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rorke
Description
Data Storage Solutions, SAN-Storage area networks by Rorke Data.RAID, SAN, Fibre Channel, AIT Tape and Digital Asset Management for the Digital Video & Audio, PrePress, and Medical Imaging Industries.rorke data, raid, san, fibre channel, max array, ait, dlt, media, hard drive, storage, av, audio/video, video, medical, digital imaging, pre press, pagecomposer, tiff/it eyes, rack n roll, library
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Jan 27, 2005
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431
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1. Rycote
Rycote Microphone Windshields Ltd is a manufacturer of accessories for both professional & consumer broadcast microphones and camcorder mounted microphones.
Rycote has been manufacturing microphone windshield systems for more than thirty years and, over that period, has built a reputation of being the industry standard in professional audio windshielding and shockmounting systems. We have recently been honoured with a Technical Achievement Award by the Academy of Motion Picture Arts and Sciences for the design and development of our Modular System.
We design, develop and manufacture all our products at our factory in Stroud, England and we are continually striving to provide the industry with the most effective microphone windshield and shockmount systems available.
We are supported by a knowledgeable, global distribution network and take great pride in the quality of service that we provide. Rycote products are designed to accommodate most leading microphone brands including AKG, Audio Technica, Beyer, Neumann, Pearl, Sanken, Schoeps, Sennheiser, Shure and Sony.
Our products include microphone shockmounts, suspensions, windshields (aka: windscreens) and the popular Softie range.
Rycote has been manufacturing microphone windshield systems for more than thirty years and, over that period, has built a reputation of being the industry standard in professional audio windshielding and shockmounting systems. We have recently been honoured with a Technical Achievement Award by the Academy of Motion Picture Arts and Sciences for the design and development of our Modular System.
We design, develop and manufacture all our products at our factory in Stroud, England and we are continually striving to provide the industry with the most effective microphone windshield and shockmount systems available.
We are supported by a knowledgeable, global distribution network and take great pride in the quality of service that we provide. Rycote products are designed to accommodate most leading microphone brands including AKG, Audio Technica, Beyer, Neumann, Pearl, Sanken, Schoeps, Sennheiser, Shure and Sony.
Our products include microphone shockmounts, suspensions, windshields (aka: windscreens) and the popular Softie range.
Category:
Welcome to the official site of Sydec Audio Engineering. We develop and market the Soundscape range of digital audio equipment and software. The Soundscape product line is known for its legendary reliability and unrivalled degree of user satisfaction.
Sydec Audio Engineering - Leading manufacturer of professional Digital Audio Workstations.
sydec, soundscape, mixtreme, mixpander, red, adat, sshdr1, daw, pc, windows, digital, audio, workstation, ss8io, analog, adr, foley, project, studio, broadcast, edl, spdif, aes, ebu, midi, sequencer, mtc, smpte, avi, cd, master
Sydec Audio Engineering - Leading manufacturer of professional Digital Audio Workstations.
sydec, soundscape, mixtreme, mixpander, red, adat, sshdr1, daw, pc, windows, digital, audio, workstation, ss8io, analog, adr, foley, project, studio, broadcast, edl, spdif, aes, ebu, midi, sequencer, mtc, smpte, avi, cd, master
Category:
Audio Design Recording: analog to digital converters, sr converters, broadcast limiter, ...
Proaudio equipment manufacturers, digital audio products, digital mixer manufacturers, professional audio, sound processing equipenment manufacture, Broadcast IT Networking, Broadcast network systems.
Proaudio, broadcast equipment, Iriver, H140, H340, Marantz, pmd660, fostex, RTW, Prodys DIP, MiniDisc, MD Organiser Digital audio, proaudio, digimate, propak, Audiomate, Codecs, a/d converters, d/a converters, digital mixers, sample rate converters, analogue interface, sound equipement, probox, digimate, probox, professional audio, RTW, Digital audio meters, Meters, Bargraph meters, DIP, Prodys, Pronto, Kronos, E1, T1, codec, Audio codec, ISDN, AES, EBU, Broadcast, IT, Networking, optical converters, Reference generators, Probox, Digimate, Vocal Stressor, Compex, Broadcast IT
Proaudio equipment manufacturers, digital audio products, digital mixer manufacturers, professional audio, sound processing equipenment manufacture, Broadcast IT Networking, Broadcast network systems.
Proaudio, broadcast equipment, Iriver, H140, H340, Marantz, pmd660, fostex, RTW, Prodys DIP, MiniDisc, MD Organiser Digital audio, proaudio, digimate, propak, Audiomate, Codecs, a/d converters, d/a converters, digital mixers, sample rate converters, analogue interface, sound equipement, probox, digimate, probox, professional audio, RTW, Digital audio meters, Meters, Bargraph meters, DIP, Prodys, Pronto, Kronos, E1, T1, codec, Audio codec, ISDN, AES, EBU, Broadcast, IT, Networking, optical converters, Reference generators, Probox, Digimate, Vocal Stressor, Compex, Broadcast IT
Category:
4. Soundfield
Soundfield: In 1933, British scientist Alan Blumlein was issued a patent that stands today as a landmark in the development of stereophonic recording and reproduction. Among its numerous declarations, it defined the basis for all coincident microphone techniques, including the Mid/Side and crossed bidirectional configurations. (The latter, in fact, is commonly referred to as a “Blumlein Stereo” pair.) In the 1970s, British mathematicians Michael Gerzon, Peter Craven and colleagues expanded upon the stereo concepts pioneered by Blumlein to develop the concept of a microphone system that could reproduce a full three-dimensional soundfield. Both Blumlein and Gerzon realised that only when a soundwave is captured at a single point in space can it be reproduced faithfully and without the phase distortion anomalies inherent in spaced microphone techniques ...
Today, the SoundField range enjoys a reputation as the ultimate microphones for recording both stereophonic and the new developing multichannel surround formats. These unique microphones employ a patented tetrahedral array of closely spaced and time compensated subcardioid capsules to capture the complete three-dimensional soundfield at a single point in space. This single point source pick-up principle avoids all of the time - or phase-related anomalies generated by spaced microphone arrays. Thus, surround recordings made with SoundField microphones can be collapsed to stereo - or stereo recordings to mono - without the phase problems that result in “comb-filtering” (phase cancellation) distortions. Furthermore, a single point source system is the only one that allows a truly phase coherent sub-channel to be derived. Spaced microphone arrays are unable to be reduced without introducing significant phase errors unless some of the microphone signals are discarded, which consequently results in loss of essential audio information.
Today, the SoundField range enjoys a reputation as the ultimate microphones for recording both stereophonic and the new developing multichannel surround formats. These unique microphones employ a patented tetrahedral array of closely spaced and time compensated subcardioid capsules to capture the complete three-dimensional soundfield at a single point in space. This single point source pick-up principle avoids all of the time - or phase-related anomalies generated by spaced microphone arrays. Thus, surround recordings made with SoundField microphones can be collapsed to stereo - or stereo recordings to mono - without the phase problems that result in “comb-filtering” (phase cancellation) distortions. Furthermore, a single point source system is the only one that allows a truly phase coherent sub-channel to be derived. Spaced microphone arrays are unable to be reduced without introducing significant phase errors unless some of the microphone signals are discarded, which consequently results in loss of essential audio information.
Category:
Situated at Burnley, England, AMS Neve could be called the last bastion of pioneering high performance audio technology in the 21st Century.
Here AMS Neve continues to cherish the proud tradition of handcrafted excellence, passed down over generations. Over a hundred specialists ply their trade at Neve; analogue designer alongside software specialists, digital electronics experts alongside audio purists. All are world-class craftspeople whose sole purpose is the realisation of the personal vision of the individual AMS Neve customer.
With AMS Neve’s scope nearly as wide as its customers’ imaginations, its little wonder that an Neve owner once exclaimed that it was ‘like having your own private audio manufacturing company’.
88d, 88rs, audiofile sc/x, dfc ps/1, mmc 300, audiofiue sc/x, cinefile, libra live II/g, 1073,1081, 1081r, 1084, 33609, 88 series, 8801, 8803, 8804, 8816, 1073dpa, 1073dpd, 8051
Here AMS Neve continues to cherish the proud tradition of handcrafted excellence, passed down over generations. Over a hundred specialists ply their trade at Neve; analogue designer alongside software specialists, digital electronics experts alongside audio purists. All are world-class craftspeople whose sole purpose is the realisation of the personal vision of the individual AMS Neve customer.
With AMS Neve’s scope nearly as wide as its customers’ imaginations, its little wonder that an Neve owner once exclaimed that it was ‘like having your own private audio manufacturing company’.
88d, 88rs, audiofile sc/x, dfc ps/1, mmc 300, audiofiue sc/x, cinefile, libra live II/g, 1073,1081, 1081r, 1084, 33609, 88 series, 8801, 8803, 8804, 8816, 1073dpa, 1073dpd, 8051
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