Lemonstrum 2 VSTi Acoustic Guitar Strummer for PC lets you strum your midi keyboard just like a real guitar. It gives you 24 chord slots, each assignable with a custom chord and a keyboard trigger. The on-screen fretboard and keyboard allow you to plot new chords and keyboard triggers using drag n' drop. A dedicated upstroke key (C3 - two octaves below Middle C) can be played alternately with the keyboard trigger you assigned (serves as your down-stroke) to create an effective strumming pattern.
Saro is a tube distortion effect with cabinet modeling. It's based on AX-84 High Octane guitar amp. Only the preamp part is modeled. There is also no EQ (yet). Don't expect Fender-style creamy warmth - Saro goes for full-on crunch (or insanity with high drive settings).
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Mab was inspired originally by the old Electro Harmonics guitar effects pedals, on which you could mix your signal with an oscillator and an envelope. The creator extended the idea by including Delay, Flanger and Distortion options, along with a filter, any of which can be ring modulated with an oscillator & envelope for some truly fascinating results. There's a huge variation of signal paths to try, but without the intimidating number of different controls some similar fx units employ.
Midi controller codes are supported - just hover your mouse over any given knob and the number it responds to will be displayed
Mab a été inspiré à l'origine par l'ancienne pédale d'effet pour guitare Electro Harmonics avec laquelle on pouvait mixer uson signal avec un oscillateur et une enveloppe. Le créateur de Mab a étendu cette idée en ajoutant un écho, un flanger et une distorsion, avec un filtre chacun d'entre-eux pouvant être moduler avec un oscillateur et une enveloppe pour des effets vraiment étonnants. Il y a une variété énorme de variations de signal a à essayer,sans le nombre souvent intimidant de trop grand nombre de contrôles utilisés par d'autres effets du même genre. Mab accepte les codes de contrôleurs midi. Placez sur n'importe quel bouton votre souris et le numéro du contrôleur auquel il correspond apparaitra aussitôt.
Tube Screamer's Secret - An article that reveals the key design aspect of the legendary overdrive pedal.
Although the circuit design details of the legendary Tube Screamer® overdrive pedal have been extensively analyzed and documented2 in the past, the key aspect of its design, which is primarily responsible for the signature overdrive sound, has remained unrevealed. This key aspect consists of a subtlety in the clipping circuit employed by the legend.
Operational Amplifier based inverting amplifiers with back-to-back diodes in the negative feedback path are common clipping circuits which are regularly utilized in overdrive and distortion effect designs3 ...
(TUBE SCREAMER® is a registered trademark of Hoshino Gakki Co. Ltd.)
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This suite is not a commercial product. It is born inside an academic research project about the modelling of electric devices, and then applied to the musical instrument field as an evolution of the techniques currently available in some commercial units. Its most important feature is the extremely high precision of the simulation, which is about indistinguishable from the original sound.
Many commercial amp simulators claim state of the art modelling techniques inside the product and say things like "every component in the audio path of the original instrument has been accurately modelled". But sentences like this are more like advertising and are not supported by technical papers describing what really happens in the product. Besides, many of the processors have to run all the simulation algorithms on a low cost DSP to keep as low as possible the cost of the hardware. That's why the models they use should be as simple as possible, but... not so close to the real gears they want to emulate.
But of course in the advertisement they have to claim incredible thecnological prodigies to stay competitive with the other products.
What about SimulAnalog Guitar Suite? It is a freeware and no profit set of plugin. Born as a test bench for SimulAnalog research, we saw that without any effort it could be distributed to musicians that may find it useful. That's why it is given as is, with no support and with a very rough user interface.
But we can assure that "every component in the audio path of the original instrument has been modelled, except for the secondary effects of some active devices" and that "the response of each original device have been compared with the respective simulated response, obtaining less than -40dB of difference" without any particular commercial interest saying that.