Anamark:
VST-Synthesizer for Windows:
Discover new soundscapes and a flexible variety of possibilities, you won't find somewhere else!
The 415 factory presets provide a wide basis of sounds for the most different kinds of electronic music:
- Real sounding instruments (e.g. accordion, strings, organs, electronic guitars)
- Pads (warm-analogue, vocal or spacy) and Drones
- Leads
- Basses (acoustics and electronics)
- Drums and Percussions
- Effects
- Retro-Sounds (z.B. C64)
With that sound-capabilities, AnaMark can also be used as a stand alone synthesizer!
AnaMark supports Micro Tuning Map files, thus you may use whatever tuning you want.
Examples for some of AnaMark's specials
Each of the 3 oscillators may use one of 52 basic waveforms or combine two together, which results in more than 2000 possible waveforms.
The signals of the OSC can be combined in 21 different ways (e.g. normal mixing, ring modulation, FM, XFM, PM...)
For modulations you can use several LFOs (52 waveforms), freeform envelopes, MIDI-events (MIDI control changes, note pitch, velocity) and random generators. Those may be used directly or combined together to modulate almost all parameters.
Feature - Overview
- 415 Factory Presets
- Generates random presets
- Fourfold multitimbral (monotimbral mode available)
- Polyphonic (16 voices) and monophonic
- 52 waveforms
- 3 Modulable OSC with feedback and oversampling
- 21 Types of synthesis (e.g.: additiv, ring modulation, FM, XFM, PM...)
- Modulable waveshaper
- 6 modulable filter types (Lowpasses and Highpasses)
- Additionally a filter-independent resonator
- High-flexible LFO, Envelopes and Combiners
- 10 Effects (Delays/Reverbs, Chorus, Flanger, Phaser, EQ), whereas 2 Effects can be serialized
- HighQuality-Function
- All time-parameters (e.g. modulation speed) can be synchronized to MIDI
- Realtime-Controling (graphically or via MIDI-controllers)
- Support for micro tuning map files.
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MiniMug: A monosynth (can be polyphonic) made mainly for bass and leads.
MiniMug has 3 unison oscillators with Moog filters that can be used in any combination (via volume knobs) with eachother (with up to 8 voices each in 3 selectable waveforms per oscillator) each with their own:
-Portamento control
-ADSR envelope
-Volume control
-LFO that can effect pitch, amp, or filter
-Detune control
-Velocity control
-Bass boost control
-(+/-2) Octave control
-Moog filter
-Choice between monophonic, legato, or polyphonic (with on/off retriggering)
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This document introduces cesSynth1, a VST2 plugin which models a flexible analogue synthesiser. The synth is a dual oscillator design, incorporating a fourth order resonant low pass filter. The model features:
Polyphonic - up to 32 notes can be played, with a polyphony limiting control
Dual oscillators, with selectable octaves
Three oscillator waveforms (variable pulse, variable saw and triangle), which can be combined to produce complex composite waveforms for each oscillator.
Three modulation sources (LFO, and two complex envelope generators).
Fourth order resonant low pass filter.
The following controls can be modulated - frequency of each oscillator, VCA for each oscillator, VCF cutoff frequency.
A custom GUI
Monophonic, polyphonic and Arpeggio operating modes.
The frequency of each oscillator is based on the fundamental of the note played, and the status of the pitch bend wheel. This base frequency can be modulated by the modulation sources, and Oscillator 2 can also be modified by a constant offset. The modulation sources will be described later. Each oscillator provides three basic waveforms - pulse, saw and triangle. There is a width control for the pulse and saw waveforms which controls the amount of time spent on the first half of the cycle (positive for pulse, and rising for saw).
The width control can therefore vary the saw waveform from a falling saw (0%) through a triangle (50%) to a rising saw (100%). The waveform of each oscillator can be built from a combination of the three basic shapes, with variable amounts of each waveform. The GUI provides visual feedback of the resulting waveform shape.
Having been amplitude modulated, the combined output of the two oscillators is fed to the filter stage. The filter is a 4 pole low pass design, with resonance ...
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