Some guitarists have become fluent in the musical language of their time and place. Of these men and women, there are some who take in music from beyond their own surroundings and give birth to new musical ideas, brave compositions, and inventive playing styles. Most rare, however, are those artists who do all these things and continue to listen to their hearts, who compose beyond the limitations of their instrument, and who improvise without fear. Rare indeed, Pierre Bensusan is a guitarist, a composer, a man who constantly explores the depth of his own voice. In doing so, his music, (or as he says, his work) seems to come from a source much greater than the hands and voice of one man.
If “world music” is music that pays tribute to the spirit of a collection of human beings through distinct rhythms, traditional instruments and harmonic colors, Pierre Bensusan can be recognized as one of the most eloquent and diverse world musicians of our time. In his solo concerts that could last nearly 3 hours, Bensusan weaves together the music from so many lands and so many times in history, no list of reasonable length here would suffice. And for each piece Bensusan describes as being influenced by “a man from Iraq”, or the middle-ages, or the essence of the Brazilian culture, each piece is informed by much more. None can be isolated as simply “Brazilian” or “French”; rather, they represent our world in its current state, a world sharing itself, fusing cultures together in ways we have never experienced ...
Born into a musical family in London at the end of the Second World War, Townshend quickly found himself at the forefront of the British musical boom of the 1960's, as a member of one of the most rebellious, outspoken groups ever to emerge; The Who. Formed through a school friendship with John Entwistle and Roger Daltrey, dating back to the late 1950's, the band spent its formative years covering Jazz and Skiffle standards with the young Townshend performing admirably on banjo. Those early years saw the band go through a couple of name and personnel changes, including the recruitment of one, Keith Moon. The changing face of the music scene, however, and in particular the emergence of Lennon and McCartney, meant that group's could no longer rely on cover versions and were required to produce original work in order to compete. In the case of The Who this responsibility fell mainly on the shoulders of Pete Townshend....
Jazz guitarist Dave Bernstein's website features music, cds, bios, electronic press kit.
Dave Bernstein was born in Queens, NYC and raised in Southern California. He began playing guitar in Blues bands while attending college at UC Santa Cruz (1980-1982). After taking a year off traveling and studying privately, he attended the Berklee College of Music in Boston from 1983 to 1986, graduating with a BA in music.
Since relocating to the SF Bay Area in 1987, Bernstein has shared the stage with many Blues and Jazz notables including Teddy Edwards, Herbie Lewis, Lazy Lester, Sammy Myers, William Clarke, Smokey Wilson, and Vince Wallace. In addition, he has led his own various Blues and Jazz combos and his noted "Blueriety" enterprise, "FLUFFER".
Make no mistake; Bernstein is a Jazz player to the bone. He cites Charlie Parker, John Coltrane, and Wayne Shorter as major influences on his writing and playing. Though he possesses the fat, warm sound typical of Jazz guitar, he thinks and plays like a horn player ...
The Music of Jeff Linsky, virtuoso
guitarist, recording artist and award winning composer.
With a strong classical guitar technique and a remarkable gift for improvisation, Jeff Linsky has developed his own warmly passionate and personal style of playing, blending elements of jazz, classical, and Latin music.
An award winning composer, Jeff has several critically acclaimed recordings to his credit. Jeff's original composition, Up Late, from the Concord Records release of the same name, has become a standard in the Smooth Jazz radio format. His composition, Monterey served for years as the broadcast theme of the Monterey Jazz Festival. His Latin Jazz project, Simpatico, featuring Weather Report veterans Alphonso Johnson and Alex Acuna, was nominated Contemporary Jazz Album of the Year by the National Association of Independent Record Distributors. The completely improvised solo guitar release, Jeff Linsky/Solo, was selected to Downbeat Magazine's Top Ten List. Jeff is currently writing music for television, but continues to record new projects for Arona Records ...
Norman K. Anderson: Shadow Veil Records:
New album out now! Twelve hot new tracks for
you to dig your teeth into. Free mp3 samples in the audio section!
Guitarist Norman K. Anderson's second CD, Victory And Valor, continues in the neo-classical tradition staked out by his debut release "Mirror, Mirror". Anderson gets the ball rolling with his variation on a Bach melody on the title track, and proceeds to offer classically flavored leads and progressions, as well as thematic, well-crafted guitar solos. Fans of instrumental guitar music will dig the almost nine minute opus "Dragonfire, the moving "Con Duolo Appassionato" and the heartfelt "My Angel". Victory And Valor even features a solo piano piece, Petr Bucinsky's "Thought Of Reason". Neo-Classical
Keith Richards:
He's acknowledged as perhaps the greatest rhythm guitarist in rock & roll, but Keith Richards is even more legendary for his near-miraculous ability to survive the most
debauched excesses of the rock & roll lifestyle. His prodigious consumption of drugs and alcohol has been well documented, and would likely have destroyed anyone with a less amazing endurance level. On-stage with the Rolling Stones, he epitomized guitar-hero cool as the quiet, stoic alter ego to Mick Jagger's extroverted frontman, a widely imitated image made all the more fascinating by his tightrope-walking hedonism. Yet that part of Richards' mystique often overshadows his considerable musical legacy. Arguably the finest blues-based rhythm guitarist to hit rock & roll since his idol Chuck Berry, Richards knocked out some of the most indelible guitar riffs in rock history, and he did it so often and with such apparent effortlessness that it was easy to take his songwriting skills for granted ... (bio source: Steve Huey, All Music Guide, www.vh1.com)
The Rolling Stones.