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kca nos tubes amplifier repair
Description
We specialize in NOS and new production vacuum tubes for guitar and audiophile amplifiers as well as repair and modification of vintage guitar and audiophile amplifiers.
KCA NOS Tubes. Audio tubes for guitar amplifiers and audiophile equipment. 12AX7, 6L6GC, 12ay7, el34, el84, Fender amplifier,5AR4, 5U4GB, cv4004, 6SN7, 8417, 7027.
"EL34, EL84, KT66, 5AR4, 12AX7, radio tube, audio tube, 12AT7, 12AU7, 6V6GT, 6L6GC, KT66, Deluxe Reverb, Twin Reverb, Princeton Reverb, 6SN7, 7591, 7581, 6BQ5, KT66, KT88, Mulllard, Amperex, RCA, black plate, GE, Sylvania, Genelex, JAN Philips, 7581A, 6DJ8, Dr Z, Marshall, Fender, Matchless
KCA NOS Tubes. Audio tubes for guitar amplifiers and audiophile equipment. 12AX7, 6L6GC, 12ay7, el34, el84, Fender amplifier,5AR4, 5U4GB, cv4004, 6SN7, 8417, 7027.
"EL34, EL84, KT66, 5AR4, 12AX7, radio tube, audio tube, 12AT7, 12AU7, 6V6GT, 6L6GC, KT66, Deluxe Reverb, Twin Reverb, Princeton Reverb, 6SN7, 7591, 7581, 6BQ5, KT66, KT88, Mulllard, Amperex, RCA, black plate, GE, Sylvania, Genelex, JAN Philips, 7581A, 6DJ8, Dr Z, Marshall, Fender, Matchless
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Date
Jun 14, 2005
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Link ID
8807
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Welcome to the homepage of Zachary Vex Effects, Where you will find information about using
Zachary Vex's strange, hand made devices. Bravo! You are the owner of the world's smallest production tube amp, the Nano Head by Z.Vex Amps. This little marvel is a one-half watt (distorted) powerhouse that will surprise you with its apparent volume. Plug it into a 4X12 (or any 8 to 16 ohm speaker) and listen to it roar! This amp is voiced to deliver classic rock tone, with a very high level of crunch available if it's wanted. Just crank the volume knob around to the level of distortion you desire, from a very quiet (one tenth watt) clean mode to a micro-Marshall (TM) blast when cranked up. I am making myself a little ill (gag!) trying to describe the tone of my Nano, using the same tired old phrases that all the amp and distortion box makers use, but I think it's true... it does a great job of emulating big amps at very reasonable volumes, which makes it exceptionally nice for recording.
In a recording situation, you stick microphones in front of guitar amps and hope for the best, but often the sheer sound pressure level necessary to get what sounds like a really cool tone is so ungodly high that it causes mic distortion that wrecks the sound. You might try putting a nice Coles ribbon or a Beyer M160 in front of the amp, but at 140 dB it could easily cause weird sounds as the ribbon rattles around in the magnetic field, stretching and possibly striking the magnet as it goes past the boundaries of its gap. A classic condenser microphone under that kind of crushing pressure can end up with a stretched diaphragm that can touch from front to back, suddenly shutting down, or overloaded preamp circuitry, adding unwanted harshness. Even a dynamic mic like a Shure 57 or 58 can have problems as the severe magnetic field developed by high-wattage amps couples through the air into the mic's own windings, causing a blistering crispiness that seems very unnatural when it shows up in your recording. You can spend hours trying to find a safe spot to put your mics when trying to accurately capture the sound of a roaring high-wattage amp, and in the end, find that the best sound is miced so far from the cab that you begin to hear the room and everything else that's bleeding in. By the time you've got a sound you like, someone has called the cops and you have to shut down for the night ...
Zachary Vex's strange, hand made devices. Bravo! You are the owner of the world's smallest production tube amp, the Nano Head by Z.Vex Amps. This little marvel is a one-half watt (distorted) powerhouse that will surprise you with its apparent volume. Plug it into a 4X12 (or any 8 to 16 ohm speaker) and listen to it roar! This amp is voiced to deliver classic rock tone, with a very high level of crunch available if it's wanted. Just crank the volume knob around to the level of distortion you desire, from a very quiet (one tenth watt) clean mode to a micro-Marshall (TM) blast when cranked up. I am making myself a little ill (gag!) trying to describe the tone of my Nano, using the same tired old phrases that all the amp and distortion box makers use, but I think it's true... it does a great job of emulating big amps at very reasonable volumes, which makes it exceptionally nice for recording.
In a recording situation, you stick microphones in front of guitar amps and hope for the best, but often the sheer sound pressure level necessary to get what sounds like a really cool tone is so ungodly high that it causes mic distortion that wrecks the sound. You might try putting a nice Coles ribbon or a Beyer M160 in front of the amp, but at 140 dB it could easily cause weird sounds as the ribbon rattles around in the magnetic field, stretching and possibly striking the magnet as it goes past the boundaries of its gap. A classic condenser microphone under that kind of crushing pressure can end up with a stretched diaphragm that can touch from front to back, suddenly shutting down, or overloaded preamp circuitry, adding unwanted harshness. Even a dynamic mic like a Shure 57 or 58 can have problems as the severe magnetic field developed by high-wattage amps couples through the air into the mic's own windings, causing a blistering crispiness that seems very unnatural when it shows up in your recording. You can spend hours trying to find a safe spot to put your mics when trying to accurately capture the sound of a roaring high-wattage amp, and in the end, find that the best sound is miced so far from the cab that you begin to hear the room and everything else that's bleeding in. By the time you've got a sound you like, someone has called the cops and you have to shut down for the night ...
Category:
2. guytron
Designed for the working guitarist at any level or in any size room, the GT-100 endeavors to eliminate the need for a library of different vintage amps.guitar, amplifier, amp, speaker cabinet, 2-12, hand wired, channel switching, effects loops, Class A, EL-84, 12ax7, Plexi, Blackface, Silverface, Twin
Category:
Gries Amplification:
Gries Amplifiers (pronounced "Grice") are based on the classic "blackface" circuits of '63-'67 with modern enhancements including master volume controls, increased preamp gain, midrange controls on all models, selectable speaker impedance jacks, convenient bias test jacks, and upgraded transformers and speakers. They get that unmistakable clean to moderately overdriven tone without the reliability problems associated with using a forty-year old amp. The tube-driven reverb that defined "surf guitar" is here just as you remember it.
Gries amplifiers may be ordered in your choice of the original black tolex with black basket weave grill cloth, black tolex with "salt & pepper" grill cloth, cream tolex with "salt & pepper" grill cloth, and new chili red tolex with "salt & pepper" grill cloth ...
Gries Amplifiers (pronounced "Grice") are based on the classic "blackface" circuits of '63-'67 with modern enhancements including master volume controls, increased preamp gain, midrange controls on all models, selectable speaker impedance jacks, convenient bias test jacks, and upgraded transformers and speakers. They get that unmistakable clean to moderately overdriven tone without the reliability problems associated with using a forty-year old amp. The tube-driven reverb that defined "surf guitar" is here just as you remember it.
Gries amplifiers may be ordered in your choice of the original black tolex with black basket weave grill cloth, black tolex with "salt & pepper" grill cloth, cream tolex with "salt & pepper" grill cloth, and new chili red tolex with "salt & pepper" grill cloth ...
Category:
4. metropoulos
Your Vintage Marshall Specialist.
Metropoulos Amplification is dedicated to building the finest replicas of vintage Marshall amplifiers available. Discerning guitar players are using our recreations and leaving those valuable plexis at home, where they are safe. We also search out and supply restoration grade parts to builders and DIY'ers in our online store. There you can find all of the parts needed to restore classic amplifiers or build one from scratch. When NOS parts are no longer available, we have them manufactured.
Our amp kits feature accurate chassis layouts, vintage spec transformers, correct component values and step by step instructions that are second to none. No corners have been cut and the tone is world class. Compare them to other kits available and we think you'll agree.
Metropoulos Amplification is dedicated to building the finest replicas of vintage Marshall amplifiers available. Discerning guitar players are using our recreations and leaving those valuable plexis at home, where they are safe. We also search out and supply restoration grade parts to builders and DIY'ers in our online store. There you can find all of the parts needed to restore classic amplifiers or build one from scratch. When NOS parts are no longer available, we have them manufactured.
Our amp kits feature accurate chassis layouts, vintage spec transformers, correct component values and step by step instructions that are second to none. No corners have been cut and the tone is world class. Compare them to other kits available and we think you'll agree.
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5. altovolts
Altovolts: restoration and construction of vintage tube amplifiers, located in Recife - PE - Brazil
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