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lee dorsey
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Jazz bassist Leon Lee Dorsey's website features biography,videos, cds, press kit,etc ..
Bassist/Composer/Arranger Leon Lee Dorsey is indeed a triple-threat, handling bass-playing, composing and arranging tasks with equal aplomb. Never have these gifts been more abundantly evident than on his latest CD release, "Song Of Songs". Joined by Bryan Carrott-vibes, Carlton Holmes-piano, and Vincent Ector-drums, Dorsey and his intuitive cohorts take the listener on an adventure through nine tracks that alternately shine, soothe, smolder and burn, all while swinging incessantly as well as maintaining a supreme sense of melody throughout.
Leon Lee Dorsey's fluid and ubiquitous bass has energized Jazz masters Lionel Hampton, and Art Blakey with his Jazz Messengers, as well as Grammy winning Jazz vocalist Cassandra Wilson. In addition he has performed under the baton of conducting legends Lukas Foss and Robert Fountain. In September 1999 he made his solo recital debut at Lincoln Center.
A composer and arranger, he has performed with jazz luminaries that include: Dizzy Gillespie, Wynton Marsalis, Freddie Hubbard, John Lewis, Kenny Clarke, Jon Hendricks, Gloria Lynn, Harry "Sweets" Edison, Dorothy Donegan, Stanley Turrentine, George Benson, Ellis Marsalis, Neena Freelon and Terumasa Hino. He has also performed in big bands with the Smithsonian Jazz Masterworks Orchestra, Benny Carter, the Duke Ellington Orchestra and Charlie Persip's Superband ...
Bassist/Composer/Arranger Leon Lee Dorsey is indeed a triple-threat, handling bass-playing, composing and arranging tasks with equal aplomb. Never have these gifts been more abundantly evident than on his latest CD release, "Song Of Songs". Joined by Bryan Carrott-vibes, Carlton Holmes-piano, and Vincent Ector-drums, Dorsey and his intuitive cohorts take the listener on an adventure through nine tracks that alternately shine, soothe, smolder and burn, all while swinging incessantly as well as maintaining a supreme sense of melody throughout.
Leon Lee Dorsey's fluid and ubiquitous bass has energized Jazz masters Lionel Hampton, and Art Blakey with his Jazz Messengers, as well as Grammy winning Jazz vocalist Cassandra Wilson. In addition he has performed under the baton of conducting legends Lukas Foss and Robert Fountain. In September 1999 he made his solo recital debut at Lincoln Center.
A composer and arranger, he has performed with jazz luminaries that include: Dizzy Gillespie, Wynton Marsalis, Freddie Hubbard, John Lewis, Kenny Clarke, Jon Hendricks, Gloria Lynn, Harry "Sweets" Edison, Dorothy Donegan, Stanley Turrentine, George Benson, Ellis Marsalis, Neena Freelon and Terumasa Hino. He has also performed in big bands with the Smithsonian Jazz Masterworks Orchestra, Benny Carter, the Duke Ellington Orchestra and Charlie Persip's Superband ...
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Jan 7, 2006
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Other links at Guitar, Bass... > bass players
1. ray drummond
Bassist Ray Drummond's website utilizes Shockwave and features reviews, sound bites, itinerary, biography, cds for sale, etc ...
Composer, arranger, bandleader, educator and producer are hats that bassist RAY DRUMMOND has worn well over the past 30 years. But it all comes down to one thing: musician Ray Drummond likes to make great music. Born the son of an Army colonel on November 23, 1946 in Brookline, Massachusetts, he attended 14 different schools around the world. Drummond's musical journey began at age eight with the trumpet, then French horn. Though, early on he developed a love of jazz and taught himself listening to the music of jazz masters. It wasn't until he was 14 years old that his music director persuaded him to play the bass. Ultimately, his family settled in California, where Drummond earned a B.A. in Political Science, and attended Stanford Business School.
While living in the San Francisco area, he worked with Bobby Hutcherson (that collaboration continues to this day), Michael White, Martha Young (Lester's Niece), Ed Kelly, Tom Harrell, and Eddie Marshall. In 1977, he left the corporate life behind in California, and moved to New York City where he quickly became a first call bassist. His solid rhythmic and harmonic innovations landed him gigs with artists including Betty Carter, The Thad Jones/Mel Lewis Orchestra, Wynton Marsalis, Woody Shaw, Hank Jones, Jon Faddis, Milt Jackson, Johnny Griffin, Kenny Barron, Pharoah Sanders, and George Coleman. Additionally, he has been documented on over 300 recordings with artists including Art Framer, David Murray, Houston Person, Stan Getz, Kenny Burrell, Kevin Mahogany, Toots Thielemans, Benny Golson, and Ray Bryant. In addition to working with jazz legends, Drummond also records and performs live with a diverse number of emerging artists including Joe Locke, Steve Wilson, Paul Bollenback, Jessica Williams, Rob Schneiderman and Jeanie Bryson ...
Composer, arranger, bandleader, educator and producer are hats that bassist RAY DRUMMOND has worn well over the past 30 years. But it all comes down to one thing: musician Ray Drummond likes to make great music. Born the son of an Army colonel on November 23, 1946 in Brookline, Massachusetts, he attended 14 different schools around the world. Drummond's musical journey began at age eight with the trumpet, then French horn. Though, early on he developed a love of jazz and taught himself listening to the music of jazz masters. It wasn't until he was 14 years old that his music director persuaded him to play the bass. Ultimately, his family settled in California, where Drummond earned a B.A. in Political Science, and attended Stanford Business School.
While living in the San Francisco area, he worked with Bobby Hutcherson (that collaboration continues to this day), Michael White, Martha Young (Lester's Niece), Ed Kelly, Tom Harrell, and Eddie Marshall. In 1977, he left the corporate life behind in California, and moved to New York City where he quickly became a first call bassist. His solid rhythmic and harmonic innovations landed him gigs with artists including Betty Carter, The Thad Jones/Mel Lewis Orchestra, Wynton Marsalis, Woody Shaw, Hank Jones, Jon Faddis, Milt Jackson, Johnny Griffin, Kenny Barron, Pharoah Sanders, and George Coleman. Additionally, he has been documented on over 300 recordings with artists including Art Framer, David Murray, Houston Person, Stan Getz, Kenny Burrell, Kevin Mahogany, Toots Thielemans, Benny Golson, and Ray Bryant. In addition to working with jazz legends, Drummond also records and performs live with a diverse number of emerging artists including Joe Locke, Steve Wilson, Paul Bollenback, Jessica Williams, Rob Schneiderman and Jeanie Bryson ...
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2. dwayne burno
Bassist Dwayne Burno's website features sound bites, discography, itinerary, projects, biography.
Dwayne Burno made his entry into this world on June 10, 1970 in Philadelphia, Pennsylvania, a city rich in its musical traditions and history. He gained his initial musical exposure to music through his mother. "My mother is my first musical influence. She told me of the times when she sat me on her lap while she accompanied, directed, and sang with the church choir which she continues to do to this very day."
Dwayne's first chosen musical instrument was the violin which he played until his unexpected first encounter with the double bass. "During my junior year of high school, I was told to begin learning and playing the bass. I was chosen because of my musical aptitude, knowledge and love of music, intellect, character, physique and the bottom line fact that a gig was scheduled to occur in one week's time. I had one week's time to begin 'gettin' it together' and have been a professional musician ever since."
Upon graduation from high school, Dwayne set off to continue his quest for a higher education at Boston's famed Berklee College of Music. There, he remained for three semesters before leaving once again for Philly. In 1989, while in attendance at Berklee, Dwayne began a personal and musical association with his first major employer, alto saxophonist Donald Harrison ...
Dwayne Burno made his entry into this world on June 10, 1970 in Philadelphia, Pennsylvania, a city rich in its musical traditions and history. He gained his initial musical exposure to music through his mother. "My mother is my first musical influence. She told me of the times when she sat me on her lap while she accompanied, directed, and sang with the church choir which she continues to do to this very day."
Dwayne's first chosen musical instrument was the violin which he played until his unexpected first encounter with the double bass. "During my junior year of high school, I was told to begin learning and playing the bass. I was chosen because of my musical aptitude, knowledge and love of music, intellect, character, physique and the bottom line fact that a gig was scheduled to occur in one week's time. I had one week's time to begin 'gettin' it together' and have been a professional musician ever since."
Upon graduation from high school, Dwayne set off to continue his quest for a higher education at Boston's famed Berklee College of Music. There, he remained for three semesters before leaving once again for Philly. In 1989, while in attendance at Berklee, Dwayne began a personal and musical association with his first major employer, alto saxophonist Donald Harrison ...
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3. ben allison
Bassist and composer
Ben Allison's official web site containing bio and touring info,
photo gallery, downloadable press kit, music samples and info on the
Jazz Composers Collective.
Cited by Downbeat magazine as one of the "25 rising jazz stars for the future" and in the "Bassist of the Year," "Album of the Year," "Composer of the Year," "Acoustic Group of the Year," "Arranger of the Year," and "Jazz Artist of the Year," Rising Star categories of the 2003, 2004, and 2005 Downbeat Critics' Poll, bassist-composer Ben Allison has solidified his reputation as "one of the most original voices in modern jazz" (Amazon.com), a strong organizational force on the New York City music scene, and an advocate for artist empowerment.
With his groups Peace Pipe, New Quartet, Medicine Wheel, the Kush Trio, and the Herbie Nichols Project (which he co-leads with pianist Frank Kimbrough) Ben has toured extensively throughout the US, Canada, Europe, and Brazil winning fans and building new audiences with an adventurous yet accessible sound and a flair for the unexpected.
His six recordings as a leader - Buzz (2004), Peace Pipe (2002), Riding the Nuclear Tiger (2001), Third Eye (1999), and Medicine Wheel (1998) on Palmetto Records, and his 1996 debut Seven Arrows on the Koch Jazz label - showcase Ben's forward-thinking vision as a producer, composer, arranger, and bassist, and his hands-on approach to his craft.
Buzz, was #1 on the CMJ National Jazz radio charts for 6 consecutive weeks and has remained in the top 20 for over five months. His previous three albums, achieved similar radio success, being among the most played albums of the years in which they were released. and have been named as among the best of the year by publications such as The New York Times, The Boston Globe, The Village Voice, Jazz Times, Jazz Journalists Association,Downbeat Critics Poll, All About Jazz, Coda (Canada), and Jazz Review (UK), among others ...
Ben Allison's official web site containing bio and touring info,
photo gallery, downloadable press kit, music samples and info on the
Jazz Composers Collective.
Cited by Downbeat magazine as one of the "25 rising jazz stars for the future" and in the "Bassist of the Year," "Album of the Year," "Composer of the Year," "Acoustic Group of the Year," "Arranger of the Year," and "Jazz Artist of the Year," Rising Star categories of the 2003, 2004, and 2005 Downbeat Critics' Poll, bassist-composer Ben Allison has solidified his reputation as "one of the most original voices in modern jazz" (Amazon.com), a strong organizational force on the New York City music scene, and an advocate for artist empowerment.
With his groups Peace Pipe, New Quartet, Medicine Wheel, the Kush Trio, and the Herbie Nichols Project (which he co-leads with pianist Frank Kimbrough) Ben has toured extensively throughout the US, Canada, Europe, and Brazil winning fans and building new audiences with an adventurous yet accessible sound and a flair for the unexpected.
His six recordings as a leader - Buzz (2004), Peace Pipe (2002), Riding the Nuclear Tiger (2001), Third Eye (1999), and Medicine Wheel (1998) on Palmetto Records, and his 1996 debut Seven Arrows on the Koch Jazz label - showcase Ben's forward-thinking vision as a producer, composer, arranger, and bassist, and his hands-on approach to his craft.
Buzz, was #1 on the CMJ National Jazz radio charts for 6 consecutive weeks and has remained in the top 20 for over five months. His previous three albums, achieved similar radio success, being among the most played albums of the years in which they were released. and have been named as among the best of the year by publications such as The New York Times, The Boston Globe, The Village Voice, Jazz Times, Jazz Journalists Association,Downbeat Critics Poll, All About Jazz, Coda (Canada), and Jazz Review (UK), among others ...
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4. dave holland
Dave Holland's website features biography, complete discography, sound bites, recordings, itinerary, newsletter, publishing info, photogallery, etc ...
Dave Holland was born in Wolverhampton, England, on October 1, 1946. He was drawn to music at an early age, starting with the ukelele at age 4, moving to the guitar at 10 and then to the bass guitar at 13. Other than a brief period of piano lessons, in these years he was largely self-taught, learning the popular music of the day from song books and the radio. At 13 he and a few friends formed a band and began playing at the local clubs and dances. By the age of 15 he had joined another band, and as that group was starting to work regularly, he decided to leave school and try and earn a living as a musician. It was around this time that in a search to expand his ideas on the bass guitar, he began listening to jazz and heard on records the great bassists Ray Brown and Leroy Vinnegar. This had a profound affect on Dave and he quickly got a double bass and began practicing with the records. Although he was still working as a bass guitarist, he began going to jazz clubs with his double bass and sitting in with the local jazz players. In the summer of 1963, at the age of 17, he was offered a job playing double bass with a dance band that was working at a holiday resort for the summer season. This was followed by a short tour with a big band that was accompanying the singer Johnny Ray, and then came an offer of a job in London playing music in a restaurant.
As soon as he moved to London Dave began studying with James E. Merritt, who was the principal bassist of the London Philharmonic Orchestra and teaching at the Guildhall School of Music & Drama. In the spring of 1964, on Mr. Merritt's recommendation, he applied for admission to a three year program at the Guildhall School and after taking the entrance exam, was admitted in September of that year with a full scholarship.
This began a period of intense musical experiences for Dave. By his second year at the school he was the principle bassist in the school orchestra and was also beginning to work with a wide variety of people in the London jazz community ...
Dave Holland was born in Wolverhampton, England, on October 1, 1946. He was drawn to music at an early age, starting with the ukelele at age 4, moving to the guitar at 10 and then to the bass guitar at 13. Other than a brief period of piano lessons, in these years he was largely self-taught, learning the popular music of the day from song books and the radio. At 13 he and a few friends formed a band and began playing at the local clubs and dances. By the age of 15 he had joined another band, and as that group was starting to work regularly, he decided to leave school and try and earn a living as a musician. It was around this time that in a search to expand his ideas on the bass guitar, he began listening to jazz and heard on records the great bassists Ray Brown and Leroy Vinnegar. This had a profound affect on Dave and he quickly got a double bass and began practicing with the records. Although he was still working as a bass guitarist, he began going to jazz clubs with his double bass and sitting in with the local jazz players. In the summer of 1963, at the age of 17, he was offered a job playing double bass with a dance band that was working at a holiday resort for the summer season. This was followed by a short tour with a big band that was accompanying the singer Johnny Ray, and then came an offer of a job in London playing music in a restaurant.
As soon as he moved to London Dave began studying with James E. Merritt, who was the principal bassist of the London Philharmonic Orchestra and teaching at the Guildhall School of Music & Drama. In the spring of 1964, on Mr. Merritt's recommendation, he applied for admission to a three year program at the Guildhall School and after taking the entrance exam, was admitted in September of that year with a full scholarship.
This began a period of intense musical experiences for Dave. By his second year at the school he was the principle bassist in the school orchestra and was also beginning to work with a wide variety of people in the London jazz community ...
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Charles Mingus:
One of the most important figures in twentieth century American music, Charles Mingus was a virtuoso bass player, accomplished pianist, bandleader and composer. Born on a military base in Nogales, Arizona in 1922 and raised in Watts, California, his earliest musical influences came from the church-- choir and group singing-- and from "hearing Duke Ellington over the radio when [he] was eight years old." He studied double bass and composition in a formal way (five years with H. Rheinshagen, principal bassist of the New York Philharmonic, and compositional techniques with the legendary Lloyd Reese) while absorbing vernacular music from the great jazz masters, first-hand. His early professional experience, in the 40's, found him touring with bands like Louis Armstrong, Kid Ory and Lionel Hampton.
Eventually he settled in New York where he played and recorded with the leading musicians of the 1950's-- Charlie Parker, Miles Davis, Bud Powell, Art Tatum and Duke Ellington himself. One of the few bassists to do so, Mingus quickly developed as a leader of musicians. He was also an accomplished pianist who could have made a career playing that instrument. By the mid-50's he had formed his own publishing and recording companies to protect and document his growing repertoire of original music. He also founded the "Jazz Workshop," a group which enabled young composers to have their new works performed in concert and on recordings ...
One of the most important figures in twentieth century American music, Charles Mingus was a virtuoso bass player, accomplished pianist, bandleader and composer. Born on a military base in Nogales, Arizona in 1922 and raised in Watts, California, his earliest musical influences came from the church-- choir and group singing-- and from "hearing Duke Ellington over the radio when [he] was eight years old." He studied double bass and composition in a formal way (five years with H. Rheinshagen, principal bassist of the New York Philharmonic, and compositional techniques with the legendary Lloyd Reese) while absorbing vernacular music from the great jazz masters, first-hand. His early professional experience, in the 40's, found him touring with bands like Louis Armstrong, Kid Ory and Lionel Hampton.
Eventually he settled in New York where he played and recorded with the leading musicians of the 1950's-- Charlie Parker, Miles Davis, Bud Powell, Art Tatum and Duke Ellington himself. One of the few bassists to do so, Mingus quickly developed as a leader of musicians. He was also an accomplished pianist who could have made a career playing that instrument. By the mid-50's he had formed his own publishing and recording companies to protect and document his growing repertoire of original music. He also founded the "Jazz Workshop," a group which enabled young composers to have their new works performed in concert and on recordings ...
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