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keith l cooper
Description
Keith L Cooper: When Keith takes the stage at any one of his performances, the audience is immediately stunned by his unique style of guitar playing. Keith's technique is certainly one-of-a-kind, especially in the Christian music industry and once you see him in action, he is not easy to forget. Just as Keith desires to share the message of his music, he also wants to teach his gift to others so that they may minister as well.
To do this, Keith is offering his music to his fans in the form of downloadable lessons directly from himself! From this page, you can sign up quickly and easily for a subscription to Keith's online lessons ...
To do this, Keith is offering his music to his fans in the form of downloadable lessons directly from himself! From this page, you can sign up quickly and easily for a subscription to Keith's online lessons ...
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Date
Dec 25, 2005
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Link ID
11588
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Other links at Guitar, Bass... > guitar players
1. tim sparks
Tim Sparks' Guitar Bazaar Home Page.
Tim Sparks' long journey to the 1993 National Fingerstyle Guitar Championship, and beyond, began modestly in Winston-Salem, North Carolina, when he started picking out tunes by ear on an old Stella flat top. He was given his first guitar when a bout of encephalitis kept him out of school for a year, and the music he heard around him was traditional country blues, and the gospel his grandmother played on piano in a small church in the Blue Ridge mountains, so that's what he taught himself to play.
A musically-astute uncle heard him one day, and amazed that he had come so far on his own, nominated him for a scholarship at the prestigious North Carolina School of the Arts. There he studied the classics with Segovia protegee Jesus Silva, while continuing to play all kinds of music, increasingly turning to classic jazz for inspiration. He adapted compositions by Jelly Roll Morton, Scott Joplin, and Fats Waller to the guitar, frequently reducing piano arrangements to their spare essence. Early influences were Doc Watson, Arthur Smith and, most importantly, Duck Baker, who opened up an horizon of possibilities for fingerstyle guitar ...
Tim Sparks' long journey to the 1993 National Fingerstyle Guitar Championship, and beyond, began modestly in Winston-Salem, North Carolina, when he started picking out tunes by ear on an old Stella flat top. He was given his first guitar when a bout of encephalitis kept him out of school for a year, and the music he heard around him was traditional country blues, and the gospel his grandmother played on piano in a small church in the Blue Ridge mountains, so that's what he taught himself to play.
A musically-astute uncle heard him one day, and amazed that he had come so far on his own, nominated him for a scholarship at the prestigious North Carolina School of the Arts. There he studied the classics with Segovia protegee Jesus Silva, while continuing to play all kinds of music, increasingly turning to classic jazz for inspiration. He adapted compositions by Jelly Roll Morton, Scott Joplin, and Fats Waller to the guitar, frequently reducing piano arrangements to their spare essence. Early influences were Doc Watson, Arthur Smith and, most importantly, Duck Baker, who opened up an horizon of possibilities for fingerstyle guitar ...
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The official site of Vlatko Stefanovski.
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3. ron anthony
Ron Anthony, guitar player:
I was born in Pittsburgh Pa. on December 16 1933. I was lucky enough to grow up in an era when the popular composers of the day were the Gershwins (George and Ira), Cole Porter. Johnny Mercer, Harold Arlen and Rodgers and Hart to name a few.
At around 12 years of age, I started doing singing impressions of Billy Eckstine, Nat Cole, Frankie Lane and Herb Jeffries. George Shearing's music, Jackie Cain and Roy Kral (with Charley Ventura) and the Woody Herman band were big influences.
I studied clarinet for a short while. After picking up a guitar in a store one day, my whole life changed.
My first guitar teacher was Jerry Condorato (from Naples Italy). He was a great teacher and a wonderful friend. He taught what was called 'classical plectrum guitar'. (Wonderful for right hand technique.) His influences were Oscar Moore, Django Reinhardt and Andre Segovia. He was also the first teacher of Ron Affif, my nephew, (a wonderfully gifted guitarist based in New York.)
At 18 I started doing little jobs around Pittsburgh and I used to go on Jerry's jobs and sit in for tip money.
In 1955 I became a member of the '7th Army Jazz Band' in Stuttgart, Germany. Upon returning to my home town, I entered Duquesne University (where I now do guitar workshops) majoring in string bass with a piano minor. A year later I became restless with academia and moved to New York.
In 1962 I joined the George Shearing Quintet for 2 years - (I rejoined the group in 1971.) I learned an awful lot from George, and vibraphonist Gary Burton. It was then I started composing ...
I was born in Pittsburgh Pa. on December 16 1933. I was lucky enough to grow up in an era when the popular composers of the day were the Gershwins (George and Ira), Cole Porter. Johnny Mercer, Harold Arlen and Rodgers and Hart to name a few.
At around 12 years of age, I started doing singing impressions of Billy Eckstine, Nat Cole, Frankie Lane and Herb Jeffries. George Shearing's music, Jackie Cain and Roy Kral (with Charley Ventura) and the Woody Herman band were big influences.
I studied clarinet for a short while. After picking up a guitar in a store one day, my whole life changed.
My first guitar teacher was Jerry Condorato (from Naples Italy). He was a great teacher and a wonderful friend. He taught what was called 'classical plectrum guitar'. (Wonderful for right hand technique.) His influences were Oscar Moore, Django Reinhardt and Andre Segovia. He was also the first teacher of Ron Affif, my nephew, (a wonderfully gifted guitarist based in New York.)
At 18 I started doing little jobs around Pittsburgh and I used to go on Jerry's jobs and sit in for tip money.
In 1955 I became a member of the '7th Army Jazz Band' in Stuttgart, Germany. Upon returning to my home town, I entered Duquesne University (where I now do guitar workshops) majoring in string bass with a piano minor. A year later I became restless with academia and moved to New York.
In 1962 I joined the George Shearing Quintet for 2 years - (I rejoined the group in 1971.) I learned an awful lot from George, and vibraphonist Gary Burton. It was then I started composing ...
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I, BARRY FINNERTY, was born in San Francisco on December 3, 1951. My father, Warren, was an award-winning actor (he received the Village Voice Obie for Best Actor of 1960 for "The Connection") and my mother, Ruth, was an excellent classical pianist who later got her PhD and taught English at UC Berkeley.
I began playing piano and reading music at age 5, then got my first guitar (a classical) for my 13th birthday. I got my first electric guitar, a Fender Jaguar, for my 14th birthday while living in Hong Kong (my mom had gotten a Fulbright grant to teach there for a year), and that same year my first band, The New Breed, opened the show for Herman's Hermits! I seemed to get some attention for my ability to play the guitar solos from the Kingsmen's "Louie Louie" and the Rolling Stones' "Heart Of Stone" note for note! The band also played songs by the Who, the Kinks, and the Yardbirds. Jeff Beck was my first real guitar hero.
I returned to San Francisco in 1966 and played in high school bands while absorbing the new hippie rock scene at the Fillmore and Avalon Ballrooms. Here I heard Jerry Garcia with the Grateful Dead, Mike Bloomfield with the Butterfield Blues Band, and later, Eric Clapton with the Cream, and Jimi Hendrix, along with virtually all the top bands of the time. Hearing Jerry Garcia's smooth melodic playing influenced me to trade in my Jaguar for a red single cutaway Guild Starfire. But I really identified more with Jeff Beck, so I traded that one in for a '57 cherry sunburst Les Paul...with a Bigsby tremolo! (I had it removed..I had worked hard on my finger vibrato and I didn't want anyone to think I was cheating!) The price of that guitar..500 bucks. Now it would be worth at least $25,000!
Around that time, I began to be interested in jazz, and studied jazz guitar and theory with Dave Smith at Sherman Clay music store in downtown SF. I listened to records by guitarists such as Howard Roberts (my first real jazz influence), Kenny Burrell, and George Benson, as well as Dave Brubeck (with Paul Desmond), Miles Davis ("Kind Of Blue") and John Coltrane. I traded in the Les Paul for a 1960 blond Gibson Johnny Smith. I played and sang in a band, Beefy Red, that opened shows at the Fillmore and Avalon and featured some of the Bay Area's top young musicians. In 1969 I entered UC Berkeley and studied philosophy, astronomy, ear training and sight singing, which considerably advanced my musicianship and conceptual abilities. In 1971 I attended the Berklee School of Music in Boston for one semester, during which time I went to New York and heard some real heavyweight artists, live, including George Benson (who I still consider the greatest jazz guitarist in the world, bar none!), Joe Henderson, Chick Corea, and the Thad Jones/Mel Lewis Orchestra. I could see that I wasn't quite ready yet, so I returned to San Francisco for two more years of "seasoning." I played some gigs around the area and bought another Les Paul from my old high school band mate Adam Silver...a beautiful '59 sunburst...for $500 again! ...
I began playing piano and reading music at age 5, then got my first guitar (a classical) for my 13th birthday. I got my first electric guitar, a Fender Jaguar, for my 14th birthday while living in Hong Kong (my mom had gotten a Fulbright grant to teach there for a year), and that same year my first band, The New Breed, opened the show for Herman's Hermits! I seemed to get some attention for my ability to play the guitar solos from the Kingsmen's "Louie Louie" and the Rolling Stones' "Heart Of Stone" note for note! The band also played songs by the Who, the Kinks, and the Yardbirds. Jeff Beck was my first real guitar hero.
I returned to San Francisco in 1966 and played in high school bands while absorbing the new hippie rock scene at the Fillmore and Avalon Ballrooms. Here I heard Jerry Garcia with the Grateful Dead, Mike Bloomfield with the Butterfield Blues Band, and later, Eric Clapton with the Cream, and Jimi Hendrix, along with virtually all the top bands of the time. Hearing Jerry Garcia's smooth melodic playing influenced me to trade in my Jaguar for a red single cutaway Guild Starfire. But I really identified more with Jeff Beck, so I traded that one in for a '57 cherry sunburst Les Paul...with a Bigsby tremolo! (I had it removed..I had worked hard on my finger vibrato and I didn't want anyone to think I was cheating!) The price of that guitar..500 bucks. Now it would be worth at least $25,000!
Around that time, I began to be interested in jazz, and studied jazz guitar and theory with Dave Smith at Sherman Clay music store in downtown SF. I listened to records by guitarists such as Howard Roberts (my first real jazz influence), Kenny Burrell, and George Benson, as well as Dave Brubeck (with Paul Desmond), Miles Davis ("Kind Of Blue") and John Coltrane. I traded in the Les Paul for a 1960 blond Gibson Johnny Smith. I played and sang in a band, Beefy Red, that opened shows at the Fillmore and Avalon and featured some of the Bay Area's top young musicians. In 1969 I entered UC Berkeley and studied philosophy, astronomy, ear training and sight singing, which considerably advanced my musicianship and conceptual abilities. In 1971 I attended the Berklee School of Music in Boston for one semester, during which time I went to New York and heard some real heavyweight artists, live, including George Benson (who I still consider the greatest jazz guitarist in the world, bar none!), Joe Henderson, Chick Corea, and the Thad Jones/Mel Lewis Orchestra. I could see that I wasn't quite ready yet, so I returned to San Francisco for two more years of "seasoning." I played some gigs around the area and bought another Les Paul from my old high school band mate Adam Silver...a beautiful '59 sunburst...for $500 again! ...
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5. tony iommi
Official website of Tony Iommi Black Sabbath guitarist, Lead guitarist for the rock band Black Sabbath.tony iommi, black sabbath, guitar, guitarist, guitar riffs, heavymetal, iommi, ironman, legacy, legend, music, musician, paranoid, riffs, rock, sabbath,Black Sabbath guitarist, tony iommi, black sabbath, iommi.com, guitarist, guitar, legend, black-sabbath, tony-iommi, Black Sabbath, Tony Iommi, Frank Anthony Iommi, Ozzy Osbourne, Geezer Butler, Bill Ward, Ronnie James Dio, Ian Gillan, black sabbath guitar tablature, ozzy, discography and lyrics, new tony iommi album, new black sabbath album, black sabbath audio, discography, merchandising, Tony Iommi, Glenn Hughes, Geoff Nicholls, Aston, Birmingham, England
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