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neve outboard
neve outboard
Description
The 1073 DPA




For the first time ever, released on its own as outboard – the legendary Neve 1073 microphone/line pre-amplifier.
Previously only available with EQ this historic release is a chance to record with an acknowledged classic.
This is a perfect class A discrete front end for your computer recording system, with all of the warmth, presence, character and power than Neve are famous for.
Dual mic/line pre with balanced analogue outs, click detent input gain with +/- 10db variable trim, 48v and phase reverse per channel, clip LEDs and front panel impedance switch between 1200 + 300 Ohms.
The 1073 DPD


For the first time ever, released on its own as outboard – the legendary Neve 1073 microphone/line pre-amplifier.
Previously only available with EQ this historic release is a chance to record with an acknowledged classic. This is a perfect class A discrete front end for your computer recording system, with all of the warmth, presence, character and power than Neve are famous for.
Dual mic/line pre complete with a stereo A/D convertor of the highest quality featuring 24bit PCM conversion up to 192, or conversion to DSD. The DPD has a balanced stereo I/O insert point before the convertor for the insertion of an analogue compressor before conversion or the recording of the analogue signal. Also complete with balanced analogue outs.
Click detent input gain with +/- 10db variable trim, 48v and phase reverse per channel, clip LEDs and front panel impedance switch between 1200 + 300 Ohms.

The legendary Neve 1073 mic pre EQ is finally re-issued by Neve in a 19" format. For many people this is THE mic pre EQ.
Category
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Date
Jun 14, 2005
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Link ID
8828

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On the audient website you can learn about our surround sound mixing consoles, music recording and innovative surround sound controller. Read the latest press comments on Audient products from around the world and find the Audient distributor in your country.
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Aphex Systems was founded in 1975 in Massachusetts by Marvin Caesar and Curt Knoppel, the inventor of the Aural Exciter™.

The first Aural Exciter™ units were available exclusively on the rental basis of $30 per minute of finished recorded time.

The unit became so popular, especially with the Los Angeles music/recording studio crowd, that Aphex had to move to Hollywood.

Recognizing that there was a much bigger market than just the rental business, Aphex started selling the professional units, and introduced two low-cost models: Type B and Type C. The Aural Exciter circuit is now licensed by a growing list of manufacturers, including Yamaha, MacKenzie, Gentner, Emu and Bogen ...

Aphex, Aural Exciter, Automatic Limit Threshold, Big Bottom, Bass Enhancer, Compellor, Digitally Controlled Low Noise Amplifier (DCLNA), Distributed Pre-Emphasis Filter, Dominator, Drift Stabilized A/D Converter, Dynamic Verification Gate, Expressor, Easyrider, Frequency Dependent Leveler (FDL), High Frequency Expander, Improving The Way The World Sounds, LeNA, Locaf, Logic Assisted Gate, MicLim, Optical Big Bottom, Parallel Path Digital Modulation, Phase Coherent Crossover, Post Crossover Multiband Technique, Punch Factory, Reflected Plate Amplifier (RPA), Selectable Peak Accelerated Compressor, Split Band Clipper, Sticky Leveler, Thermionics, Transient Discriminate Harmonics Generator, Tubessence, Wave Dependent Compressor, Xciter.
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Antelope introduces a new level of quality and innovation in digital audio. Over ten years ago, Antelope founder Igor Levin changed the face of digital audio technology by creating Aardvark's legendary AardSync. His unique innovations inspired a new generation of digital audio gear, and established new standards in quality and performance.

Igor continues to innovate, and founded Antelope to take these revolutionary ideas to the next level. Twenty years experience and an unparalleled understanding of digital audio have lead to gear that trancends all expectations. Antelope proves that digital can be done better, providing the full benefits of digital technology alongside warmth and acessability typically associated with analog. With Antelope, digital is not a compromise.
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Soundfield: In 1933, British scientist Alan Blumlein was issued a patent that stands today as a landmark in the development of stereophonic recording and reproduction. Among its numerous declarations, it defined the basis for all coincident microphone techniques, including the Mid/Side and crossed bidirectional configurations. (The latter, in fact, is commonly referred to as a “Blumlein Stereo” pair.) In the 1970s, British mathematicians Michael Gerzon, Peter Craven and colleagues expanded upon the stereo concepts pioneered by Blumlein to develop the concept of a microphone system that could reproduce a full three-dimensional soundfield. Both Blumlein and Gerzon realised that only when a soundwave is captured at a single point in space can it be reproduced faithfully and without the phase distortion anomalies inherent in spaced microphone techniques ...

Today, the SoundField range enjoys a reputation as the ultimate microphones for recording both stereophonic and the new developing multichannel surround formats. These unique microphones employ a patented tetrahedral array of closely spaced and time compensated subcardioid capsules to capture the complete three-dimensional soundfield at a single point in space. This single point source pick-up principle avoids all of the time - or phase-related anomalies generated by spaced microphone arrays. Thus, surround recordings made with SoundField microphones can be collapsed to stereo - or stereo recordings to mono - without the phase problems that result in “comb-filtering” (phase cancellation) distortions. Furthermore, a single point source system is the only one that allows a truly phase coherent sub-channel to be derived. Spaced microphone arrays are unable to be reduced without introducing significant phase errors unless some of the microphone signals are discarded, which consequently results in loss of essential audio information.
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Reference collection of highest audiophile quality from a swiss manufacturer: simply the
best tube amplifier with transformer coupling. Phono stage with LCR RIAA, Western Electric WE 417A / 5842 and 6SN7 tubes. Line stage
with 101d Mesh (Equivalent of WE101D) and 205d Mesh (Equivalent of WE205D) tubes and transformer potentiometer.
Passive preamplifier with transformer potentiometer. 300b mesh power amplifier with 101d Mesh, 205d Mesh and 300B Mesh tubes.
Universal mc transformer for Ortofon SPU, Koetsu, Lyra, Clearaudio, Denon DL103 and other. 9, 10 & 12 inch Tonearm and the aas Gabriel Turntable.
se, single endet, tube phono amplifier, lcr riaa, lcr amplifier, riaa amplifier, tube phono stage, mc transformer, mc,
mm, mc uebertrager, phono amplifier, spu, dl103, mono, stereo, tube line amplifier, tube preamplifier, tube line stage, transformer potentiometer,
passive preamplifier, röhren vorverstärker, phonovorverstärker, röhrenverstärker. pse, se we 300b amplifier, se we300b amplifier, 300b amplifier,
300b mesh amplifier, 300b power amplifier, endverstärker, fullrange speaker, subwoofer, onken bass, klipsch bass, breitbandlautsprecher,
fullrange loudspeaker, schallwand,aas Turntable
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