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mari
Description
Mari by Redivivus.redivivus, mari, umberto mari, massimo mari, bassi, bass guitar, bass, string, liuteria, liutai, chitarre, bassi, strumenti musicali, musica, riparazioni, hardware, legni pregiati, officine musicali, torino, tourin, riparazioni strumenti musicali, musical instruments,bass, guitar, bass, guitars, chitarra, basso, professionismo.
Date
Feb 3, 2005
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Link ID
1001
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Griffin String Instrument:
Griffin offers four basic body style models, each available with either of two standard wood options.
Born in 1952, Kim Griffin was surrounded by the beautiful instruments of classical violinist Virginia Farmer (neighbor/extended family member). He remembers the baby grand piano and priceless violins being played for hours; attending symphony and recitals as a very young lad. "This was my early connection with music," Kim explains.
Then, at about the age of 9, his parents bought Kim his first guitar (a Harmony flat top). "I made lots of noise with it, till one day I saved up enough money for a new Guild. Dad paid for lessons. My sister and I played in the local folk circuit, she with her D-18 and I would sometimes use dad's D-35." After that, barroom blues/rock, then into bluegrass with Marc Chevalier and a short stint with Frank Wakefield.
In 1975 he decided to do something constructive with information gained from the variety of musical styles he'd been exposed to. So he began repairing fiddles and guitars. In 1977 he attended The School of Guitar Research and Design in Vermont, taught by Charles Fox and George Morris. Continuing on from there he built individual commissioned instruments (some experimental), hammered dulcimers, banjos, mandolins as well as repairs ...
Griffin offers four basic body style models, each available with either of two standard wood options.
Born in 1952, Kim Griffin was surrounded by the beautiful instruments of classical violinist Virginia Farmer (neighbor/extended family member). He remembers the baby grand piano and priceless violins being played for hours; attending symphony and recitals as a very young lad. "This was my early connection with music," Kim explains.
Then, at about the age of 9, his parents bought Kim his first guitar (a Harmony flat top). "I made lots of noise with it, till one day I saved up enough money for a new Guild. Dad paid for lessons. My sister and I played in the local folk circuit, she with her D-18 and I would sometimes use dad's D-35." After that, barroom blues/rock, then into bluegrass with Marc Chevalier and a short stint with Frank Wakefield.
In 1975 he decided to do something constructive with information gained from the variety of musical styles he'd been exposed to. So he began repairing fiddles and guitars. In 1977 he attended The School of Guitar Research and Design in Vermont, taught by Charles Fox and George Morris. Continuing on from there he built individual commissioned instruments (some experimental), hammered dulcimers, banjos, mandolins as well as repairs ...
Category:
Pawless Guitars:
If you're ready for a high end guitar, and you're considering a Gibson, Martin, Taylor, etc., consider a Pawless. Still a one man shop, the guitars are just as affordable as the "mass" handmades. You're basically getting a custom made, "one of a kind" guitar for the price of a mass production guitar ...
All Pawless Guitars are guaranteed for life to the original owner. A Pawless Guitar owner usually even gets their other guitars adjusted and minor repairs done at no charge. When a new guitar leaves the shop, Pawless guitars still has some "ownership" in that guitar, and we want it to always be in tip top shape, and keeping the client satisfied.
If you're ready for a high end guitar, and you're considering a Gibson, Martin, Taylor, etc., consider a Pawless. Still a one man shop, the guitars are just as affordable as the "mass" handmades. You're basically getting a custom made, "one of a kind" guitar for the price of a mass production guitar ...
All Pawless Guitars are guaranteed for life to the original owner. A Pawless Guitar owner usually even gets their other guitars adjusted and minor repairs done at no charge. When a new guitar leaves the shop, Pawless guitars still has some "ownership" in that guitar, and we want it to always be in tip top shape, and keeping the client satisfied.
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Robin Guitars:
I was over at a friend's house in what must have been the summer of 1964. Someone said "Come see what's on the T.V.!" What I saw not only changed my life from that moment on, but literally millions of other kids and teenagers in America and around the world. The Beatles on the Ed Sullivan Show actually made me notice the electric guitar for the first time. Afterwards, I remember very clearly drawing pictures of electric guitars on my notebook in the sixth grade before I really knew what they were supposed to look like!
It wasn't too terribly long before guitars started showing up in the neighborhood and being in a band was the ultimate thing to do. Looking back we played some pretty cool instruments in those days... ones that are now sought after by collectors the world over.
Around 1971, I visited a used and "vintage" guitar shop in Houston and it was all over. This place was a funky lowdown hole in the wall full of what most people at the time would have considered junk. I think at that moment I was "lost" to the guitar as a "piece of art," as much or maybe even more so than actually playing it. Within a month, buying used and vintage guitars became a real obsession and I could hardly think of anything except playing guitars and hunting for them.
Before the year was out I had teamed up with a friend and we formed what would later become Houston's oldest and longest running "guitar shop" to date. During the following ten years we came to be known as the source for repairs, refinishing, and classic instruments in the Texas Gulf Coast area. We bought, sold, traded and repaired thousands of guitars from all manufacturers, acoustic and electric, American and foreign.
A departure from guitar shop life and a commitment to guitar building was a radical change from those formative years. That "obsession" of buying, selling, repairing, restoring, and customizing countless classic vintage and modern guitars soon became the foundation of Robin quality and design. After many hard years of cutting wood and dreaming "the dream," we continue to push forward with new designs and strive for even higher levels of craftmanship and quality ...
I was over at a friend's house in what must have been the summer of 1964. Someone said "Come see what's on the T.V.!" What I saw not only changed my life from that moment on, but literally millions of other kids and teenagers in America and around the world. The Beatles on the Ed Sullivan Show actually made me notice the electric guitar for the first time. Afterwards, I remember very clearly drawing pictures of electric guitars on my notebook in the sixth grade before I really knew what they were supposed to look like!
It wasn't too terribly long before guitars started showing up in the neighborhood and being in a band was the ultimate thing to do. Looking back we played some pretty cool instruments in those days... ones that are now sought after by collectors the world over.
Around 1971, I visited a used and "vintage" guitar shop in Houston and it was all over. This place was a funky lowdown hole in the wall full of what most people at the time would have considered junk. I think at that moment I was "lost" to the guitar as a "piece of art," as much or maybe even more so than actually playing it. Within a month, buying used and vintage guitars became a real obsession and I could hardly think of anything except playing guitars and hunting for them.
Before the year was out I had teamed up with a friend and we formed what would later become Houston's oldest and longest running "guitar shop" to date. During the following ten years we came to be known as the source for repairs, refinishing, and classic instruments in the Texas Gulf Coast area. We bought, sold, traded and repaired thousands of guitars from all manufacturers, acoustic and electric, American and foreign.
A departure from guitar shop life and a commitment to guitar building was a radical change from those formative years. That "obsession" of buying, selling, repairing, restoring, and customizing countless classic vintage and modern guitars soon became the foundation of Robin quality and design. After many hard years of cutting wood and dreaming "the dream," we continue to push forward with new designs and strive for even higher levels of craftmanship and quality ...
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