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learn-fingerstyle-guitar
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Description
A site dedicated to the techniques, equipment and players of fingerstyle guitar
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Date
May 15, 2008
Contact name
Jim Pharis
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A site dedicated to the techniques, equipment and players of fingerstyle guitar
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Recording studio college objectives:
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Recording studio college objectives:
To provide a guided practical experience of all recording techniques in a creative, inspired and supportive way so that participants can get the most out of recording and working together with as much enjoyment and fulfilment as possible ...
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Studio Connections: Wiring a Studio: the ground rules:
CHAPTER 1 Audio Signals
1.1 Electrical Circuits
1.2 Audio Circuits
1.3 Balanced Audio Wiring
1.4 Unbalanced Audio Wiring
1.5 Pops, Hum And Crosstalk
CHAPTER 2 Electrostatic Interference
2.1 How Electrostatic Interference Works
2.2 Screening Out Electrostatic Interference
2.2.1 Protecting Audio Signal Wiring against Electrostatic Interference
2.2.2 Protecting Audio Equipment against Electrostatic Interference
2.2.3 Protecting a Room from Electrostatic Interference
2.3 Grounding To Reduce Electrostatic Interference
2.4 Sources Of Electrostatic Interference
2.5 Electrostatic Interference Summary
CHAPTER 3 Electromagnetic Interference
3.1 Electromagnetic v Electrostatic Interference
3.2 How Electromagnetic Interference Works
3.3 Screening Out Electromagnetic Interference
3.4 Sources Of Electromagnetic Interference
3.5 Electromagnetic Interference Summary
CHAPTER 4 Common Path Interference
4.1 How Common Path Interference Works
4.2 Eliminating Common Path Interference
4.3 Common Path Interference Summary
CHAPTER 5 Ground Loops
5.1 What Is A Ground Loop?
5.2 How Ground Loops Work
CHAPTER 6 Laying Down The Ground Rules
6.1 Grounding Objectives
6.2 The Golden Rule Of Grounding
6.3 The Technical Ground
6.4 Using The Mains Ground As A Technical Ground
6.5 Multiple Star Points
6.6 Daisy Chains
6.7 Grounding Unbalanced Equipment
6.8 Limitations Of Unbalanced Configurations
6.9 Shield Wiring For Balanced Configurations
CHAPTER 7 Audio Signal Wiring
7.1 Coping With Ground Noise
7.1.1 Unbalanced configurations
7.1.2 Balanced configurations
7.2 Coping With Interference
7.3 Input Stage Types
7.3.1 Unbalanced
7.3.2 Electronically balanced
7.3.3 Transformer balanced
7.4 Output Stage Types
7.4.1 Unbalanced
7.4.2 Unbalanced, ground compensating
7.4.3 Electronically balanced, ground referenced
7.4.4 Electronically balanced, floating
7.4.5 Transformer balanced, ground referenced
7.4.6 Transformer balanced, floating
7.5 Input/Output Configuration Compatibility Chart
7.6 General Line Level Wiring
7.7 Microphone Wiring
7.8 Instrument Wiring
7.9 Studio Tie Lines
7.10 Inter-Control Room Tie Lines
CHAPTER 1 Audio Signals
1.1 Electrical Circuits
1.2 Audio Circuits
1.3 Balanced Audio Wiring
1.4 Unbalanced Audio Wiring
1.5 Pops, Hum And Crosstalk
CHAPTER 2 Electrostatic Interference
2.1 How Electrostatic Interference Works
2.2 Screening Out Electrostatic Interference
2.2.1 Protecting Audio Signal Wiring against Electrostatic Interference
2.2.2 Protecting Audio Equipment against Electrostatic Interference
2.2.3 Protecting a Room from Electrostatic Interference
2.3 Grounding To Reduce Electrostatic Interference
2.4 Sources Of Electrostatic Interference
2.5 Electrostatic Interference Summary
CHAPTER 3 Electromagnetic Interference
3.1 Electromagnetic v Electrostatic Interference
3.2 How Electromagnetic Interference Works
3.3 Screening Out Electromagnetic Interference
3.4 Sources Of Electromagnetic Interference
3.5 Electromagnetic Interference Summary
CHAPTER 4 Common Path Interference
4.1 How Common Path Interference Works
4.2 Eliminating Common Path Interference
4.3 Common Path Interference Summary
CHAPTER 5 Ground Loops
5.1 What Is A Ground Loop?
5.2 How Ground Loops Work
CHAPTER 6 Laying Down The Ground Rules
6.1 Grounding Objectives
6.2 The Golden Rule Of Grounding
6.3 The Technical Ground
6.4 Using The Mains Ground As A Technical Ground
6.5 Multiple Star Points
6.6 Daisy Chains
6.7 Grounding Unbalanced Equipment
6.8 Limitations Of Unbalanced Configurations
6.9 Shield Wiring For Balanced Configurations
CHAPTER 7 Audio Signal Wiring
7.1 Coping With Ground Noise
7.1.1 Unbalanced configurations
7.1.2 Balanced configurations
7.2 Coping With Interference
7.3 Input Stage Types
7.3.1 Unbalanced
7.3.2 Electronically balanced
7.3.3 Transformer balanced
7.4 Output Stage Types
7.4.1 Unbalanced
7.4.2 Unbalanced, ground compensating
7.4.3 Electronically balanced, ground referenced
7.4.4 Electronically balanced, floating
7.4.5 Transformer balanced, ground referenced
7.4.6 Transformer balanced, floating
7.5 Input/Output Configuration Compatibility Chart
7.6 General Line Level Wiring
7.7 Microphone Wiring
7.8 Instrument Wiring
7.9 Studio Tie Lines
7.10 Inter-Control Room Tie Lines
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