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music support group
Description
Welcome to the Music Support Group Website:
Located in Munich, Germany, the MSG offers all kinds of music business services, including:
- High end recording studios and mastering facilities
- Professional training programs
- CD, MC, Vinyl, and DVD production
- Record label and publishing services.
Located in Munich, Germany, the MSG offers all kinds of music business services, including:
- High end recording studios and mastering facilities
- Professional training programs
- CD, MC, Vinyl, and DVD production
- Record label and publishing services.
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Date
Nov 10, 2005
Contact name
Email
Link ID
10856
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Other links at Recording Studios
Artisan Recording Studio was created by musicians who know what it's like to have the proper tools and a creative environment.
The atmosphere was very important in making this studio. We also searched for the latest technology in sound recording along with creative production and engineering skills. Our engineers have the right personality and talent to make your recordings the best possible ...
The atmosphere was very important in making this studio. We also searched for the latest technology in sound recording along with creative production and engineering skills. Our engineers have the right personality and talent to make your recordings the best possible ...
Category:
Night Owl Recording in Austin Texas, specializing in Remote, Mobile Recording, Location Recording, Live Recording, Studio Recording and Mixing, and Live Sound Reinforcement.
As a House Engineer at Promiseland Recording Studios in Austin, Texas, Night Owl Recording owner Allen Kyle has recorded and mixed a diverse number of artists and projects, including Roger Creager, Josh Lopez, Cross Canadian Ragweed, Adult Swim and the Cartoon Network, Rewired, Owen Temple, Jason Allen, Empty, Jack Ingram, Doug Moreland, GB5, Wade Bowen and West 84, Vesper Skye, Allie Danielle, the Honky Tonk Hearts, Drew Shafer, and Andre Venson.
Selected engineering credits include "Ride With Bob" Asleep at the Wheel 1999 (a Grammy Award Winner), "A Piano Tribute to Rascall Flatts" Meadowlake Records 2006, "A Tribute to Billy Joe Shaver" Compadre Records 2005, "Alabanza Real En Vivo" Awakening Records 2005, "Rescue Me" Darren Garza 2005, "Sincerely Jesus Christ" Drew Shafer 2004, 98.1 KVET's "Genuine Austin Christmas" 2004 and 2003, "Texas Outlaws" Compadre Records 2003, "Rewired" 2003, "The Awakening Volume II" Awakening Records 2003, "I Come To Celebrate" Shoreline Community 2002, "The Austin Awakening" 2002, and "KVRX Local Live" Volume IV 1999. And, of course, all the records Allen makes at home that he tries to sing on himself.
As a House Engineer at Promiseland Recording Studios in Austin, Texas, Night Owl Recording owner Allen Kyle has recorded and mixed a diverse number of artists and projects, including Roger Creager, Josh Lopez, Cross Canadian Ragweed, Adult Swim and the Cartoon Network, Rewired, Owen Temple, Jason Allen, Empty, Jack Ingram, Doug Moreland, GB5, Wade Bowen and West 84, Vesper Skye, Allie Danielle, the Honky Tonk Hearts, Drew Shafer, and Andre Venson.
Selected engineering credits include "Ride With Bob" Asleep at the Wheel 1999 (a Grammy Award Winner), "A Piano Tribute to Rascall Flatts" Meadowlake Records 2006, "A Tribute to Billy Joe Shaver" Compadre Records 2005, "Alabanza Real En Vivo" Awakening Records 2005, "Rescue Me" Darren Garza 2005, "Sincerely Jesus Christ" Drew Shafer 2004, 98.1 KVET's "Genuine Austin Christmas" 2004 and 2003, "Texas Outlaws" Compadre Records 2003, "Rewired" 2003, "The Awakening Volume II" Awakening Records 2003, "I Come To Celebrate" Shoreline Community 2002, "The Austin Awakening" 2002, and "KVRX Local Live" Volume IV 1999. And, of course, all the records Allen makes at home that he tries to sing on himself.
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At Binary, we specialize in audio recording, production and A/V Post, blending the best of analogue and digital technologies.
Some of the services we offer are:
In-house arrangers/producers
Mastering
Voice-over
commercials
jingles
sound beds
Foley sound effects
Studio musicians on call
Graphic Art and layout for CD/DVD
Some of the services we offer are:
In-house arrangers/producers
Mastering
Voice-over
commercials
jingles
sound beds
Foley sound effects
Studio musicians on call
Graphic Art and layout for CD/DVD
Category:
Memphis Records: A recording studio in the home of the blues and the birthplace of rock. Offers a four room analog A suite. Based in Tennessee, USA.
Rock-It Science is the production company arm of Memphis records. Our primary goal is to work with bands and artists to prepare them for recording a professional demo CD for self-release or to use in pursuing a record label contract. From this perspective, our production services fall into two primary areas:
PRE-PRODUCTION SERVICE: Working directly with bands and/or artists to prepare them to record. This involves working on song composition and arrangements, vocal coaching, player coaching in studio techniques, constructive criticism and objective direction. Typically, sessions are held in our Digital Studio, so the band can track and listen to their work using direct input sources, pods and keyboards. This results in a very efficient use of time and allows for instant feedback and collaboration in developing new skills and material.
PRODUCTION CONTRACTS: Working with Producers and/or Managers on a very selective basis to record demos on a speculative basis, to be used to pursue a record label contract. The studio will provide recording and mixing services and staff time as part of a Production Contract, which provides for recoupment and participation in a record label deal. Please contact Don Mann directly if you are interested in discussing a Production Contract.
Rock-It Science is the production company arm of Memphis records. Our primary goal is to work with bands and artists to prepare them for recording a professional demo CD for self-release or to use in pursuing a record label contract. From this perspective, our production services fall into two primary areas:
PRE-PRODUCTION SERVICE: Working directly with bands and/or artists to prepare them to record. This involves working on song composition and arrangements, vocal coaching, player coaching in studio techniques, constructive criticism and objective direction. Typically, sessions are held in our Digital Studio, so the band can track and listen to their work using direct input sources, pods and keyboards. This results in a very efficient use of time and allows for instant feedback and collaboration in developing new skills and material.
PRODUCTION CONTRACTS: Working with Producers and/or Managers on a very selective basis to record demos on a speculative basis, to be used to pursue a record label contract. The studio will provide recording and mixing services and staff time as part of a Production Contract, which provides for recoupment and participation in a record label deal. Please contact Don Mann directly if you are interested in discussing a Production Contract.
Category:
Electric Lady Studios: for bookings, contact studio manager Lee Foster.
In 1968 at the peak of his career, Jimi Hendrix was in the market for property. His eye was caught by the Generation Club on West 8th Street in the heart of Greenwich Village. Originally the site of the Village Barn, an old big band dance venue, the building had once been owned by Rudy Valee. After shelling out the $50,000 asking price, Hendrix fully intended to turn it into another nightclub.
However, when Jimi learned that his habit of block-booking recording studios for impromptu jam sessions was costing him upwards of $300,000 a year, an abrupt change of plan was made, and work began to transform it into a recording facility.
Construction started in 1969, beginning with studios A and B. The second floor was offices and the third floor was an apartment that Jimi used regularly, even though he had his own place around the corner. Jimi spent a considerable amount of time in the studio before it officially opened, recording countless hours of material. Some of which have never been commercially released ...
In 1968 at the peak of his career, Jimi Hendrix was in the market for property. His eye was caught by the Generation Club on West 8th Street in the heart of Greenwich Village. Originally the site of the Village Barn, an old big band dance venue, the building had once been owned by Rudy Valee. After shelling out the $50,000 asking price, Hendrix fully intended to turn it into another nightclub.
However, when Jimi learned that his habit of block-booking recording studios for impromptu jam sessions was costing him upwards of $300,000 a year, an abrupt change of plan was made, and work began to transform it into a recording facility.
Construction started in 1969, beginning with studios A and B. The second floor was offices and the third floor was an apartment that Jimi used regularly, even though he had his own place around the corner. Jimi spent a considerable amount of time in the studio before it officially opened, recording countless hours of material. Some of which have never been commercially released ...
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