X Chanter:
this synger-derived 'algorithmic vocalist' uses a cut-down phoneme set roughly based on polynesian languages.
x_chanter differs from other algorithmic tools by employing lance putnam's henon oscillator; the henon equation being used to describe planetary orbits.
i'm not sure which version i've got posted.. the version i use maintains the same bpm settings between patches (ie. better suited to utility) whereas the version that's probably up changes bpm settings between presets in order to better illustrate applications.
free vst plugin, pc.
Mocheese:
Synth:
1 oscillator, arpegiator, ring modulator, dist., delay, VCA and VCF envelope, modulation...
An interactive forum dedicated to all users of music software and especially Cubase VST, conceived by members of the French-speaking VST mailing lists.
free vst plugin, pc.
Syncoder 32-2: Multi-Band Frequency Synthersizer and Vocoder Engine v1.0
12 Frequency rich carrier waveforms
32 Filter program settings
32 Band Maximum Vocoder Engine
32 Band Compressors with frequency tracking
64 Patch Memorys
Import Standard Wav Files for Custom Modulator Control.
on-line musical,instruments,samplers,Plugins,Audio,MIDI.
free vst plugin, pc.
Pokegy:
a classic synth, the Moog Prodigy, interpreted and realised in a VST synthesizer. Great for bass lines and with the tutorial you can recreate and customise it however you like!
Bob Moog knew how to create a great sound in electronics and that carried through to this emulation of the Prodigy. I know one user of the Pokegy even added a little random drift to get that analogue sound even closer. What will you do with a copy in your software rack?
free vst plugin, pc.
This document introduces cesSynth1, a VST2 plugin which models a flexible analogue synthesiser. The synth is a dual oscillator design, incorporating a fourth order resonant low pass filter. The model features:
Polyphonic - up to 32 notes can be played, with a polyphony limiting control
Dual oscillators, with selectable octaves
Three oscillator waveforms (variable pulse, variable saw and triangle), which can be combined to produce complex composite waveforms for each oscillator.
Three modulation sources (LFO, and two complex envelope generators).
Fourth order resonant low pass filter.
The following controls can be modulated - frequency of each oscillator, VCA for each oscillator, VCF cutoff frequency.
A custom GUI
Monophonic, polyphonic and Arpeggio operating modes.
The frequency of each oscillator is based on the fundamental of the note played, and the status of the pitch bend wheel. This base frequency can be modulated by the modulation sources, and Oscillator 2 can also be modified by a constant offset. The modulation sources will be described later. Each oscillator provides three basic waveforms - pulse, saw and triangle. There is a width control for the pulse and saw waveforms which controls the amount of time spent on the first half of the cycle (positive for pulse, and rising for saw).
The width control can therefore vary the saw waveform from a falling saw (0%) through a triangle (50%) to a rising saw (100%). The waveform of each oscillator can be built from a combination of the three basic shapes, with variable amounts of each waveform. The GUI provides visual feedback of the resulting waveform shape.
Having been amplitude modulated, the combined output of the two oscillators is fed to the filter stage. The filter is a 4 pole low pass design, with resonance ...