiere to the guitar. For this reason, we have included several bracings and
the most appropiate woods for getting the sounding features that define each model.
Different inner compositions and the combination of the woods in the construction
make each guitar special.
We have selected the best woods around the World, the best crafstmen and we have
put a lot of daydreaming and ideas for building the best Guitars.
Después de más de 35 años de experiencia como constructor de guitarras y socio
fundador de prestigiosas marcas, Antonio Aparicio ha adquirido el compromiso
personal en su nueva etapa profesional de alcanzar las más altas cotas de calidad
en aquellos instrumentos que lleven su firma.
En nuestros talleres hemos combinado el buen hacer artesanal de nuestros profesionales
con las ventajas que nos ofrece la tecnología de última generación, aplicada a nuestro
objetivo primordial: construir guitarras con el mejor tono y sonido, con las mejores
maderas y materiales y con el mejor acabado y belleza.
Cualquier guitarra de nuestro catálogo, desde la serie Standard hasta la serie Signature
se construye siempre con tapa sonora de madera maciza y en el acabado se utiliza,
en cualquier caso, laca tradicional. Con el empleo de la laca se consigue una mayor
belleza de la madera, una gran sonoridad, un tono más brillante y una mayor presencia
de sonido.
Cada modelo ha sido diseñado pensando en las prestaciones que el música va a exigir
a su guitarra. De esta forma hemos incluido barretajes interiores distintos y maderas
adecuadas a cada modelo con el fin de obtener las características sonoras que los definen.
Distintas formas de construcción interna y la combinación de las distintas maderas
utilizadas en la construcción hacen cada guitarra diferente.
Hemos seleccionado las mejores maderas del mundo, los mejores artesanos y hemos
puesto una gran dosis de ilusión e ideas para construir las mejores guitarras.
Category:
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