The Porcelain Bunny is an intuitive stereo monphonic synth in the tradition of
the of the early synths used in house music.
You can generate multiple types of waveforms, and envelope them, and filter them
accordingly to achieve sweet basses, atmospheric leads, or just bizarre acid-rave
sounds. Slow the attack and you'll add rubbery tonal ambience to any soundscape, and
if you want to bang some hard miami sub action, the bunny gets down that way too.
By no means are you limited to these afore mentioned tones, but they can
effortlessly be achieved with the Porcelain Bunny VST Instrument from NYC
Sound Design.
The Porcelain Bunny is an intuitive stereo monphonic synth in the tradition of
the of the early synths used in house music.
You can generate multiple types of waveforms, and envelope them, and filter them
accordingly to achieve sweet basses, atmospheric leads, or just bizarre acid-rave
sounds. Slow the attack and you'll add rubbery tonal ambience to any soundscape, and
if you want to bang some hard miami sub action, the bunny gets down that way too.
By no means are you limited to these afore mentioned tones, but they can
effortlessly be achieved with the Porcelain Bunny VST Instrument from NYC
Sound Design.
The Electro-Gracie is a virtual synthesizer modelled in part to reflect the bizarre personality of
my friend Tony's Dog, Gracie.
This polyphonic synth is designed to create very melancholy, rainy, and atmospheric tones,
but can also,
ahem...bark, so to speak.
The seasonal controls up top control the selected waveform's properties, whilst the ADSR envelope
to the southeast tackle how the selected tone gets delivered. One of the things that make this one really sweet, is the fact that it has an internal delay which can run in tangent to the BPM your project is set at, so you can hammer octave notes until they glide in to the mix, where they'll linger if you so choose, with or against the beat.
Another thing is the Res. Freq slider which lets you fine tune the resonant pitch in certain
settings to achieve very dreamy, almost "tine-y" tones. There's also a manipulatable scope in the top right where you can further adjust and impliment multiple parameters to your tastes. There's a lot more to it as well, so experiment and find what YOU like!
The Arrakisynthesis is a stereo polyphonic synth designed as a tribute to the film
"Dune" by David Lynch.
It is a relatively straightforward synth designed to emulate a variety of analog and digital
tones and qualities, and to look great sitting in your virtual rack.
I have had excellent results achieving very open atmospheric prophetic ambient tones, as well
as warm, vintage sounding, and over the top hard hitting analog synth style tones with this one.
Dial in small amounts of "Mentat" and "Spice", and you can get vibrato/tremelo
style effects, or crank it, and it sounds like a flying saucer is going to blow up your speakers with a squeg beam.
The volume is under the VU meter, and works in an exponential fashion,
so be careful with this one, it can be super sweet, but it can also get LOUD!!!!!!!
- 3 OSCs, each one with ADSR control and Level
- 3 Filters (LP, HP, BP, BR, Notch) and envelope setting, one for each OSC
- Global Filter LFO
- Global OSC LFO
- Effects section (Delay, Chorus and Reverb)
Tramp 4:
A 4 Operator FM Synth somewhere between a DX7 and TX81z
Totally Free VSTI developed using Jeff McClintock's SynthEdit and is not a demo.
This VST is designed to emulate the classic FM synths of the 80's.
4 Operators that can be configured into 8 different algorithms
Each Oscillator has Sine,Ramp,Saw,Triangle & Square Wave and 2 modes, Ratio and Fixed
Frequency is set by keyboard pitch with ratio adjustments up to 6 octaves.
Fixed frequency range is from 1 hz to 20 Khz.
Fine Tune adjusts 2 octaves in Ratio Mode
Fine Tune is Log10(x) scale in Fixed Mode.
Fixed Frequency is displayed in Hz.
Detune up or down 1 octave.
Each Operator has a seperate 4 stage envelope generator.
The rate settings can be multiplied for attack and decay rates that can run into minutes.
A Keyboard scaler is available for each operator.
The scaler is used to adjust the volume levels for keys left and right of the preset breakpoint.
Each Operator has a seperate control for setting the sensitivity for
Velocity, Amplitude Modulation or Pitch Modulation.
An output level controls the output level for each OSC. Each OSC can also be switched off.
Handy for creating new voices.
The LFO is gated and has a delay control and level control. The LFO produces Sine,Ramp,Saw,Triangle and Square Wave.
The Tramp4 also features a 4 stage pitch envelope generator for really messing up the pitch signal before it enters the operators ...
free vst plugin, pc.
IDJ 3-Osc VA:
Triple osc hybrid virtual analog with direct input support.
* 2 Oscillators with 7 waveforms, pulse width, FM and sync
* 1 Oscillator with 68 waveforms
* 1 ADSR Envelope
* 1 Multi Mode Filter with Envelope
* 1 LFO with multiple destinations
* 1 Modulator with multiple sources and destinations
* 1 FM Modulator with Envelope
* 1 Pitch Modulator Envelope
* X-Y Controller with direct input Joystick support
* 2 delays with pan
* 1 Stereo Chorus
* 1 Stereo Reverb
* 64 Patches with professional sounds
* Easy installer.
free vst plugin, pc.