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nels cline
nels cline
Description
Offical website for guitarist Nels Cline:
This is what is generally termed THE OFFICIAL WEBSITE. Welcome! Yours truly, Nels Cline, is best known as a guitarist, is sometimes known to have penned a composition or two, and is often known for largely improvised forays into sound, melody, and rhythm. I was born in Los Angeles, CA in 1956. I have a twin brother named Alex who is also a musician (and a damned fine one at that!). After a long run of mostly obscure activities in the U.S. and Europe (see the Discography Dept. for added clues and/or insights), I have landed in a rather notable ROCK band called WILCO. This occurred in Spring of 2004, and it is a real pleasure, let me tell you. I'm still doing a lot of other music when time allows, and this site is the place to find out about all of that. My working band that plays my own type of instrumental music is called THE NELS CLINE SINGERS. As it is the nature of so-called "jazz" and freely improvised musics, I am often found collaborating with a large and sometimes unpredictable pool of musicians from all over the place. Don't get confused, this is fun! Check it out...


Some of the artists I collaborate with and/or work for may be familiar to you. Many of them will not be. Lately I've been working with quite a few so-called singer-songwriters - a strange, unplanned pleasure! But most often you can find me playing for between 10 and 100 or so folks in a gallery, old theater, or dingy nightclub playing with odd and often magically gifted instrumentalists. Some of these sounds have - often erroneously - been labeled "jazz", though at times that term seems accurate. I come from a musical twilight zone in which world communication/awareness and cultural boundaries were expanded, altered, exploded. Like many people who were affected by the revolutionary atmosphere of the late Sixties and early Seventies, I remember what change could feel like, what kind of pure magic sound can create. Hell, I believe in the transcendent properties of art, in its ability to affect one's life in a profound way. And, as I've previously stated here, I still - after over 30 years of guitarcentric creative endeavors - derive a near-moronic pleasure from playing the various musics I play ...
Techtalk:
"Pedal Board Spiel (2005)"

OK, people. You all seem fixated, I dare say HYPNOTIZED, by all my damn effects boxes. So here you go: all about my NEW PEDAL BOARD, being used with Wilco and anything else I can find to drag all 75 pounds of it (including swanky road case) to! I confess that it is a bit irritating to me that people seem so fixated on HOW MANY pedals I have. This is because there seems to be something double-edged about it: a kind of fascination mixed with feelings of skepticism and/or disgust, as though it's somehow amazing that I can keep track of it all and at the same time I must be some kind of charlatan to NEED so many pedals! Well, what can I say? I didn't always use them (for quite a while I played mostly acoustic guitar), but I seem to have an aptitude for using them, and I think they're a lot of fun! Seriously, there is way too much emphasis placed on gear in general (read the rest of this column if you haven't already for further amplification of this point), and effects pedals are just another tool, another way to get color into one's life. With Wilco, I have been using more distortion devices than ever (fuzz, overdrive, distortion - sticklers!). This is because I enjoy tailoring my sound very specifically for certain songs. And as I said previously, you can't own too many fuzzboxes in my book! We are living in a time of vast choices in this area - boutique items galore. It wasn't always like this. The 80s were a dark time for a young person looking to get that nasal fuzz sound evident on songs like "Psychotic Reaction" or "Pushin' Too Hard". Everything was all creamy, soaring... Dare I say it, MIDI-controlled, pre-fab hell! At least for me... So take a look at this bunch of colorful crap. It breaks down into 2 areas: the BOARD, and what I call my SCIENCE PROJECT, which is a bunch more stuff elevated on a road case to my right ...
Keywords
Date
Dec 23, 2005
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Link ID
11573

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Other links at Guitar, Bass... > guitar players
The Official Website of Al Di Meola: Al Di Meola holds the most prestigious guitar awards (of any guitarist in the world) from the highest rated guitar poll in the world, Guitar Player Magazine. He has been known throughout the world for the past two and a half decades as one of the most prominent virtuosos in the contemporary instrumental jazz field.
Al Di Meola's highly celebrated career has spanned a wide range of emotions into a unique style embodying the artists world inspired influences. From the velocity and heat of his early solo efforts to the challenge and triumph of the "Di Meola / McLaughlin / De Lucia (Guitar Trio)", from the Brazilian explorations of “Cielo e Terra” and “Soaring Through A Dream” to the global romanticism and Tango inflection of Al's acoustic group "World Synfonia" (self titled debut) and the 2nd "World Sinfonia" recording Heart of the Immigrants.
From the beginning of his solo career, where records like "Land of the Midnight Sun", "Elegant Gypsy" and "Casino", were amongst the highest selling records of any instrumental artist at that time. Al Di Meola continues to make, with respect, startling achievements in music pioneering while the decline of U.S. radio continues to elude most interesting contemporary music ...
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Norman Brown has a lot to live up to.
Since the release of his critically acclaimed 2002 album, Just Chillin' - which won a Grammy® in the prestigious Best Pop Instrumental Category - this innovative and original guitarist has been front and center in the fast evolving fusion of pop, R&B and jazz that has captured the imagination of true music aficionados across the country and around the world.

Now, with the release of West Coast Coolin', Norman Brown consolidates his reputation as a premier recording and performing artist with a collection of ten tracks -- written and co-written by the artist - that take the sonic adventure of Just Chillin' into breathtaking new spheres. It's an innovation due in large part to Brown's exceptional skills as a distinctive urban vocalist, with the specially selected tracks of West Coast Coolin' providing the perfect vehicle for this dazzling new facet of his career. As a result, Norman Brown joins a very select list of versatile urban artists gifted as both instrumentalists and vocalists.

"My fans kept asking me to do more singing," explains Brown on the impetus and inspiration behind West Coast Coolin'. "At the same time I wanted to go further into some of the great Soul and R&B sounds that have been such a tremendous influence on me. I tried to bring those two goals together on this new album." Assisting in the process was a top flight team of producers, including Paul Brown, the man behind the boards for both Just Chillin' and its predecessor, 2000's Celebration, as well as the accomplished R&B and Urban Contemporary producers James Poyser and Viktor Dupliax (known for their work with Jill Scott, Erykah Badu, D'Angelo and Macy Grey), who likewise had a hand in the magic of Just Chillin'.

The result is a dazzling collection of consummately crafted tracks that showcase both Brown's urban vocals skills on such tracks as "I Might," "Angel" and "Come Over" and his richly nuanced guitar styling on key cuts like "Up N At Em," "Let Play " and "Right Now." Simply put, West Coast Coolin' delivers on all the promise of this extraordinary artist...and then some.

All which should come as no surprise to savvy music fans. Over the course of five landmark releases and a virtually constant itinerary of international touring, this gifted and gloriously versatile guitarist and vocalist has established himself as one of a handful of preeminent instrumentalists and composers in contemporary musical realms, setting a standard for virtuosity that has placed the Shreveport, La. native in a category of one ...
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Song Writer, Performer, Guitar Player.
monte montgomery, monte, montiac, the story of love, new & approved, live, guitar, guitar player, phill bass
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Back Home, Eric Clapton's first album of new original material in nearly five years, will be released on Reprise/Duck Records on August 30th.

Featuring twelve songs, five of which were penned by Clapton with creative collaborator Simon Climie, Back Home also includes "Love Comes To Everyone" by George Harrison, the Spinners' "Love Don't Love Nobody," a rendition of Stevie Wonder and Syretta Wright's "I'm Going Left," and compositions by Vince Gill, Doyle Bramhall II and others. See below for a complete song listing and writing credits.

Produced by Eric Clapton and Simon Climie, who together also wrote the album's debut single "Revolution," Back Home additionally spotlights an all-star backing band, many of whose members have worked extensively with Clapton over the years. Included are drummer Steve Gadd, bassist Nathan East, guitarists Andy Fairweather Low and Doyle Bramhall II, and keyboardists Billy Preston and Simon Climie.

Among the special guests appearing on Back Home are Steve Winwood (synthesizer), John Mayer (guitar), Robert Randolph (dobro), Chris Stainton (Fender Rhodes), Stephen Marley (percussion), Abraham Laboriel, Jr. (drums), Pino Paladino (bass) and Toby Baker (keyboards). The album also highlights string arrangements by Nick Ingman and performances by the Kick Horns.

"I wanted to make a studio album without quite knowing what it was going to be," remarks Clapton on the creative impetus behind Back Home. Working closely with Climie, Clapton began recording over a year ago, working around his touring schedule and family commitments. "We kind of resigned ourselves to the fact that it was going to take a long time," the multi Grammy(R) Award-winning artist continues, "but when we got stuck or if it wasn't moving fast enough we'd stop and do a Robert Johnson song. That would clear the air and we'd go back and carry on for the new album. As a result, we ended up with a complete Robert Johnson album first, which was released last year as Me And Mr Johnson"...
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Guitarist Paul Jackson Jr. keeps an intense, breakneck schedule. In addition to the demands of being a Grammy nominated solo artist, Jackson is a highly in-demand sideman and session player. In the two years since he released The Power of the String, his last Blue Note recording, the popular guitarist performed in the television special Diva Las Vegas (behind Cher, Shakira, Mary J. Blige and Whitney Houston, with whom he toured throughout the Nineties), participated in the Billboard Awards tribute to Jam Master Jay, composed music for the film Undercover Brother with Stanley Clarke, and contributed to the TV hit Cedric the Entertainer. In the midst of all that activity, the deeply spiritual Jackson continues to seek quiet time in which to listen to the “still small voice” of God. Those moments played a key role in the creation of his sixth solo album, so it was only “super” natural that he titled the extraordinary project, Still Small Voice.
A great benefit of being on the short list of top-flight versatile session and live performance musicians is forging relationships with the best producers and performers in his chosen genres. His 1996 classic Never Alone/Duets featured high profile collaborations with legendary pals Kirk Whalum, Joe Sample, Jeff Lorber, Earl Klugh, Ray Parker Jr. and Gerald Albright, while The Power of the String included guest spots by Boney James, Mervyn Warren and Patrice Rushen. Some of the contributing “voices” to the new project are Lorber (who also co-produced “Sportsman Park” with Jackson), Albright, bassist and fellow Houston tour member Ricky Minor, electric piano/keyboard greats Rushen, Billy Preston, Ricky Peterson and Brian Culbertson, the Earth, Wind & Fire horn section (Ray Brown, Gary Bias and Reggie Young) with the addition of Patches Stewart and Andy Wiener, and percussionist Sheila E. Jackson produced six tracks on his own, and tandem on others with Alan Abrahams, Brian Culbertson and James Reese (a songwriter and friend from Jackson’s childhood growing up in South Central L.A.) ...
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