Slide guitarist and composer Carl Weingarten home page.
Carl Weingarten is a composer, producer and slide guitarist. A pioneer on the independent music scene since the early 1980s, Carl’s label Multiphase Records has released a catalog of highly regarded solo and collaborative CDs. Exciting, diverse and unique, Carl’s music is rooted in Americana, with a blend of American and World Music styles. A musician with a filmmaker's ear, his sound has been described as evocative and cinematic ...
Johnny Hiland:
"I think Johnny Hiland is the most versatile guitar player I've ever heard. From Bill Monroe to Eddie Van Halen, he can play it all." - RICKY SKAGGS
If you tried, you couldn't make up a story this good: legally blind kid grows up in a trailer home in rural Maine. A guitar prodigy, he tours with the family band starting at age 8, wins local and regional competitions, moves to Nashville, ends up dropping jaws all over town, doing sessions with Ricky Skaggs, Toby Keith, Randy Travis, Janie Fricke and many more, and gets signed by Steve Vai when his manager leaves a demo snippet on Steve's voicemail box.
But indeed, this is true the story of Johnny Hiland, who will make his solo debut on August 10 with his self-titled album on Vai's Favored Nations label. Hiland, who was born with nystagmus, a condition of involuntary eye movement, grew up in Woodland, Maine and was known as the "blind boy." According to Johnny, "my dad was determined to not hold me back from anything I wanted to do. He had been a dirt bike racer when he was younger, so I had all kinds of bicycles and snowmobiles and a little Suzuki JR50 that I rode. My mom was worried sick, but Dad would say, 'Look, just don't kill yourself. And those kids who say you'll never drive a truck? Baloney. We live on a woods road, we've got a '74 SuperCab, so let's get in and go for a ride.' And he let me drive. I had a ball, but Mom just about had a fit" ...
Dennis Nattrass, Wah Wah Willie and the Wakahoochie Wanderers:
Wah Wah Willie is the brainchild of Australian composer/guitarist/surfer Dennis Nattrass.
After years of adding superlative musicianship to feature film, Wah Wah has emerged with "Cinema", an expertly produced and passionate debut release full of fantastic guitar and steel playing, great songs and deeply felt lyrics.
The album is available now through Windsong Records.
A brief history of film soundtracks, session work and other recordings follows.
Offical website for guitarist Nels Cline:
This is what is generally termed THE OFFICIAL WEBSITE. Welcome! Yours truly, Nels Cline, is best known as a guitarist, is sometimes known to have penned a composition or two, and is often known for largely improvised forays into sound, melody, and rhythm. I was born in Los Angeles, CA in 1956. I have a twin brother named Alex who is also a musician (and a damned fine one at that!). After a long run of mostly obscure activities in the U.S. and Europe (see the Discography Dept. for added clues and/or insights), I have landed in a rather notable ROCK band called WILCO. This occurred in Spring of 2004, and it is a real pleasure, let me tell you. I'm still doing a lot of other music when time allows, and this site is the place to find out about all of that. My working band that plays my own type of instrumental music is called THE NELS CLINE SINGERS. As it is the nature of so-called "jazz" and freely improvised musics, I am often found collaborating with a large and sometimes unpredictable pool of musicians from all over the place. Don't get confused, this is fun! Check it out...
Some of the artists I collaborate with and/or work for may be familiar to you. Many of them will not be. Lately I've been working with quite a few so-called singer-songwriters - a strange, unplanned pleasure! But most often you can find me playing for between 10 and 100 or so folks in a gallery, old theater, or dingy nightclub playing with odd and often magically gifted instrumentalists. Some of these sounds have - often erroneously - been labeled "jazz", though at times that term seems accurate. I come from a musical twilight zone in which world communication/awareness and cultural boundaries were expanded, altered, exploded. Like many people who were affected by the revolutionary atmosphere of the late Sixties and early Seventies, I remember what change could feel like, what kind of pure magic sound can create. Hell, I believe in the transcendent properties of art, in its ability to affect one's life in a profound way. And, as I've previously stated here, I still - after over 30 years of guitarcentric creative endeavors - derive a near-moronic pleasure from playing the various musics I play ...
Techtalk:
"Pedal Board Spiel (2005)"
OK, people. You all seem fixated, I dare say HYPNOTIZED, by all my damn effects boxes. So here you go: all about my NEW PEDAL BOARD, being used with Wilco and anything else I can find to drag all 75 pounds of it (including swanky road case) to! I confess that it is a bit irritating to me that people seem so fixated on HOW MANY pedals I have. This is because there seems to be something double-edged about it: a kind of fascination mixed with feelings of skepticism and/or disgust, as though it's somehow amazing that I can keep track of it all and at the same time I must be some kind of charlatan to NEED so many pedals! Well, what can I say? I didn't always use them (for quite a while I played mostly acoustic guitar), but I seem to have an aptitude for using them, and I think they're a lot of fun! Seriously, there is way too much emphasis placed on gear in general (read the rest of this column if you haven't already for further amplification of this point), and effects pedals are just another tool, another way to get color into one's life. With Wilco, I have been using more distortion devices than ever (fuzz, overdrive, distortion - sticklers!). This is because I enjoy tailoring my sound very specifically for certain songs. And as I said previously, you can't own too many fuzzboxes in my book! We are living in a time of vast choices in this area - boutique items galore. It wasn't always like this. The 80s were a dark time for a young person looking to get that nasal fuzz sound evident on songs like "Psychotic Reaction" or "Pushin' Too Hard". Everything was all creamy, soaring... Dare I say it, MIDI-controlled, pre-fab hell! At least for me... So take a look at this bunch of colorful crap. It breaks down into 2 areas: the BOARD, and what I call my SCIENCE PROJECT, which is a bunch more stuff elevated on a road case to my right ...
John Fogerty has been rocking and stomping his way across select cities in Australia for the first time since 1998, showing excited audiences and press there why he remains one of THE most dynamic and important figures in American music. Fogerty is on a one-month tour "down under", in support of his recently released and acclaimed career retrospective THE LONG ROAD HOME (Fantasy). Fogerty played an amazing sold-out show at Brisbane's Entertainment Centre, followed by two memorable sold-out nights at the famed Sydney Opera House. Even a few kangaroos have gotten in on the act, showing up at one of his outdoor shows! ...