Blue Cat Audio focuses on providing flexible and powerful audio tools for musicians and audio professionals, offering a wide range of audio processing and analysis plugins, as well as audio software engineering and consulting services.

Tiny God consists mostly of the creations of Russell Borogove, an unemployed software developer, who has been developing weird audio software in order to entertain and educate himself. This primarily consists of plug-in components for VST hosts such as Audiomulch, plus a few stand-alone programs.

VST is Virtual Studio Technology, Steinberg's specification for plug-in components for their Cubase digital audio workstation software. In short, a VST plugin can receive, manipulate, and send chunks of digital audio data in conjunction with a bunch of other components; this allows users to expand their capabilities a piece at a time, much like buying new effects units or synthesizers at your local music gear dealer, without having to throw away all your existing musical equipment. The VST format is available on both Windows and Macintosh platforms; besides VST, there are platform-specific standards for this kind of software: DXi on Windows, and AU on Mac OS X, to name two.

V-Station: Novation-class Virtual Synthesis
Industry-standard VSTi (for PC and Mac OSX Platforms) and Mac OSX Audio Unit plug-in format
Ideal Hardware Synth partner
V-Station sounds can be downloaded into all Novation hardware synths and vice versa
Analogue Sound Modelling
Superb Liquid Analog sound based on K-Station sound engine
Arpeggiator with synchronisation lock
Play rythmical patterns in sync with an incoming MIDI clock
Simultaneous high quality effects
Including reverb, chorus, phaser, delay, panning, distortion, EQ and filter
Novation Synth Engine
Powerful 3-oscillator sound engine with noise and FM capability
Presets
400 user programs and 200 awesome factory presets provide an array of instant sounds,

Bass Station: The classic sound of analogue
Two oscillators that have been carefully modelled to preserve the precise tonal character of the classic sawtooth and square waveforms of the original Bass Station
Enhanced Classic Panel for Greater Tweakability
The original front panel has been 3D modelled and additional controls have been added for ease of use.
Parameter editing screen
Wheel, Aftertouch and Breath control along with a variety of system-wide settings are just a click away.
Multiple Instances
The ability to use multiple ‘instances’ allows the Bass Station to run as many multi-timbral parts as CPU will allow.
100 Stunning Sounds
The Bass Station plug-in ships with the classic originals along with many more, from screaming leads to phatt funky basses
Overview
RE-INVENTION OF THE CLASSICS, IN A CLASSIC
Bass Station re-invents the classic sound of analogue and provides you with all the prerequisite building blocks of the sound generation process, with total control.


Two oscillators that have been carefully modelled to preserve the precise tonal character of the classic sawtooth and square waveforms of the original instruments.

Low-pass filtering with all the warmth and resonance often lacking in today’s modern digital synthesis methods
Intuitive ADSR envelopes - no need to calculate the complex interaction of endless rate and level parameters
Low Frequency Oscillation which can directly control the harmonic content of the sound by pulse width modulation or filter cut-off
Oscillator Sync for the most complex and expressive timbres, and most importantly of all, an individual knob or switch for each parameter to allow you to control it manually as you play or program


ANALOGUE MODELLED OSCILLATORS AND THAT SPECIAL BASS STATION SOUND
The character of the two oscillators has been carefully crafted to provide the classic sawtooth and square waveforms of the original instruments. The filter has been designed to deliver the elusive character from of the original Bass Station. Switch from 24dB to 12dB mode and the filter controls behave in the same manner as the controls of Roland’s classic TB303.

ENHANCED CLASSIC PANEL FOR GREATER TWEAKABILITY
The simplicity of the original Bass Station panel was a key factor in the popularity of the instrument. The original front panel has been 3D modelled and additional controls have been added for ease of use. The Filter envelope has its own set of ADSR controls and OSC1 and OSC2 have their own section for pitch modulation and PWM control. Finally, all controls receive MIDI controller numbers for the recording and replay of tweaks during a performance.

SETUP SCREEN
Accessing the additional parameter editing screen is a single mouse click away. On the setup screen you’ll find extra functions such as Wheel, Aftertouch and Breath control along with a variety of system-wide settings.

INSTANCES LIMITED ONLY BY THE POWER OF THE PC OR MAC IN USE
The Bass Station delivers a monophonic voice for each instance that is used. Call up an instance of the Bass Station and there is immediately a new bass or lead sound available that will sit beautifully in the mix. The ability to use multiple ‘instances’ allows the Bass Station to run as many multi-timbral parts as the power of the host computer will allow.

100 STUNNING SOUNDS CAREFULLY CRAFTED FROM THE NOVATION FACTORY
The multi-award-winning Bass Station Rack came packed with awesome presets that became the soundtrack for many of the dance hits of the 90s. The Bass Station plug-in is shipped with the classic originals along with many more totalling 100 sounds for immediate gratification. The patches cover a huge sonic range from screaming leads to phatt funky basses.

Specifications
Plug-in format
PC: Standard VSTi
Mac OSX: Audio Units + VSTi

Architecture
Voices: 1
Instances/Multitimbrality: Unlimited - (very low CPU overhead, typically 1.5% per instance on a Pentium 4 2.0GHz)

Sound Storage
Programs: Re-Writable (100 factory preset) for each instance
Compatibility: Programs from Bass Station Keyboard and Rack can be uploaded and downloaded

Oscillators 1
Waveforms: Square/Saw/Variable Pulse
Mod Env Depth: -64 to +63
LFO Depth: -64 to +63
PWM Source: Mod Env/Manual/Internal Preset LFO

Oscillators 2
Waveforms: Square/Saw/Variable Pulse
Mod Env Depth: -64 to +63
LFO Depth: -64 to +63
PWM Source: Mod Env/Manual/LFO
Octave Range: 16’/8’/4’/2’
Octave Range: Osc1 to Osc2

Mixer
Osc1-Osc2 Mix: -64 (Osc1) 0 (Osc1-2) +63 (Osc2)

Filter
Frequency: 10Hz-10kHz
Slope: 12dB/24dB
Modes: Low Pass
Resonance: 0-127
Mod Env Depth: -64 to +63
LFO Depth: -64 to +63
Cutoff: 0-127

Amplifier Envelope
Velocity: 0-127
Attack: 0-127 (1mS - 7secs)
Decay: 0-127 (1mS - 11secs)
Sustain: 0-127 (0-100%)
Release: 0-127 (1mS - 11secs)

Mod Envelope
Velocity: 0-127
Attack: 0-127 (1mS - 7secs)
Decay: 0-127 (1mS - 11secs)
Sustain: 0-127 (0-100%)
Release: 0-127 (1mS - 11secs)

LF0
Mode: Cyclic
Waveforms: Tri/Saw/Random
Speed: 0Hz-1kHz
Delay Fade In: 0-5 Seconds
LFO Sync: Internal/MIDI Clock

The new revolutionary VSTunnel Plug-in is now available. Start connecting several sequencers over the internet bringing musicians from all over the world to easily play their sessions together. No travelling. No studio bookings. All participants have the opportunity to create or join public and private sessions.

If you just want inspiration from other musicians or join other virtual bands, the VSTunnel public sessions allow all that to be possible and more. Just have fun playing and experimenting with other musicians.

For those serious musicians out there who want their own selected members or want to bring their own band together, the VSTunnel private sessions are for you. In a private session no one can enter without knowing the session key (e.g. members of a band can meet in a closed session). You as the creator have the power to choose your session members. ...

Synful Orchestra is focused on imitating orchestral instruments. Future Synful products will focus on jazz, R+B, rock instruments and roll-your-own new instrument creation. I hope musicians and composers will enjoy using Synful Orchestra as much as I've enjoyed developing it.