I was born in Pittsburgh Pa. on December 16 1933. I was lucky enough to grow up in an era when the popular composers of the day were the Gershwins (George and Ira), Cole Porter. Johnny Mercer, Harold Arlen and Rodgers and Hart to name a few.
At around 12 years of age, I started doing singing impressions of Billy Eckstine, Nat Cole, Frankie Lane and Herb Jeffries. George Shearing's music, Jackie Cain and Roy Kral (with Charley Ventura) and the Woody Herman band were big influences.
I studied clarinet for a short while. After picking up a guitar in a store one day, my whole life changed.
My first guitar teacher was Jerry Condorato (from Naples Italy). He was a great teacher and a wonderful friend. He taught what was called 'classical plectrum guitar'. (Wonderful for right hand technique.) His influences were Oscar Moore, Django Reinhardt and Andre Segovia. He was also the first teacher of Ron Affif, my nephew, (a wonderfully gifted guitarist based in New York.)
At 18 I started doing little jobs around Pittsburgh and I used to go on Jerry's jobs and sit in for tip money.
In 1955 I became a member of the '7th Army Jazz Band' in Stuttgart, Germany. Upon returning to my home town, I entered Duquesne University (where I now do guitar workshops) majoring in string bass with a piano minor. A year later I became restless with academia and moved to New York.
In 1962 I joined the George Shearing Quintet for 2 years - (I rejoined the group in 1971.) I learned an awful lot from George, and vibraphonist Gary Burton. It was then I started composing ...
Guitarist Greg Skaff's website features music, cds, bios, electronic press kit.
Twenty years of performing, both internationally and as a regular on the New York jazz scene, has earned jazz guitarist Greg Skaff a reputation as a gifted bandleader and sideman. Skaff's highly versatile playing -- from earth-scorching blues to fluid ballads and virtuosic bebop -- has merited his place alongside such legends as Stanley Turrentine, Gloria Lynne, Ruth Brown, and Freddie Hubbard. His own quartet performs regularly in New York City and around the country, enjoying staunch critical praise.
Carl Verheyen is a major presence on the guitar. A sideman in many groups, including Dan Siegel, Richard Elliott, Robben Ford, Stanley Clarke, Dave Grusin, Little Richard, Joe Farrell, Ronnie Laws, Carl Anderson, Christina Aguilera, Melissa Manchester, Leanne Rimes, Michael Damian, and Eagle Glenn Frey, Tom Wopat and Shelby Lynn, Dolly Parton and Cher. In 1985, Carl became lead guitarist for Supertramp. After those tours, Carl being one of L.A's first call studio guitarists has played on over 200 different television shows including Happy Days, Laverne and Shirley, Cheers, Suddenly Susan”and L.A. Law. Also movie soundtracks like Stand and Deliver, Moscow on the Hudson, L.A. Story, Dusk ‘til Dawn, Mr. Wrong and the soundtrack Oscar winner The Milagro Beanfield Wars.
the offical home page of guitarist/songwriter Leni Stern and her indie label, Leni Stern Recordings (LSR).
Born in Munich, Germany, Leni started playing piano at the age of sixand guitar at eleven. At seventeen, she formed her own acting company. Her radical productions sold out houses across Europe and attracted pressand TV coverage. In 1977, she turned her attention to music and left forthe United States to study film scoring at the Berklee College of Musicin Boston. Film scoring gave way to her love for guitar and in 1981, Lenimoved to New York City to play in a variety of rock and jazz bands. In1983, she formed a group of her own with Paul Motion on drums and BillFrisell on guitar. Leni’s 1985 “Clairvoyant” was her first solo instrumentalrecording. Eight albums and 12 years later, in 1997, she released “BlackGuitar,” her first vocal full-length release ...
New Jersey-born Wayne Wesley Johnson was inspired as a boy by Les Paul, Chet Atkins, Duane Eddy, Nokie Edwards and The Ventures, Django Reinhardt, Charlie Christian, Wes Montgomery and later by George Benson, Pat Martino, and Earl Klugh. Wayne took up guitar when he was nine and was groomed primarily as a jazz style flatpicking guitarist, having studied with Sandy DeVito, Gary Keller, Eddie Berg, and Vic Cenicola. He also studied classical technique with Carol Hammersma, and flamenco techniques with Ruben and Miguel Romero ...