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peter ind
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Bassist Peter Ind and his record label Wave Records' website features reviews, sound bites, itinerary, photo and art gallery, Wave Record label, biography.
Peter Ind was born on July 20, 1928 in Uxbridge Middlesex. U.K. He played on the ship the Queen Mary (1949-51) before settling in New York (1951), where he taught, and performed and recorded with Lennie Tristano (1951), Lee Konitz (1954-57), and Buddy Rich (1957).
He established a recording studio in 1957, and in 1961 started his own record company, Wave. His album Looking Out (1958-61, Wave 1) includes solos, duos with Joe Puma and the drummer Dick Scott, and tracks recorded with a trio and with a quartet. While living in Big Sur, California (1963-6), he became the first double bass player to give concerts and broadcasts as an unaccompanied soloist. In 1965 he played with Konitz and Warne Marsh. Thereafter he returned to England and continued to perform, teach and manage Wave. He toured with Konitz and Marsh in 1975-6. In 1984 he opened the Bass Clef in London, which became one of the city's most popular clubs. The New Grove Dictionary of Jazz ...
Peter Ind was born on July 20, 1928 in Uxbridge Middlesex. U.K. He played on the ship the Queen Mary (1949-51) before settling in New York (1951), where he taught, and performed and recorded with Lennie Tristano (1951), Lee Konitz (1954-57), and Buddy Rich (1957).
He established a recording studio in 1957, and in 1961 started his own record company, Wave. His album Looking Out (1958-61, Wave 1) includes solos, duos with Joe Puma and the drummer Dick Scott, and tracks recorded with a trio and with a quartet. While living in Big Sur, California (1963-6), he became the first double bass player to give concerts and broadcasts as an unaccompanied soloist. In 1965 he played with Konitz and Warne Marsh. Thereafter he returned to England and continued to perform, teach and manage Wave. He toured with Konitz and Marsh in 1975-6. In 1984 he opened the Bass Clef in London, which became one of the city's most popular clubs. The New Grove Dictionary of Jazz ...
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Jan 7, 2006
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1. peter ind
Bassist Peter Ind and his record label Wave Records' website features reviews, sound bites, itinerary, photo and art gallery, Wave Record label, biography.
Peter Ind was born on July 20, 1928 in Uxbridge Middlesex. U.K. He played on the ship the Queen Mary (1949-51) before settling in New York (1951), where he taught, and performed and recorded with Lennie Tristano (1951), Lee Konitz (1954-57), and Buddy Rich (1957).
He established a recording studio in 1957, and in 1961 started his own record company, Wave. His album Looking Out (1958-61, Wave 1) includes solos, duos with Joe Puma and the drummer Dick Scott, and tracks recorded with a trio and with a quartet. While living in Big Sur, California (1963-6), he became the first double bass player to give concerts and broadcasts as an unaccompanied soloist. In 1965 he played with Konitz and Warne Marsh. Thereafter he returned to England and continued to perform, teach and manage Wave. He toured with Konitz and Marsh in 1975-6. In 1984 he opened the Bass Clef in London, which became one of the city's most popular clubs. The New Grove Dictionary of Jazz ...
Peter Ind was born on July 20, 1928 in Uxbridge Middlesex. U.K. He played on the ship the Queen Mary (1949-51) before settling in New York (1951), where he taught, and performed and recorded with Lennie Tristano (1951), Lee Konitz (1954-57), and Buddy Rich (1957).
He established a recording studio in 1957, and in 1961 started his own record company, Wave. His album Looking Out (1958-61, Wave 1) includes solos, duos with Joe Puma and the drummer Dick Scott, and tracks recorded with a trio and with a quartet. While living in Big Sur, California (1963-6), he became the first double bass player to give concerts and broadcasts as an unaccompanied soloist. In 1965 he played with Konitz and Warne Marsh. Thereafter he returned to England and continued to perform, teach and manage Wave. He toured with Konitz and Marsh in 1975-6. In 1984 he opened the Bass Clef in London, which became one of the city's most popular clubs. The New Grove Dictionary of Jazz ...
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Jazz bassist Maryann McSweeney's website features reviews, sound bites, itinerary,
biography, cds, educational activities, discography.
Mary Ann McSweeney's acoustic bass is found at the melodic heart of her jazz compositions. The California-born artist has developed a sound that is colored by her early classical roots and inspired by her mentors, Ray Brown, John Clayton and Richie Beirach.
McSweeney's performance work has taken her from jazz clubs and festivals in the US, Europe and Asia and onto the symphony stage. She tours with her own jazz quintet that includes Donny McCaslin on saxophones, Mike Fahn on valve and slide trombone, Henry Hey on piano and Tim Horner on drums. Thoughts of You, her debut recording as a leader with this quintet, will be released in early 2001 (Jazz Magnet).
Mary Ann has performed with Dizzy Gillespie, Jimmy Witherspoon, Betty O'Hara, Stacy Rowles, Rick Margitza, Lynn Ariel, Maiden Voyage Big Band, and the Ed Palermo Big Band to name a few. She has recorded with the Jim Cifelli New York Nonet, the Diva Big Band, Gene Burkert, Nana Simopoulos and Manhattan Vocal Project among others. On the classical side, she has worked with conductors Leonard Bernstein, John Williams and Lalo Schifrin ...
biography, cds, educational activities, discography.
Mary Ann McSweeney's acoustic bass is found at the melodic heart of her jazz compositions. The California-born artist has developed a sound that is colored by her early classical roots and inspired by her mentors, Ray Brown, John Clayton and Richie Beirach.
McSweeney's performance work has taken her from jazz clubs and festivals in the US, Europe and Asia and onto the symphony stage. She tours with her own jazz quintet that includes Donny McCaslin on saxophones, Mike Fahn on valve and slide trombone, Henry Hey on piano and Tim Horner on drums. Thoughts of You, her debut recording as a leader with this quintet, will be released in early 2001 (Jazz Magnet).
Mary Ann has performed with Dizzy Gillespie, Jimmy Witherspoon, Betty O'Hara, Stacy Rowles, Rick Margitza, Lynn Ariel, Maiden Voyage Big Band, and the Ed Palermo Big Band to name a few. She has recorded with the Jim Cifelli New York Nonet, the Diva Big Band, Gene Burkert, Nana Simopoulos and Manhattan Vocal Project among others. On the classical side, she has worked with conductors Leonard Bernstein, John Williams and Lalo Schifrin ...
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3. ben allison
Bassist and composer
Ben Allison's official web site containing bio and touring info,
photo gallery, downloadable press kit, music samples and info on the
Jazz Composers Collective.
Cited by Downbeat magazine as one of the "25 rising jazz stars for the future" and in the "Bassist of the Year," "Album of the Year," "Composer of the Year," "Acoustic Group of the Year," "Arranger of the Year," and "Jazz Artist of the Year," Rising Star categories of the 2003, 2004, and 2005 Downbeat Critics' Poll, bassist-composer Ben Allison has solidified his reputation as "one of the most original voices in modern jazz" (Amazon.com), a strong organizational force on the New York City music scene, and an advocate for artist empowerment.
With his groups Peace Pipe, New Quartet, Medicine Wheel, the Kush Trio, and the Herbie Nichols Project (which he co-leads with pianist Frank Kimbrough) Ben has toured extensively throughout the US, Canada, Europe, and Brazil winning fans and building new audiences with an adventurous yet accessible sound and a flair for the unexpected.
His six recordings as a leader - Buzz (2004), Peace Pipe (2002), Riding the Nuclear Tiger (2001), Third Eye (1999), and Medicine Wheel (1998) on Palmetto Records, and his 1996 debut Seven Arrows on the Koch Jazz label - showcase Ben's forward-thinking vision as a producer, composer, arranger, and bassist, and his hands-on approach to his craft.
Buzz, was #1 on the CMJ National Jazz radio charts for 6 consecutive weeks and has remained in the top 20 for over five months. His previous three albums, achieved similar radio success, being among the most played albums of the years in which they were released. and have been named as among the best of the year by publications such as The New York Times, The Boston Globe, The Village Voice, Jazz Times, Jazz Journalists Association,Downbeat Critics Poll, All About Jazz, Coda (Canada), and Jazz Review (UK), among others ...
Ben Allison's official web site containing bio and touring info,
photo gallery, downloadable press kit, music samples and info on the
Jazz Composers Collective.
Cited by Downbeat magazine as one of the "25 rising jazz stars for the future" and in the "Bassist of the Year," "Album of the Year," "Composer of the Year," "Acoustic Group of the Year," "Arranger of the Year," and "Jazz Artist of the Year," Rising Star categories of the 2003, 2004, and 2005 Downbeat Critics' Poll, bassist-composer Ben Allison has solidified his reputation as "one of the most original voices in modern jazz" (Amazon.com), a strong organizational force on the New York City music scene, and an advocate for artist empowerment.
With his groups Peace Pipe, New Quartet, Medicine Wheel, the Kush Trio, and the Herbie Nichols Project (which he co-leads with pianist Frank Kimbrough) Ben has toured extensively throughout the US, Canada, Europe, and Brazil winning fans and building new audiences with an adventurous yet accessible sound and a flair for the unexpected.
His six recordings as a leader - Buzz (2004), Peace Pipe (2002), Riding the Nuclear Tiger (2001), Third Eye (1999), and Medicine Wheel (1998) on Palmetto Records, and his 1996 debut Seven Arrows on the Koch Jazz label - showcase Ben's forward-thinking vision as a producer, composer, arranger, and bassist, and his hands-on approach to his craft.
Buzz, was #1 on the CMJ National Jazz radio charts for 6 consecutive weeks and has remained in the top 20 for over five months. His previous three albums, achieved similar radio success, being among the most played albums of the years in which they were released. and have been named as among the best of the year by publications such as The New York Times, The Boston Globe, The Village Voice, Jazz Times, Jazz Journalists Association,Downbeat Critics Poll, All About Jazz, Coda (Canada), and Jazz Review (UK), among others ...
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4. andy mckee
Bassist Andy McKee's website features sound bites, itinerary, projects, biography, reviews.
Andy McKee is an internationally acclaimed musician well known for his dynamic and inventive approach to the acoustic bass. His reputation stretches from his home base of New York, across the United States and Europe to the far jazz corners of the world. Andy's talents as a composer and accomplished instrumentalist have earned him critical acclaim and a prominent place on the world jazz stage.
Having performed extensively with many jazz greats, Andy McKee is as comfortable on the concert stage in front of television cameras as he is in the recording studio or intimate jazz club setting. He has been a longtime member of groups led by Philly Joe Jones, Chet Baker, Michel Petrucciani, and Elvin Jones, as well as the Mingus Dynasty and currently, the Mingus Big Band. Arriving on the New York scene in 1980, Andy worked the jazz clubs with the likes of Jaki Byard, Clifford Jordan, Sal Nistico, Charlie Rouse, Billy Harper and Brazilian drummer extraordinaire, Edison Machado. While living in Paris, France in the mid-80's, he performed and toured exclusively with Mal Waldron, Clark Terry, Steve Lacy, Don Cherry, Horace Parlan, Steve Grossman, and Barry Altschul as well as European greats Daniel Humair, Marcial Solal, Franco D'Andrea and others.
Any McKee's unique style and hard-swinging approach evolved naturally from his formative years spent on the Philadelphia jazz scene. Working with musicians like Hank Mobley, Johnny Hartman, "Cee" Sharp, Walt Dickerson, and Philly Joe Jones provided a nurturing environment for him and other young players cutting their musical teeth ...
Andy McKee is an internationally acclaimed musician well known for his dynamic and inventive approach to the acoustic bass. His reputation stretches from his home base of New York, across the United States and Europe to the far jazz corners of the world. Andy's talents as a composer and accomplished instrumentalist have earned him critical acclaim and a prominent place on the world jazz stage.
Having performed extensively with many jazz greats, Andy McKee is as comfortable on the concert stage in front of television cameras as he is in the recording studio or intimate jazz club setting. He has been a longtime member of groups led by Philly Joe Jones, Chet Baker, Michel Petrucciani, and Elvin Jones, as well as the Mingus Dynasty and currently, the Mingus Big Band. Arriving on the New York scene in 1980, Andy worked the jazz clubs with the likes of Jaki Byard, Clifford Jordan, Sal Nistico, Charlie Rouse, Billy Harper and Brazilian drummer extraordinaire, Edison Machado. While living in Paris, France in the mid-80's, he performed and toured exclusively with Mal Waldron, Clark Terry, Steve Lacy, Don Cherry, Horace Parlan, Steve Grossman, and Barry Altschul as well as European greats Daniel Humair, Marcial Solal, Franco D'Andrea and others.
Any McKee's unique style and hard-swinging approach evolved naturally from his formative years spent on the Philadelphia jazz scene. Working with musicians like Hank Mobley, Johnny Hartman, "Cee" Sharp, Walt Dickerson, and Philly Joe Jones provided a nurturing environment for him and other young players cutting their musical teeth ...
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5. dwayne burno
Bassist Dwayne Burno's website features sound bites, discography, itinerary, projects, biography.
Dwayne Burno made his entry into this world on June 10, 1970 in Philadelphia, Pennsylvania, a city rich in its musical traditions and history. He gained his initial musical exposure to music through his mother. "My mother is my first musical influence. She told me of the times when she sat me on her lap while she accompanied, directed, and sang with the church choir which she continues to do to this very day."
Dwayne's first chosen musical instrument was the violin which he played until his unexpected first encounter with the double bass. "During my junior year of high school, I was told to begin learning and playing the bass. I was chosen because of my musical aptitude, knowledge and love of music, intellect, character, physique and the bottom line fact that a gig was scheduled to occur in one week's time. I had one week's time to begin 'gettin' it together' and have been a professional musician ever since."
Upon graduation from high school, Dwayne set off to continue his quest for a higher education at Boston's famed Berklee College of Music. There, he remained for three semesters before leaving once again for Philly. In 1989, while in attendance at Berklee, Dwayne began a personal and musical association with his first major employer, alto saxophonist Donald Harrison ...
Dwayne Burno made his entry into this world on June 10, 1970 in Philadelphia, Pennsylvania, a city rich in its musical traditions and history. He gained his initial musical exposure to music through his mother. "My mother is my first musical influence. She told me of the times when she sat me on her lap while she accompanied, directed, and sang with the church choir which she continues to do to this very day."
Dwayne's first chosen musical instrument was the violin which he played until his unexpected first encounter with the double bass. "During my junior year of high school, I was told to begin learning and playing the bass. I was chosen because of my musical aptitude, knowledge and love of music, intellect, character, physique and the bottom line fact that a gig was scheduled to occur in one week's time. I had one week's time to begin 'gettin' it together' and have been a professional musician ever since."
Upon graduation from high school, Dwayne set off to continue his quest for a higher education at Boston's famed Berklee College of Music. There, he remained for three semesters before leaving once again for Philly. In 1989, while in attendance at Berklee, Dwayne began a personal and musical association with his first major employer, alto saxophonist Donald Harrison ...
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