Justin Hayward is vocalist, lead guitarist and composer for the Moody Blues. Over the last thirty-five years the band has sold a phenomenal fifty five million albums and has received numerous awards.
Justin’s interest in music started at the age of seven when he had his first piano lesson. He taught himself the ukulele and soon progressed to guitar. By his early teen’s he was playing in local groups in Swindon and when he left school he answered an advertisement in " The Melody Maker" and found himself playing with The Wilde Three with Marty Wilde and his wife Joyce.
He made several recordings with The Wilde Three and also appeared with them at the London Palladium. After making a couple of solo singles he joined the Moody Blues in the summer of 1966 ...
When the Moody Blues took a break from touring in 1975 Justin recorded the Blue Jays album, followed by the hit single "Blue Guitar". Whilst continuing his work with the Moodies he also made several solo albums "Songwriter" "Night Flight" "Moving Mountains" and most recently "The View From the Hill". Justin had a top ten single in 1978 with "Forever Autumn" taken from Jeff Wayne’s "War of the Worlds" album. He also collaborated in 1989 with Mike Batt and the London Philharmonic Orchestra and recorded the album "Classic Blue" ...
Jimmy Wyble (1922) was playing western swing music in 1942 with guitarist Cameron Hill when Bob Wills hired both of them for his Texas Playboys. Wills called their sound "twin guitars". The results of this unique paring can be heard on Wills' Roly Poly.
Wyble continued his association with western swing bands well into the 1950's when he released his first jazz album as leader, The Jimmy Wyble Quintet (1953). This recording had the unusual instrumentation of accordion, clarinet, guitar, bass and drums. That same year he recorded four sides with the Barney Kessel Quartet which are on the Swing Guitars album.
During the late 1950's and early 1960's he toured with Benny Goodman and recorded with Red Norvo. His association with Red Norvo produced two outstanding albums of straight ahead jazz: Naturallyand HiFive.
In 1977 Jimmy Wyble made another album with unusual instrumentation: Jimmy Wyble & Love Bros.
Jimmy Wyble enjoyed a long association with the studios in Los Angeles and he was also a member of Tony Rizzi's Five Guitars.
Kelly Joe Phelps - Official website of acoustic/slide guitar player and singer-songwriter Kelly Joe Phelps. Get the latest news, gig details, multimedia and more.
The fans of singer, songwriter and guitarist Kelly Joe Phelps have been anxious for him to release a live CD for quite some time now. Tap the Red Cane Whirlwind represents a long-awaited opportunity to hear Kelly Joe recorded on disc performing solo in concert. Produced by Lee Townsend, the new CD is pure unadulterated Kelly Joe Phelps at his finest recorded in the intimate environments of two venues in which Kelly Joe has been performing for a long time - McCabe's in Santa Monica and The Freight and Salvage in Berkeley.
The repertoire includes seven favorite Kelly Joe originals, including "Jericho", "Tommy", "Not So Far to Go", "Fleashine", "Cardboard Box of Batteries", "Gold Tooth" and "Waiting for Marty" plus astonishing versions of two classic cover songs - "Hard Time Killin' Floor Blues" by Skip James and "I Am the Light of the World" by Reverend Gary Davis. Engineered by Shawn Pierce and mastered by Greg Calbi, Tap the Red Cane Whirlwind is released on True North Records in Canada and on Rykodisc in the rest of the world ...
Bonnie Raitt:
More than just a best-selling artist, respected guitarist, expressive singer, and accomplished songwriter, Bonnie Raitt has become an institution in American music. The release of Souls Alike, her eighteenth album, marks yet another brave, exhilarating step in a legendary body of work.
Born to a musical family, the nine-time Grammy winner is the daughter of celebrated Broadway singer John Raitt (Carousel, Oklahoma!, The Pajama Game) and accomplished pianist/singer Marge Goddard. She was raised in Los Angeles in a climate of respect for the arts, Quaker traditions, and a commitment to social activism. A Stella guitar given to her as a Christmas present launched Bonnie on her creative journey at the age of eight. While
growing up, though passionate about music from the start, she never considered that it would play a greater role than as one of her many growing interests.
In the late '60s, restless in Los Angeles, she moved east to Cambridge, Massachusetts. As a Harvard/Radcliffe student majoring in Social Relations and African Studies, she attended classes and immersed herself in the city's turbulent cultural and political activities. "I couldn't wait to get back to where there were folkies and the antiwar and civil rights movements," she says. "There were so many great music and political scenes going on in the late '60s in
Cambridge." Also, she adds, with a laugh, "the ratio of guys to girls at Harvard was four to one, so all of those things were playing in my mind" ...
Bruce Gatewood: Guitar player:
Actively Touring and Performing Live with a Variety of Acts:
Also currently Engineering, Producing, Programming, and appearing as a guest musician for network jingles, up and coming artists, talent agencies, website soundtracks, and independent film soundtracks.
Touring and recording credits include:
Deodato
Lesley Gore
Holland Tunnel Project
Randy Jones and Special Edition
Sci-Fi Network: Promo Spots
Nickelodeon: Promo Spots
Out-Cue Club and Concert Calendar: Promo Spots
TV Commercials: For cable and national television, including Serucci Jeans; and
various businesses, i.e. Car Dealerships, Restaurants and Clubs.
Buzzy Linhart
Moogy Klingman
Will Lee
Pheobe Snow
John Hammond Jr.
John Sebastian
Atello: The Big Payoff
(Featuring WOW song parody for "The Opie And Anthony Radio Show)
Boss Drum: "Force In Your Hands" / "Tell Tell"
Carla Virola
Holland Tunnel Project
Jackie Nova
Ken Serio: Through The Gate.
Guitarist Sheryl Bailey is rated among the foremost bopbased guitarists to have emerged in the 1990’s. Her attack can be direct and hard swinging, but she also exudes subtlety, elegance of phrase and a pure, warm, liquid sound. Bill Milkowski has written about her: “ a modernist burner with an abundance of Pat Martino-style chops, Bailey prefers angular lines, odd harmonies and the occasional touch of dissonance as she sails up and down the fretboard with fluid abandon.” – JazzTimes Magazine, Februrary 2005
Her musical activities aren’t confined to groups working strictly in the orthodox, bop based jazz tradition, as she has toured and recorded with bassist, Richard Bona and is a member of David Krakauer’s Klezmer Madness. Other artists are tenor saxophonist, Gary Thomas, Urban Folk and Jazz artist, KJ Denhert, and pop diva, Irene Cara. While her mid 1990’s CD Little Misunderstood sees her playing with total familiarity and command of the fusion idiom, her latest releases, Reunion of Souls, The Power of Three, and Bull’s Eye represent her love of contemporary straight-ahead jazz.
In 1995 Sheryl was awarded third place in the Thelonious Monk International Jazz Guitar Competition, and has toured South America on behalf of the US State Department as a Jazz Ambassador, honoring the music of Duke Ellington. She currently leads her own trio, The Sheryl Bailey Three (Gary Versace on Hammond B3 and Ian Froman on drums). Her 2002 release, The Power of Three was critically acclaimed and charted in the top 20 of the Jazz Week radio charts. The trio conjures the essence of the Grant Green/ Larry Young/ Elvin Jones band of the late 60’s.
She is also in demand as an educator. Sheryl has been an Assistant Professor of Guitar at the esteemed Berklee College of Music since 2000, and has been a popular clinician at the National Guitar Summer workshop, The Stanford Jazz Workshop, The Duquesne Jazz Guitar Seminar, Uarts in Philadelphia, and at Southern Cross University in Lismore, Australia.
Sheryl’s latest release is titled, Bull’s Eye. The CD features nine new compositions and tightly woven improvisations from the trio. A track from the disc, “ Old and Young Blues” will be featured in the Master Anthology of Jazz solos, vol. IV by Mel Bay in January 2005. She is also working on a book for Mel Bay about modern approaches to jazz improvisation. She keeps a hectic itinerary touring, teaching, and recording.