Caribbean Blues best describes the music of Jungular Grooves percussive Anglophone Caribbean music that is sharpened by stinging Blues guitar, honking sax, and Doo-Wop style vocals. The seamless and completely natural blending of these elements has the effect of making Jungular Grooves seem at once exotically international yet soothingly familiar.
Jungular Grooves centers upon the seductively warm, dusky, Bluesy baritone vocals, tasty Blues-tinged guitar and evocative songwriting of auteur Reggie Benn. He is teamed with the screaming, searing, soaring, artful saxophone playing of the right Reverend Robert James Haven to front a stunningly original synthesizer-free musical offering which also features Steve Parks on bass and supporting vocals; Ralph Gibbs on drums and supporting vocals; Michael Corbett on congas, percussion and drums; and Holly Elder on steel drums.
Jungular Grooves music is an outgrowth of Reggie Benn's West Indian musical upbringing and his musical explorations while playing and recording with artists such as the late African Palm Wine Music progenitor, Souleman Rougie, and New Orleans Tropical big band Cool Breeze.
As is the fashion in their native Barbados, Benn's entire family played and sang Calypsos on holidays, which planted the musical seeds in young Reggie. He was also infused with Gospel music in church and American Doo-Wop on the street corners of Boston, where his family eventually settled.
A wonderful new release from the critically acclaimed Jungular Grooves.
Anglophone Caribbean music with blues guitar, sax, and doo-wop style vocals. Centered upon the baritone vocals, guitar work and songwriting of Reggie Benn.
Fula Flute: Site dedicated to the tambin, the flute of the Fulani people of Guinea, West Africa and to the Fula Flute Ensemble, a group based in New York City and their new CD release on Blue Monster Records.
New York group featuring the tambin flute playing of Bailo Bah. Site includes information on the tambin, and mp3s, recording liner notes, and event calendar.
Lorenza Ponce:
Violinist/vocalist Lorenza Ponce has been mesmerizing audiences worldwide with her mastery of the violin, hauntingly beautiful vocals, and her dramatic yet graceful stage presence. Recently, she was the lead violinist and string arranger for The Dixie Chicks 2003 Top of The World Tour. Lorenza Ponce is the violinist of choice for rock superstar Bon Jovi, has toured extensively with Sheryl Crow, and was the featured violinist/vocalist for new age megastar John Tesh's One World PBS Special.
For Lorenza, the greatest aspect of her professional success has been the opportunity to travel around the globe, experiencing foreign places and cultures first hand. In addition to The Dixie Chicks and Sheryl Crow, Lorenza also toured with John Tesh, Japanese superstar Kitaro, and pop band Ben Folds Five.
A resident of New York City, Lorenza has taken full advantage of the city's richly diverse music scene, and as a result, has developed a reputation as a sought-after session musician. In addition to The Dixie Chicks, Bon Jovi, Sheryl Crow, John Tesh, Kitaro, and Ben Folds Five, Lorenza has performed on stage alongside Sarah McLachlan, Stevie Nicks, Cyndi Lauper, The Zombies and Deborah Harry of Blondie. Lorenza is also a much-in-demand session musician and has appeared on albums by artists as diverse as Tricky, Jon Anderson of Yes, Stevie Nicks, Silverchair, Christine Lavin, Kitaro, John Tesh, Sheryl Crow and Ben Folds Five.
Lorenza is also an accomplished string arranger. Her arrangements can be found on albums by Sheryl Crow, The Dixie Chicks, and the I Am Sam soundtrack ...
Home of the violinist and singer featured on Sheryl Crow's 1999 world tour and John Tesh's PBS special "One World". With discography, biography, pictures and song clips ...
The Rajhans Orchestra is a unique project because of the merging of two different cultural music systems and musicians within one orchestra. The concept of orchestra, as known in Europe, never grew roots on the Subcontinent (perhaps the closest was the Mughal Nahabet Khana). In Asia we observe mainly one soloist versus, and interacting with, one ore more percussion instruments, and supported by a drone-instrument. (tanbura) In the last decades a development to "jugalbandi", the joint-solo-venture, has emerged (more chamber-music like, 2 soloists plus percussion and drone) . Now with the creation of Rajhans orchestra music and performers are merged in a most splendid way, enabling each musician to operate and interact from within his own cultural background and tradition.
Since the later days of the renaissance we observe in Europe the rise of a organized group-performing" which ultimately resulted, through successive stages, in the massive orchestras of the late 19th century. The Rajhans orchestra however is more related to the smaller early 18th century orchestras who, traditionally at that time, were attached and maintained by Europe's noble and royal courts. In those days it used to be quite "exotic" to present let's say in Germany some French or Italian music styles. As the world is "getting smaller", we practise a similar technic in presenting Indian music within our European music, thus creating a new flavour.
A Belgian musical ensemble that plays a fusion of styles based on Indian and Flemish music. With artist information, sound clips and background.
One evenig Elizabeth said: „What about recording some music that is exactly what we like, without thinking about if it can be sold“ That was way back in 1985, when Peter and Elizabeth started to create some music without vocals in their then still small studio.
Instrumental music with lots of guitars was way uncool in those days. But it felt right for the artists and set the course for their future work.
Nine CDs, more than 100 000 downloads and 700 produced tracks later, Blue Star are successful independent Artists with an own label.
„Hot Interaction of Mr. Guitar and Lady Hammond“, wrote a critic.
Stellar guitar, melodic like Santana / Peter Green plus a touch of U.S. - Soulblues a‘ la Larry Carlton meet groovy Hammond lines in the style of Jimmy McGriff but also Gegg Rolie (Ex Santana) Emotion and playfulness are the main ingredients. Live drums live peacefully beneath loops and samples.
Peters Les Paul, ES 335 und Gretsch White Falcon are the main guitars. Elizabeth plays a 1963 Hammond C3 with Leslie, Rhodes and Wurlitzer Pianos.
Atmosphere is the keyword that makes this music interesting for musicians and non musicians as well.
Listening to Blue Star for the first time, it takes a while until you notice that nobody is singing. The instruments tell their stories and nobody misses vocals.
The more quiet albums like Himalaya Suite (1997) and Blues (2003) are relaxed, almost meditative, but without the new age grease ...
Die Blue Star Story:
Eines abends sagte Elizabeth: „Lass uns doch einfach mal Musik für uns selbst machen, nur nach unserem Geschmack.“ Das war irgendwann Ende 1985, als Peter und Elizabeth in ihrem damals noch kleinen Studio begannen einen Track ohne Gesang aufzunehmen.
Instrumentale Musik mit viel Gitarre war damals das uncoolste was man produzieren konnte. Trotzdem fühlte es sich genau richtig an und deutete in die Richtung die Blue Star einschlagen würden.
Acht Alben, hunderttausende Downloads, 700 komponierte / produzierte Titel und unzählige Auftragskompositionen später zeigen Blue Star als erfolgreiche Independent Artists mit eigenem Label, dass es sich lohnt der eigenen Spur zu folgen.
„Hot Interaction of Mr. Guitar and Lady Hammond“, so beschreibt ein Kritiker die Musik von Blue Star. Peter Blue und Elizabeth Star spielen eine Musik, in der Vintage Sounds ohne Nostalgie zum Hörvergnügen werden.
Excellente Gitarrenparts, melodiös wie bei Santana / Peter Green mit einem Schuß trockenen U.S. - Soulblues a‘ la Larry Carlton treffen auf groovende Hammond Lines die an Jimmy McGriff aber auch Gegg Rolie erinnern. Emotionalität und Spielfreude finden einen Rahmen in professionellen, durchsichtigen Arrangements in denen Live Drums und Percussion ebenso Platz finden wie Loops und Samples.
Peters Les Paul, ES 335 und Gretsch White Falcon sind die meistgespielten Gitarren, während Elizabeth neben einer 1963er Hammond C3 mit Leslie auch Rhodes und Wurlitzer E- Pianos einsetzt.
Atmosphäre ist das Stichwort, das diese Musik nicht nur für Musiker sondern für ganz normale Hörer empfiehlt.
Wenn man Blue Star zum ersten mal hört, dauert es eine Weile bis man bemerkt, dass niemand singt. Man hat den Gesang nicht vermisst weil die Instrumente selbst Geschichten erzählen.
Auf den ruhigeren CDs wie Himalaya Suite (1997) und Zen Blues (2003) entwickeln Blue Star ihre eigene Art von entspannter, meditativer Musik und vermeiden es dabei elegant und mit Tiefgang, auch nur in die Nähe von Meditations – oder Entspannungsmusik zu geraten ...