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richard bliwas
Description
Richard Bliwas:
The pianist has been compared to Joni Mitchell , Laura Nyro, Miles Davis , Randy Newman , The Beatles, Van Dyke Parks, Brian Wilson and Sun Ra-- but as All About Jazz said in it’s review of Rising Rose Records 2004 chart-haunting release Ghost “ His writing is unmistakably original …. Cadence Magazine said in it’s review of Compose Yourself “ Bliwas transforms intricate phrases into seamless music , and Shredding Paper said in it’s review of Walk the Bike “ Bliwas walks the line between jazz and folkrock with confidence…producing a dialectic sound that compliments rather than conflicts. His lyrics have been described as profound, cryptic, silly, perceptive and poetic. Hidden tracks on a couple CD’s led one music journalist to proclaim that "Richard Bliwas has a great sense of humor…”
Soon after studying with composer Olivier Messiaen, pianist Joseph Schwartz,and poet David Young at Oberlin College and Conservatory , Richard's early 80's groups with Ben Sher and Ned Goold were incorporating the influences of Miles Davis , Brian Eno , Syd Barrett and The Beatles , in intimate innovative recordings-- and in performances at Pittsburgh's Kool Jazz festival , smokey old jazz clubs where Benson and Eckstine played a few generations earlier or rock/punk clubs like The Electric Banana. The music however, freely crossed genre lines, foreshadowing alternative and contemporary styles.
When he moved to New York in 1984, Richard began an odyssey of gigs--from playing piano for Jacques d'Amboise and the National Dance Institute , to infusing his sensibilities as an improviser into the jazz and pop music he loved everywhere from CBGB's to the 21 Club, to creative structural and line by line editing of Cynthia Kadohata's acclaimed first novel --The Floating World ...
The pianist has been compared to Joni Mitchell , Laura Nyro, Miles Davis , Randy Newman , The Beatles, Van Dyke Parks, Brian Wilson and Sun Ra-- but as All About Jazz said in it’s review of Rising Rose Records 2004 chart-haunting release Ghost “ His writing is unmistakably original …. Cadence Magazine said in it’s review of Compose Yourself “ Bliwas transforms intricate phrases into seamless music , and Shredding Paper said in it’s review of Walk the Bike “ Bliwas walks the line between jazz and folkrock with confidence…producing a dialectic sound that compliments rather than conflicts. His lyrics have been described as profound, cryptic, silly, perceptive and poetic. Hidden tracks on a couple CD’s led one music journalist to proclaim that "Richard Bliwas has a great sense of humor…”
Soon after studying with composer Olivier Messiaen, pianist Joseph Schwartz,and poet David Young at Oberlin College and Conservatory , Richard's early 80's groups with Ben Sher and Ned Goold were incorporating the influences of Miles Davis , Brian Eno , Syd Barrett and The Beatles , in intimate innovative recordings-- and in performances at Pittsburgh's Kool Jazz festival , smokey old jazz clubs where Benson and Eckstine played a few generations earlier or rock/punk clubs like The Electric Banana. The music however, freely crossed genre lines, foreshadowing alternative and contemporary styles.
When he moved to New York in 1984, Richard began an odyssey of gigs--from playing piano for Jacques d'Amboise and the National Dance Institute , to infusing his sensibilities as an improviser into the jazz and pop music he loved everywhere from CBGB's to the 21 Club, to creative structural and line by line editing of Cynthia Kadohata's acclaimed first novel --The Floating World ...
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Jan 7, 2006
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Other links at Keyboard, Piano > piano players: jazz
1. bob alberti
Pianist Bob Alberti's website features sound bites, reviews, activities, bio, etc ...
Category:
Pianist Joanne Brackeen's website features reviews, sound bites, recordings, diary,
biography.
The capacity audience is mesmerized by the tall, slim, elegant, vivacious lady seated at and in command of the 9' grand piano. Who is this mysterious legend, known as "the Picasso of Jazz Piano?" Who is this "lady of the sea," whose domains are always "water side"?
She is none other than JoAnne Brackeen, described as "a visionary of extraordinary depth" by Tony Bennett, and "a pianist-composer of phenomenal capacity" by the late Bill Evans. Brackeen is consistently ranked by critics and jazz magazines as one of the best jazz pianists in the world, along with Keith Jarrett, McCoy Tyner, and Chick Corea. Her writing is remarkable for its creativity, stylistic range, emotional depth, and whimsical spirit. Her storied career does indeed invite parallels to Picasso; like the great visual artist, she has consistently defied convention, remaking herself and her art many times over. Her playing is virtuosic and wholly unpredictable, dense and richly detailed, rhythmically advanced and consistently, effortlessly swinging. "Outrageous," "charming," "classic," "awesome" and "phenomenal" are just some of the oft-repeated adjectives chosen by critics and fans to describe JoAnne's music.
Born in the coastal city of Ventura, California, this jazz giant came from humble beginnings, in a jazz-less town of 17,000. She began to learn jazz, at age eleven, by transcribing entire piano solos from recordings. By the age of twelve, she was busy performing. After moving to the Los Angeles area, and still in her teens, Brackeen had already met and played with Scott LaFaro, Charlie Haden, Don Cherry, Billy Higgins, Charles Lloyd, Bobby Hutcherson, Dexter Gordon, and Art Farmer ...
biography.
The capacity audience is mesmerized by the tall, slim, elegant, vivacious lady seated at and in command of the 9' grand piano. Who is this mysterious legend, known as "the Picasso of Jazz Piano?" Who is this "lady of the sea," whose domains are always "water side"?
She is none other than JoAnne Brackeen, described as "a visionary of extraordinary depth" by Tony Bennett, and "a pianist-composer of phenomenal capacity" by the late Bill Evans. Brackeen is consistently ranked by critics and jazz magazines as one of the best jazz pianists in the world, along with Keith Jarrett, McCoy Tyner, and Chick Corea. Her writing is remarkable for its creativity, stylistic range, emotional depth, and whimsical spirit. Her storied career does indeed invite parallels to Picasso; like the great visual artist, she has consistently defied convention, remaking herself and her art many times over. Her playing is virtuosic and wholly unpredictable, dense and richly detailed, rhythmically advanced and consistently, effortlessly swinging. "Outrageous," "charming," "classic," "awesome" and "phenomenal" are just some of the oft-repeated adjectives chosen by critics and fans to describe JoAnne's music.
Born in the coastal city of Ventura, California, this jazz giant came from humble beginnings, in a jazz-less town of 17,000. She began to learn jazz, at age eleven, by transcribing entire piano solos from recordings. By the age of twelve, she was busy performing. After moving to the Los Angeles area, and still in her teens, Brackeen had already met and played with Scott LaFaro, Charlie Haden, Don Cherry, Billy Higgins, Charles Lloyd, Bobby Hutcherson, Dexter Gordon, and Art Farmer ...
Category:
Richard Bliwas:
The pianist has been compared to Joni Mitchell , Laura Nyro, Miles Davis , Randy Newman , The Beatles, Van Dyke Parks, Brian Wilson and Sun Ra-- but as All About Jazz said in it’s review of Rising Rose Records 2004 chart-haunting release Ghost “ His writing is unmistakably original …. Cadence Magazine said in it’s review of Compose Yourself “ Bliwas transforms intricate phrases into seamless music , and Shredding Paper said in it’s review of Walk the Bike “ Bliwas walks the line between jazz and folkrock with confidence…producing a dialectic sound that compliments rather than conflicts. His lyrics have been described as profound, cryptic, silly, perceptive and poetic. Hidden tracks on a couple CD’s led one music journalist to proclaim that "Richard Bliwas has a great sense of humor…”
Soon after studying with composer Olivier Messiaen, pianist Joseph Schwartz,and poet David Young at Oberlin College and Conservatory , Richard's early 80's groups with Ben Sher and Ned Goold were incorporating the influences of Miles Davis , Brian Eno , Syd Barrett and The Beatles , in intimate innovative recordings-- and in performances at Pittsburgh's Kool Jazz festival , smokey old jazz clubs where Benson and Eckstine played a few generations earlier or rock/punk clubs like The Electric Banana. The music however, freely crossed genre lines, foreshadowing alternative and contemporary styles.
When he moved to New York in 1984, Richard began an odyssey of gigs--from playing piano for Jacques d'Amboise and the National Dance Institute , to infusing his sensibilities as an improviser into the jazz and pop music he loved everywhere from CBGB's to the 21 Club, to creative structural and line by line editing of Cynthia Kadohata's acclaimed first novel --The Floating World ...
The pianist has been compared to Joni Mitchell , Laura Nyro, Miles Davis , Randy Newman , The Beatles, Van Dyke Parks, Brian Wilson and Sun Ra-- but as All About Jazz said in it’s review of Rising Rose Records 2004 chart-haunting release Ghost “ His writing is unmistakably original …. Cadence Magazine said in it’s review of Compose Yourself “ Bliwas transforms intricate phrases into seamless music , and Shredding Paper said in it’s review of Walk the Bike “ Bliwas walks the line between jazz and folkrock with confidence…producing a dialectic sound that compliments rather than conflicts. His lyrics have been described as profound, cryptic, silly, perceptive and poetic. Hidden tracks on a couple CD’s led one music journalist to proclaim that "Richard Bliwas has a great sense of humor…”
Soon after studying with composer Olivier Messiaen, pianist Joseph Schwartz,and poet David Young at Oberlin College and Conservatory , Richard's early 80's groups with Ben Sher and Ned Goold were incorporating the influences of Miles Davis , Brian Eno , Syd Barrett and The Beatles , in intimate innovative recordings-- and in performances at Pittsburgh's Kool Jazz festival , smokey old jazz clubs where Benson and Eckstine played a few generations earlier or rock/punk clubs like The Electric Banana. The music however, freely crossed genre lines, foreshadowing alternative and contemporary styles.
When he moved to New York in 1984, Richard began an odyssey of gigs--from playing piano for Jacques d'Amboise and the National Dance Institute , to infusing his sensibilities as an improviser into the jazz and pop music he loved everywhere from CBGB's to the 21 Club, to creative structural and line by line editing of Cynthia Kadohata's acclaimed first novel --The Floating World ...
Category:
4. peggy stern
Pianist Peggy Stern's website features biography, activities, recordings sound bites, newsletter, etc.
Peggy Stern is as well-known as a composer as she is known for her fine piano playing. She arrived at jazz via classical music, R&B, and salsa. Her music has a particularly broad ethnic base -- in addition to European and American classical music, Peggy's music draws from Brazilian, African, Jewish, Irish, Cuban, and traditional jazz influences. Eclectic indeed!
Peggy has composed, played, recorded, and toured in a wide variety of situations: from solos to octets to jazz choruses. Her compositions range from highly original pieces to reharmonized jazz standards. "Everything she writes wants to dance, " says Ken Dais of Jazziz.
Peggy's background would account for her varied musical tastes. She began playing Classical piano at an early age, continuing her studies at the Eastman School of Music, and finishing a Masters Degree, still in Classical music, at the New England Conservatory. And then she began to improvise. While living in San Francisco, she played in salsa bands, notably Azteca and Supercombo with Benny Vallarde. She did a stint in an R&B band (called Cat's Cradle) with singer Linda Tillery, and was "instructed" by Paul Jackson (bass) and Mike Clark (drums) of Herbie Hancock's Headhunter band ...
Peggy Stern is as well-known as a composer as she is known for her fine piano playing. She arrived at jazz via classical music, R&B, and salsa. Her music has a particularly broad ethnic base -- in addition to European and American classical music, Peggy's music draws from Brazilian, African, Jewish, Irish, Cuban, and traditional jazz influences. Eclectic indeed!
Peggy has composed, played, recorded, and toured in a wide variety of situations: from solos to octets to jazz choruses. Her compositions range from highly original pieces to reharmonized jazz standards. "Everything she writes wants to dance, " says Ken Dais of Jazziz.
Peggy's background would account for her varied musical tastes. She began playing Classical piano at an early age, continuing her studies at the Eastman School of Music, and finishing a Masters Degree, still in Classical music, at the New England Conservatory. And then she began to improvise. While living in San Francisco, she played in salsa bands, notably Azteca and Supercombo with Benny Vallarde. She did a stint in an R&B band (called Cat's Cradle) with singer Linda Tillery, and was "instructed" by Paul Jackson (bass) and Mike Clark (drums) of Herbie Hancock's Headhunter band ...
Category:
5. mark levine
Pianist Mark Levine's website features biography, discography, sound bites, books, itinerary, reviews, etc.
Mark began playing jazz as a teenager in Daytona Beach, Florida. Continuing his education in Boston and New York, Mark studied with Hall Overton, Herb Pomeroy and Jaki Byard, before moving to California in 1966.
A key phase in Mark's education was a year spent in Woody Shaw's quartet. "Every night was serious school," says Mark.
Mark spent significant time working with Joe Henderson, Blue Mitchell, David Liebman and Harold Land, composing all the while. Joe recorded two of Mark's tunes on "Canyon Lady," the late tenor giant's only Latin jazz album. Mark returned the favor by playing two of Joe's classic compositions, "Inner Urge," and "A Shade Of Jade," on his 2000 release, "Serengeti."
His interest in Latin jazz led to work with Mongo Santamaria, Willie Bobo, Moacir Santos, Francisco Aguabella, Pete Escovedo, and Cal Tjader (including Cal's Grammy-winning Concord Jazz recording "La Onda Va Bien").
Mark has continued to pursue the Latin side of his craft, attending Centro Nacional de Escuela de Arte in Havana, Cuba in 1997 ...
Mark began playing jazz as a teenager in Daytona Beach, Florida. Continuing his education in Boston and New York, Mark studied with Hall Overton, Herb Pomeroy and Jaki Byard, before moving to California in 1966.
A key phase in Mark's education was a year spent in Woody Shaw's quartet. "Every night was serious school," says Mark.
Mark spent significant time working with Joe Henderson, Blue Mitchell, David Liebman and Harold Land, composing all the while. Joe recorded two of Mark's tunes on "Canyon Lady," the late tenor giant's only Latin jazz album. Mark returned the favor by playing two of Joe's classic compositions, "Inner Urge," and "A Shade Of Jade," on his 2000 release, "Serengeti."
His interest in Latin jazz led to work with Mongo Santamaria, Willie Bobo, Moacir Santos, Francisco Aguabella, Pete Escovedo, and Cal Tjader (including Cal's Grammy-winning Concord Jazz recording "La Onda Va Bien").
Mark has continued to pursue the Latin side of his craft, attending Centro Nacional de Escuela de Arte in Havana, Cuba in 1997 ...
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