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learn-fingerstyle-guitar
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Description
A site dedicated to the techniques, equipment and players of fingerstyle guitar
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Date
May 15, 2008
Contact name
Jim Pharis
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A site dedicated to the techniques, equipment and players of fingerstyle guitar
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Recording Engineers Institute is a Audio Recording School Long Island Audio Recording School Long Island NY Audio Recording School.
Starting a career as an Audio Recording Engineer can be one of the greatest decisions you can make. Our Audio Recording School is fully equipped to help you launch your successful career as a Certified Recording Engineer.
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Starting a career as an Audio Recording Engineer can be one of the greatest decisions you can make. Our Audio Recording School is fully equipped to help you launch your successful career as a Certified Recording Engineer.
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A number of our students enroll to enhance their Music Production. Learning about your recording equipment can help your Music Production in many ways. As a music production and recording school, we look to help you in the best way we can, Join Us TODAY!!
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An Audio Engineering Course: Jambox Studio. AET Music Engineering, recording, mixing, editing.
AET was established in 1998. Over the years, A.E.T. has sharpened the technical skills of hundreds of upcoming artists producers, musicians and engineers. AET is a fun, hands on approach to audio engineering and music training.
You'll learn about recording, mixing, MIDI, sequencing, editing, and the terms and tools used everyday by
recording professionals... and you don't have to invest the thousands of dollars $$$ charged by other
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AET was established in 1998. Over the years, A.E.T. has sharpened the technical skills of hundreds of upcoming artists producers, musicians and engineers. AET is a fun, hands on approach to audio engineering and music training.
You'll learn about recording, mixing, MIDI, sequencing, editing, and the terms and tools used everyday by
recording professionals... and you don't have to invest the thousands of dollars $$$ charged by other
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Studio Connections: Wiring a Studio: the ground rules:
CHAPTER 1 Audio Signals
1.1 Electrical Circuits
1.2 Audio Circuits
1.3 Balanced Audio Wiring
1.4 Unbalanced Audio Wiring
1.5 Pops, Hum And Crosstalk
CHAPTER 2 Electrostatic Interference
2.1 How Electrostatic Interference Works
2.2 Screening Out Electrostatic Interference
2.2.1 Protecting Audio Signal Wiring against Electrostatic Interference
2.2.2 Protecting Audio Equipment against Electrostatic Interference
2.2.3 Protecting a Room from Electrostatic Interference
2.3 Grounding To Reduce Electrostatic Interference
2.4 Sources Of Electrostatic Interference
2.5 Electrostatic Interference Summary
CHAPTER 3 Electromagnetic Interference
3.1 Electromagnetic v Electrostatic Interference
3.2 How Electromagnetic Interference Works
3.3 Screening Out Electromagnetic Interference
3.4 Sources Of Electromagnetic Interference
3.5 Electromagnetic Interference Summary
CHAPTER 4 Common Path Interference
4.1 How Common Path Interference Works
4.2 Eliminating Common Path Interference
4.3 Common Path Interference Summary
CHAPTER 5 Ground Loops
5.1 What Is A Ground Loop?
5.2 How Ground Loops Work
CHAPTER 6 Laying Down The Ground Rules
6.1 Grounding Objectives
6.2 The Golden Rule Of Grounding
6.3 The Technical Ground
6.4 Using The Mains Ground As A Technical Ground
6.5 Multiple Star Points
6.6 Daisy Chains
6.7 Grounding Unbalanced Equipment
6.8 Limitations Of Unbalanced Configurations
6.9 Shield Wiring For Balanced Configurations
CHAPTER 7 Audio Signal Wiring
7.1 Coping With Ground Noise
7.1.1 Unbalanced configurations
7.1.2 Balanced configurations
7.2 Coping With Interference
7.3 Input Stage Types
7.3.1 Unbalanced
7.3.2 Electronically balanced
7.3.3 Transformer balanced
7.4 Output Stage Types
7.4.1 Unbalanced
7.4.2 Unbalanced, ground compensating
7.4.3 Electronically balanced, ground referenced
7.4.4 Electronically balanced, floating
7.4.5 Transformer balanced, ground referenced
7.4.6 Transformer balanced, floating
7.5 Input/Output Configuration Compatibility Chart
7.6 General Line Level Wiring
7.7 Microphone Wiring
7.8 Instrument Wiring
7.9 Studio Tie Lines
7.10 Inter-Control Room Tie Lines
CHAPTER 1 Audio Signals
1.1 Electrical Circuits
1.2 Audio Circuits
1.3 Balanced Audio Wiring
1.4 Unbalanced Audio Wiring
1.5 Pops, Hum And Crosstalk
CHAPTER 2 Electrostatic Interference
2.1 How Electrostatic Interference Works
2.2 Screening Out Electrostatic Interference
2.2.1 Protecting Audio Signal Wiring against Electrostatic Interference
2.2.2 Protecting Audio Equipment against Electrostatic Interference
2.2.3 Protecting a Room from Electrostatic Interference
2.3 Grounding To Reduce Electrostatic Interference
2.4 Sources Of Electrostatic Interference
2.5 Electrostatic Interference Summary
CHAPTER 3 Electromagnetic Interference
3.1 Electromagnetic v Electrostatic Interference
3.2 How Electromagnetic Interference Works
3.3 Screening Out Electromagnetic Interference
3.4 Sources Of Electromagnetic Interference
3.5 Electromagnetic Interference Summary
CHAPTER 4 Common Path Interference
4.1 How Common Path Interference Works
4.2 Eliminating Common Path Interference
4.3 Common Path Interference Summary
CHAPTER 5 Ground Loops
5.1 What Is A Ground Loop?
5.2 How Ground Loops Work
CHAPTER 6 Laying Down The Ground Rules
6.1 Grounding Objectives
6.2 The Golden Rule Of Grounding
6.3 The Technical Ground
6.4 Using The Mains Ground As A Technical Ground
6.5 Multiple Star Points
6.6 Daisy Chains
6.7 Grounding Unbalanced Equipment
6.8 Limitations Of Unbalanced Configurations
6.9 Shield Wiring For Balanced Configurations
CHAPTER 7 Audio Signal Wiring
7.1 Coping With Ground Noise
7.1.1 Unbalanced configurations
7.1.2 Balanced configurations
7.2 Coping With Interference
7.3 Input Stage Types
7.3.1 Unbalanced
7.3.2 Electronically balanced
7.3.3 Transformer balanced
7.4 Output Stage Types
7.4.1 Unbalanced
7.4.2 Unbalanced, ground compensating
7.4.3 Electronically balanced, ground referenced
7.4.4 Electronically balanced, floating
7.4.5 Transformer balanced, ground referenced
7.4.6 Transformer balanced, floating
7.5 Input/Output Configuration Compatibility Chart
7.6 General Line Level Wiring
7.7 Microphone Wiring
7.8 Instrument Wiring
7.9 Studio Tie Lines
7.10 Inter-Control Room Tie Lines
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