Ric Hordinski:
Years before Radiohead put Sigur Rós on the map, Ric (pronounced "Rich") Hordinski was painting soundscapes on Over the Rhine records. His instrumental interludes and echo-laden guitar gave the band a rich, layered sound, and may have kept the band from falling headlong into the mid-tempo singer-songwriter abyss.
Since leaving OTR, Ric has appeared on records with David Wilcox, Tony Levin, Bill Kreutzmann, Victor Wooten, Victoria Williams and Robbie Fulks. He's produced award-winning records for a host of folks including Wilcox and Phil Keaggy.
On his own, hiding behind the Monk moniker, he released five independent records that featured alternately the songwriting craft he honed during his eight years in OTR, the ambient guitar that garnered demand as a studio musician and the ear for songcraft that makes him an excellent producer. Ric recieved a grammy nomination in 2003, two cammy awards and a dove award in 2002.
Sony Landreth:
Southwest Louisiana-based guitarist, songwriter and singer Sonny Landreth is a musician's musician. The blues slide guitar playing found on his two Zoo Entertainment releases, Outward Bound (1992) and South of I-10 (1995) is distinctive and unlike anything else you've ever heard. His unorthodox guitar style comes from the manner in which he simultaneously plays slide and makes fingering movements on the fret board. Landreth, who has an easygoing personality, can play it all, like any good recording-session musician. His distinctive guitar playing can be heard on recordings by John Hiatt, Leslie West and Mountain, and other rock & rollers ...
Joe Walsh: Bio, Tour, Music, Live, Gear, Store.
From his early hits with the James Gang through to his tenure with the Eagles -- as well as a successful solo career -- Joe Walsh remained one of the most colorful characters in rock & roll, lending his distinctively reedy vocals, off-the-wall lyrics, and expansive guitar leads to a series of AOR staples including "Funk #49," "Rocky Mountain Way," and "Life's Been Good." Born November 20, 1947 in Wichita, KS, Walsh initially studied the oboe and clarinet, later playing bass in local bands the G-Clefs and the Nomads; while attending Kent State University, he finally picked up the guitar, fronting the collegiate combo the Measles from 1965 to 1969. He then joined the Cleveland-based hard rock trio the James Gang, appearing on their debut LP Yer' Album. The trio's 1970 album, The James Gang Rides Again, proved the group's commercial breakthrough, launching the FM radio favorite "Funk #49" and achieving gold status. While the follow-up, Thirds, was another success, yielding the classic "Walk Away," Walsh found the James Gang's power-trio format too confining and left the group soon after ... (source : www.music.yahoo.com)
Tim Reynolds: Born in Weisbaden, Germany, the son of a devoutly religious military man, Tim spent much of his childhood moving-from Alaska to St. Louis and through much of the Bible-belt Midwest.
In a statement by Reynolds, "I come from nowhere mostly. My dad was in the Army so we moved around alot. Germany is where I was born, and after that we lived on a farm in Indiana, then on an army base in Alaska, then to Kansas, then to Missouri, where we lived the longest (thus the nowhere). Then I moved to Virginia, and I was there for 17 years or so. Now I live in New Mexico and this is the best place I could be. I mostly come from space."
As the child of pious, fiercely conservative parents, Reynold's musical introduction began at age 12, playing electric bass before writhing congregations of ecstatic worshippers three times a week (over 1000 times) until his high school graduation. Tiring of the constraints of imposed conservatism, he secretly plunged into jazz and "forbidden" late '60s and early '70s psychedelic rock. At age 18, he left home to join a group of "experimental" musicians. After absorbing much from them and the dozen other bands (from disco to country) that followed, he eventually settled in Charlottesville, Virginia ...
Tony Rice has long been one of bluegrass’s best-loved guitarists. From his
stint with JD Crowe’s New South and the David Grisman Quintet, to his solo albums and those with the Tony Rice Unit,
the Rice Brothers, and Rice, Rice, Hillman & Pedersen, he has created a body of work that is at once progressive and
grounded in tradition. His unmistakable approach to flat-picking - fluid, economical, and always inventive - redefined
the guitar’s role in bluegrass. Beyond that, his timing, good taste, and sophisticated harmonic palette unveiled a new
avenue of acoustic music: a subtle fusion of bluegrass, jazz, and folk music that he deems 'spacegrass.'
Frank Gambale: guitar player.
Frank began playing guitar at age 7 in Canberra, Australia where he was born and raised. He was influenced by the blues playing of Jimi Hendrix , John Mayall / Eric Clapton, and Grateful Dead's Jerry Garcia . In his mid-teens he discovered Steely Dan, The Brecker Brothers and Chick Corea, which pointed him in a jazzy direction. In 1982 at 23 he decided to leave his home to study at the Guitar Institute of Technology (GIT) in Hollywood. He graduated with the highest honor, Student of the Year and was offered a teaching position which he kept for 4 years. During that time he was playing the local jazz club circuit with his own band and already had his first book "Speed Picking" published. In 1986 he signe a 3 album contract with a small label called Legato and began his recording career.
The same year he was recruited by Jean-luc Ponty to tour. Shortly after that tour, he auditioned for Chick Corea and began a 6 year stint which culminated in 5 albums, a Grammy award and two Grammy Nominations. Chick helped expose Frank to the world, for which he is very grateful, "playing with Chick was like a dream come true" says Frank ...