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Junkmedia
Description
Junkmedia: daily transmissions from the world of sound.Music news, reviews and interviews for people who care.
Junkmedia is an independently owned and operated Internet daily. It is our goal to provide our readers with diverse, informed and intelligent writing on today's music. We strive to highlight music and musicians who have been overlooked by the mainstream music press, as well as provide alternative viewpoints and opinions on the "popular" artists of today. In doing so, we hope to give readers the most comprehensive coverage of the music they care about.
Junkmedia is an independently owned and operated Internet daily. It is our goal to provide our readers with diverse, informed and intelligent writing on today's music. We strive to highlight music and musicians who have been overlooked by the mainstream music press, as well as provide alternative viewpoints and opinions on the "popular" artists of today. In doing so, we hope to give readers the most comprehensive coverage of the music they care about.
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Date
Jan 27, 2005
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Link ID
274
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Other links at Magazine Publications, E-Zines > music > all genres
BMI is a performing right organization: It collects license fees on behalf of its songwriters, composers and music publishers and distributes them as royalties to those members whose works have been performed.
As a performing right organization, BMI issues licenses to various users of music, including television and radio stations and networks; new media, including the Internet and mobile technologies such as ringtones and ringbacks; satellite audio services like XM and Sirius; nightclubs, discos, hotels, bars, restaurants and other venues; digital jukeboxes; and live concerts. It then tracks public performances of its members' music, and collects and distributes licensing revenues for those performances as royalties to the more than 300,000 songwriters, composers and music publishers it represents, as well as the thousands of creators from around the world who have chosen BMI for representation in the U.S.
As a performing right organization, BMI issues licenses to various users of music, including television and radio stations and networks; new media, including the Internet and mobile technologies such as ringtones and ringbacks; satellite audio services like XM and Sirius; nightclubs, discos, hotels, bars, restaurants and other venues; digital jukeboxes; and live concerts. It then tracks public performances of its members' music, and collects and distributes licensing revenues for those performances as royalties to the more than 300,000 songwriters, composers and music publishers it represents, as well as the thousands of creators from around the world who have chosen BMI for representation in the U.S.
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2. OOR
OOR: Muziekmagazine, concertagenda, albums, album van de week, nieuws, columns, forum, nieuwsbrief, concertverslagen, downloads, specials, video interviews, band van het moment ...
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In 1993, Lydia Hutchinson founded PerformingSongwriter out of sheer love of music.
It all started in the guest bedroom of a little townhome in Nashville. There was no business plan, no financial backing and no staff. Just an old beige Mac, a older beige scanner, and a belief that starting a magazine about something you love is totally possible.
It’s hard not to develop a reverence for the art and craft of songwriting when you live in Music City, USA. But in ’93 there was no way to find out about the inspiration behind a song that your favorite artist sang, or the bits of trivia that all music lovers long for. Radio was just beginning its decline into corporate ownership, so we were missing out on great songs that were being written. And there wasn’t a single place to go that felt like a community where creative people could support each other and find inspiration.
Performing Songwriter was just a humble and heartfelt attempt at creating a place for songwriters to come together in a safe community where they’re understood and supported and heard by those who love music.
Soon the magazine had a loyal following who felt pride and a sense of ownership in it, and we were getting our little subscription checks from the likes of Lyle Lovett, Mary Chapin Carpenter, Joan Baez, Shawn Colvin, Carole King, Paul Simon, Bonnie Raitt … Performing Songwriter became the place where artists could keep in touch with their friends and peers, and reach out to their fans on a community level.
Thirteen years later Performing Songwriter has grown into what it is today: a completely independent, smart, beautifully designed and widely distributed publication that informs and connects music makers with music lovers. Fully staffed by a group of committed, hard-working and enthusiastic people, it provides the place for everyone to feel a part of the community of passionate, opinionated and creative people who know the importance of music in all of our lives. And it just keeps getting better ….
It all started in the guest bedroom of a little townhome in Nashville. There was no business plan, no financial backing and no staff. Just an old beige Mac, a older beige scanner, and a belief that starting a magazine about something you love is totally possible.
It’s hard not to develop a reverence for the art and craft of songwriting when you live in Music City, USA. But in ’93 there was no way to find out about the inspiration behind a song that your favorite artist sang, or the bits of trivia that all music lovers long for. Radio was just beginning its decline into corporate ownership, so we were missing out on great songs that were being written. And there wasn’t a single place to go that felt like a community where creative people could support each other and find inspiration.
Performing Songwriter was just a humble and heartfelt attempt at creating a place for songwriters to come together in a safe community where they’re understood and supported and heard by those who love music.
Soon the magazine had a loyal following who felt pride and a sense of ownership in it, and we were getting our little subscription checks from the likes of Lyle Lovett, Mary Chapin Carpenter, Joan Baez, Shawn Colvin, Carole King, Paul Simon, Bonnie Raitt … Performing Songwriter became the place where artists could keep in touch with their friends and peers, and reach out to their fans on a community level.
Thirteen years later Performing Songwriter has grown into what it is today: a completely independent, smart, beautifully designed and widely distributed publication that informs and connects music makers with music lovers. Fully staffed by a group of committed, hard-working and enthusiastic people, it provides the place for everyone to feel a part of the community of passionate, opinionated and creative people who know the importance of music in all of our lives. And it just keeps getting better ….
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4. Sayhoo
With a high quality network of DJ's, musicians and music labels, SayHOO delivers good sounds and tunes to broadcast in your network shops, work-space, events or promo-media.
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Serge Entertainment Group - entertainment, music management, public relations for bands and artists
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