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LiveAxis
Description
LiveAxis:
Live events of all kinds are taking place across the globe, and very few of them are captured for posterity. To date, financial and logistical constraints have been the primary reasons for this unfortunate reality. Now it is possible to cost-effectively capture audio and video from any location in the world, from one centralized Network Operations Studio, and produce the content for distribution to consumers via traditional and new media outlets. Music, sports, education and medicine are just a few of the many markets to which this new breed of technology can be applied.
Click here for a more detailed overview of LiveAXIS technology.
The Livewire Media company has created a proprietary platform, called LiveAXIS, which enables remote recording, production and conferencing of multi-media content from any location in the world, at a fraction of the cost of traditional live recording methods. With LiveAXIS, large quantities of broadcast-quality multi-media content can be recorded, produced, archived and distributed more easily and efficiently than ever before. LiveAXIS can be applied to a variety of business sectors. The technology is currently operational in the music industry and in the area of distance learning.
How It Works:
LiveAXIS can turn any location into a recording studio that does not require any on-site recording engineers. The control room for such a "virtual" studio may be located hundreds or thousands of miles away, as all content is gathered over private data networks. LiveAXIS enables engineers on one side of the world to remotely record and broadcast an event taking place on the other in real time, with pristine sound quality and multiple camera angles that would customarily only be possible with on-site technical personnel and mobile recording equipment.
The Hardware:
The hardware component of this remote multi-media capture technology consists of a "black box," which can be installed in venues or event spaces of any kind. This "black box" feeds audio and video tracks to engineers at a Network Operations Studio ("NOS") via a private high-speed data network.
LiveAXIS has no impact on sound reinforcement in a venue or event space, and is likewise unaffected by the "house sound". All microphone feeds are discreetly pulled directly from the stage area through LiveAXIS, and engineers have full control, on a channel-by-channel basis, of an audio mix that is created in real time, miles away at the NOS. Individual microphone feeds are also recorded separately, as multi-tracks, allowing for full post-production, just as in a traditional recording studio. The result is pristine, CD-quality sound, readily available for live and syndicated broadcast and/or production and distribution ...
Live events of all kinds are taking place across the globe, and very few of them are captured for posterity. To date, financial and logistical constraints have been the primary reasons for this unfortunate reality. Now it is possible to cost-effectively capture audio and video from any location in the world, from one centralized Network Operations Studio, and produce the content for distribution to consumers via traditional and new media outlets. Music, sports, education and medicine are just a few of the many markets to which this new breed of technology can be applied.
Click here for a more detailed overview of LiveAXIS technology.
The Livewire Media company has created a proprietary platform, called LiveAXIS, which enables remote recording, production and conferencing of multi-media content from any location in the world, at a fraction of the cost of traditional live recording methods. With LiveAXIS, large quantities of broadcast-quality multi-media content can be recorded, produced, archived and distributed more easily and efficiently than ever before. LiveAXIS can be applied to a variety of business sectors. The technology is currently operational in the music industry and in the area of distance learning.
How It Works:
LiveAXIS can turn any location into a recording studio that does not require any on-site recording engineers. The control room for such a "virtual" studio may be located hundreds or thousands of miles away, as all content is gathered over private data networks. LiveAXIS enables engineers on one side of the world to remotely record and broadcast an event taking place on the other in real time, with pristine sound quality and multiple camera angles that would customarily only be possible with on-site technical personnel and mobile recording equipment.
The Hardware:
The hardware component of this remote multi-media capture technology consists of a "black box," which can be installed in venues or event spaces of any kind. This "black box" feeds audio and video tracks to engineers at a Network Operations Studio ("NOS") via a private high-speed data network.
LiveAXIS has no impact on sound reinforcement in a venue or event space, and is likewise unaffected by the "house sound". All microphone feeds are discreetly pulled directly from the stage area through LiveAXIS, and engineers have full control, on a channel-by-channel basis, of an audio mix that is created in real time, miles away at the NOS. Individual microphone feeds are also recorded separately, as multi-tracks, allowing for full post-production, just as in a traditional recording studio. The result is pristine, CD-quality sound, readily available for live and syndicated broadcast and/or production and distribution ...
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Mar 5, 2006
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Sennheiser Glossary: an alphabetical list of terms and definitions used in studio recording from the field of acoustics.
AB powering:
Low DC voltage with a high internal resistance for powering condenser microphones connected to pocket transmitters.
AB stereo:
Also known as time delay stereo, time difference stereo. 2-channel stereo recording technique which benefits mainly from the differences in time delay between the microphones (channels). Omni-directional microphones are used in most cases.
Absolute voltage level:
Used in sound studio technology to describe the ratio of a certain voltage Vx to a reference voltage of 0.775V. The absolute level is given in dBu and is calculated as follows: dBu = 20 x log (Vx/0.775). Thus, 0 dBu is equivalent to 0.775V, 6 dBu is equivalent to 1.55V and 15 dBu is equivalent to 4.4V. The current use of dBu relates to a voltage adaptation, while the former use of dBm relates to a power adaptation. The reference voltage of 0.775V is the same for both systems, and is derived from a power of 1mW in a resistance of 600 ohms.
Absorption:
Sound is taken in and converted into heat. Opposite: reflection.
Acoustic amplification:
A weak acoustic signal (e.g. the human voice) may be amplified by using mechanical means. A simple example would be the horn of a gramophone, or horn loudspeakers which are able to produce loud volume levels with little electric power. Further examples would be the bell of a trumpet, the case of a piano or the body of a violin.
Acoustics:
The science of sound.
Active antenna splitter
RF device for connecting several receivers to a single pair of antennas. Includes an antenna booster.
Active antenna:
Antenna with an integrated or attached RF booster which is powered via the antenna cable.
Acute hearing loss:
Suddenly occurring hearing loss or hearing impairment – usually in one ear – caused by interference in the blood supply. It is accompanied by noise in the ear (tinnitus). The condition should be treated quickly in order to prevent the risk of long-term damage.
...
AB powering:
Low DC voltage with a high internal resistance for powering condenser microphones connected to pocket transmitters.
AB stereo:
Also known as time delay stereo, time difference stereo. 2-channel stereo recording technique which benefits mainly from the differences in time delay between the microphones (channels). Omni-directional microphones are used in most cases.
Absolute voltage level:
Used in sound studio technology to describe the ratio of a certain voltage Vx to a reference voltage of 0.775V. The absolute level is given in dBu and is calculated as follows: dBu = 20 x log (Vx/0.775). Thus, 0 dBu is equivalent to 0.775V, 6 dBu is equivalent to 1.55V and 15 dBu is equivalent to 4.4V. The current use of dBu relates to a voltage adaptation, while the former use of dBm relates to a power adaptation. The reference voltage of 0.775V is the same for both systems, and is derived from a power of 1mW in a resistance of 600 ohms.
Absorption:
Sound is taken in and converted into heat. Opposite: reflection.
Acoustic amplification:
A weak acoustic signal (e.g. the human voice) may be amplified by using mechanical means. A simple example would be the horn of a gramophone, or horn loudspeakers which are able to produce loud volume levels with little electric power. Further examples would be the bell of a trumpet, the case of a piano or the body of a violin.
Acoustics:
The science of sound.
Active antenna splitter
RF device for connecting several receivers to a single pair of antennas. Includes an antenna booster.
Active antenna:
Antenna with an integrated or attached RF booster which is powered via the antenna cable.
Acute hearing loss:
Suddenly occurring hearing loss or hearing impairment – usually in one ear – caused by interference in the blood supply. It is accompanied by noise in the ear (tinnitus). The condition should be treated quickly in order to prevent the risk of long-term damage.
...
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Fourfront Media & Music: articles, Tips and Tutorials on the Music Business by Christopher Knab. Brought to you by The Music Biz Academy.
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AudioFanzine : Home Studio, Computer Based Music, Guitars, Basses, Live Sound & DJ
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Northwest Music Network: The comprehensive directory and guide to all things musical in the Pacific Northwest, including artists, venues, events and more in Seattle, Portland, Vancouver ...
Welcome to the Pacific Northwest's largest online collection of music resources!
Find just what you are seeking in the way of music, musicians, bands, artists, stores, clubs, venues, equipment dealers, studios, production facilities, record labels, classified ads... and more, more more... in Seattle, Portland, Vancouver as well as the rest of Washington, Oregon, British Columbia, Idaho and Alaska!
Northwest music businesses.... please consider advertising with NWMN,
the Northwest's favorite music portal!
Welcome to the Pacific Northwest's largest online collection of music resources!
Find just what you are seeking in the way of music, musicians, bands, artists, stores, clubs, venues, equipment dealers, studios, production facilities, record labels, classified ads... and more, more more... in Seattle, Portland, Vancouver as well as the rest of Washington, Oregon, British Columbia, Idaho and Alaska!
Northwest music businesses.... please consider advertising with NWMN,
the Northwest's favorite music portal!
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5. os x audio
OS X Audio - The Ultimate Mac OS X Audio Resource.
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Hardware
Audio, MIDI and computer hardware, not including effects or instruments
Instruments
Hardware and software instruments, soundware, patches and sample libraries
Mac OS X
Network and system configuration, preventative maintenance and system utilities
Presets and Templates
Share your favourite methods of working or presets. [uploads to the boards are on their way]
Cubase/Nuendo
Discussion of Steinberg's Cubase and Nuendo, not including effects, hardware or instruments
Digital Performer
Discussion of MOTU's Digital Performer, not including effects, hardware or instruments
Live
Discussion of Ableton Live, not including effects, hardware or instruments
Logic
Discussion of Apple's Logic Pro and Express, not including effects, hardware or instruments
Pro Tools
Discussion of DigiDesign's Pro Tools hardware and software, not including effects or instruments
Reason
The place to talk about Reason and Rewire ...
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