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rs guitars
Description
RS Guitars is the result of a life long admiration of the Red Special guitar. This in conjunction with the fact that it has been virtually impossible to get an authentic style Red Special guitar, has led us to produce the RS Classic guitar. These guitars are custom built to order, and each will have its own unique character. We strive to produce top quality guitars with the finest available materials, giving you a lifetime to explore their sonic capabilities. So if you have always desired one of these guitars, and lacked the ability or desire to build one yourself, let us build your dream for you. RS Guitars are built using our authentic design specs and our own custom components, such as the custom replica knobs and the knife edge tremolo system.
Custom Brian May Red Special style guitars ...
Custom Brian May Red Special style guitars ...
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Date
Feb 3, 2005
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869
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1. scipio
Stephan Schlemper: Konzertgitarren, Flamencogitarren und Verstärkersysteme für den klassischen Gitarristen. Stephan Schlemper, der führende Experte für hochwertige Konzertgitarren mit Tonabnehmer, bedient Sie persönlich.
Eine Schlemper genießt man das ganze Leben. Wie guter Wein wird sie im Laufe der Jahre immer besser. Da erscheinen Preise von 1.800,- € bis 7.000,- €, auf die vielen Jahre Freude gerechnet, nicht sehr hoch.
In bester Tradition nur mit feinsten Hölzern, Hautleim, Schellack sind diese Instrumente gearbeitet. Alle Verzierungen sind hier von Hand gemacht, es gibt keine Standardware.
Nur zwölf bis 20 Instrumente verlassen die Werkstatt pro Jahr. Frei wählbar sind die Mensur (Länge der schwingenden Saite) von 63 cm bis 66 cm, Halsmaß, Holzarten und die Mechanik. Alle Mechaniken werden in A-Fino Leichtlaufbuchsen gelagert und gehen daher besonders leicht. Das sog. "Propeller-Griffbrett" , natürlich aus Ebenholz, hat einen Kurvenverlauf, der der Saitenschwingung angepaßt ist. Darum ist es leichter spielbar als ein einfach gerades Griffbrett.
Alle Gitarren kann man auch mit Schlemper Verstärker-Systemen bekommen.
Gute Konzertgitarren unterscheiden sich für den Zuhörer im Konzertsaal nicht sehr voneinander. Viel größer ist der Unterschied, den der Gitarrist empfindet, wenn er verschiedene Instrumente in die Hand nimmt. Da ist es wichtig, daß alles stimmt. Wer sich auf einer Gitarre wohl fühlt, der spielt gut. Das richtige finden, ich glaube es gelingt mir ganz gut.
A Schlemper guitar can be enjoyed for a lifetime. It ages like good wine and improves constantly. If you consider all the joy you get from such an instrument over the years, prices of 1500 to 6000 $US don't seem all that much.
There is no off-the-shelf material in my workshop. Everything is traditionally handcrafted from the finest wood and materials, such as hide glue and French polish. All purfling is made by hand.
Only 12 to 20 instruments are completed in my workshop per year because they are tailored to suit each individual guitarist. You can choose between different string scales of 63-66cm, different neck-measures, kinds of wood and different tuning machines. All tuning machines are fitted with my special "A-fino" bushes which have very little friction.
The "ebony fingerboards" , of my guitars are ergonomically curved. The curve is designed to follow the natural vibration of the strings allowing for smooth and effortless playing in all positions of the neck.
All guitars are available with the Schlemper System.
It is difficult for the audience in a concert hall to tell the difference between one good guitar and another. But differences are noticed very much by the guitarist who compares different instruments. Every detail has to be just right, because if you feel comfortable with your instrument your playing will be good. I think I've become quite good at noticing when things are right for a guitarist.
Eine Schlemper genießt man das ganze Leben. Wie guter Wein wird sie im Laufe der Jahre immer besser. Da erscheinen Preise von 1.800,- € bis 7.000,- €, auf die vielen Jahre Freude gerechnet, nicht sehr hoch.
In bester Tradition nur mit feinsten Hölzern, Hautleim, Schellack sind diese Instrumente gearbeitet. Alle Verzierungen sind hier von Hand gemacht, es gibt keine Standardware.
Nur zwölf bis 20 Instrumente verlassen die Werkstatt pro Jahr. Frei wählbar sind die Mensur (Länge der schwingenden Saite) von 63 cm bis 66 cm, Halsmaß, Holzarten und die Mechanik. Alle Mechaniken werden in A-Fino Leichtlaufbuchsen gelagert und gehen daher besonders leicht. Das sog. "Propeller-Griffbrett" , natürlich aus Ebenholz, hat einen Kurvenverlauf, der der Saitenschwingung angepaßt ist. Darum ist es leichter spielbar als ein einfach gerades Griffbrett.
Alle Gitarren kann man auch mit Schlemper Verstärker-Systemen bekommen.
Gute Konzertgitarren unterscheiden sich für den Zuhörer im Konzertsaal nicht sehr voneinander. Viel größer ist der Unterschied, den der Gitarrist empfindet, wenn er verschiedene Instrumente in die Hand nimmt. Da ist es wichtig, daß alles stimmt. Wer sich auf einer Gitarre wohl fühlt, der spielt gut. Das richtige finden, ich glaube es gelingt mir ganz gut.
A Schlemper guitar can be enjoyed for a lifetime. It ages like good wine and improves constantly. If you consider all the joy you get from such an instrument over the years, prices of 1500 to 6000 $US don't seem all that much.
There is no off-the-shelf material in my workshop. Everything is traditionally handcrafted from the finest wood and materials, such as hide glue and French polish. All purfling is made by hand.
Only 12 to 20 instruments are completed in my workshop per year because they are tailored to suit each individual guitarist. You can choose between different string scales of 63-66cm, different neck-measures, kinds of wood and different tuning machines. All tuning machines are fitted with my special "A-fino" bushes which have very little friction.
The "ebony fingerboards" , of my guitars are ergonomically curved. The curve is designed to follow the natural vibration of the strings allowing for smooth and effortless playing in all positions of the neck.
All guitars are available with the Schlemper System.
It is difficult for the audience in a concert hall to tell the difference between one good guitar and another. But differences are noticed very much by the guitarist who compares different instruments. Every detail has to be just right, because if you feel comfortable with your instrument your playing will be good. I think I've become quite good at noticing when things are right for a guitarist.
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For the first time an affordable acoustic classical concert guitar by the guitar maker Jean-Luc JOIE. Alan GARCIA guitarist retailer.concert guitar, affordable, guitar maker, guitar maker jean luc joie, jean luc joie, guitar, acoustic guitar, classical guitar, guitar retailer, instrument, joie's guitar, guitar workshop, guitar shop
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4. sadowsky
hank you for your interest in Sadowsky Guitars. We are very proud of our guitars and basses and hope you will choose to own one in the near future. If you have the opportunity, we invite you to visit our shop in Brooklyn, NY. You will be able to try instruments in our private soundroom, and have all your questions answered.
We try to keep at least one instrument of each type we build in stock at all times. However, if you are traveling any distance to visit us, please call us before coming to be sure we are stocked in the instruments you are considering.
If you are unable to visit us in person, we would be happy to build your instrument to order and ship it to you on 7-day approval. We ship our guitars and basses worldwide and have been extremely successful pleasing our phone order clients. Please call us so that we can discuss your instrument preferences and suggest an instrument we think you will be happy with ...
We try to keep at least one instrument of each type we build in stock at all times. However, if you are traveling any distance to visit us, please call us before coming to be sure we are stocked in the instruments you are considering.
If you are unable to visit us in person, we would be happy to build your instrument to order and ship it to you on 7-day approval. We ship our guitars and basses worldwide and have been extremely successful pleasing our phone order clients. Please call us so that we can discuss your instrument preferences and suggest an instrument we think you will be happy with ...
Category:
Earl S Marsh, classical guitar maker, with respect to Torres, Hauser, Romanillos.
A great deal of consideration has been given to the construction methods and design styles used by Torres, Hauser and Romanillos in the making of my guitars.
Each guitar is individual in its own right yet each imparts the specific character, quality of sound, craftsmanship and ease of playing recognised in all Earl S Marsh guitars.
Only the best in materials selection for guitar construction is acceptable in order to attain all of the qualities expected of a fine concert guitar.
The ingredients used for the mix I suppose can be said to be pretty much the same across a very wide range of guitar makers all over the world. But the guitar with that little extra comes from the maker with good hands, good eyes, good ears and that extra special added ingredient: 'Passion'.
This is what makes Earl S Marsh instruments worthy of the title 'Concert Guitars', and provides for purity and clarity of tone, together with excellent balance and projection.
My preferred choice of wood for the ribs and the backs of my guitars is Indian rosewood but I have used other woods such as English walnut, Myrtle, Jaguar ear, Maple and Arpuda. My preference for the soundboard is the best European spruce. I source this from the Swiss/Italian Alps and only the tightest grained spruce is used for the strutting and bracing. On occasion I also use the best quality Western red cedar with either cedar strutting or spruce strutting ...
A great deal of consideration has been given to the construction methods and design styles used by Torres, Hauser and Romanillos in the making of my guitars.
Each guitar is individual in its own right yet each imparts the specific character, quality of sound, craftsmanship and ease of playing recognised in all Earl S Marsh guitars.
Only the best in materials selection for guitar construction is acceptable in order to attain all of the qualities expected of a fine concert guitar.
The ingredients used for the mix I suppose can be said to be pretty much the same across a very wide range of guitar makers all over the world. But the guitar with that little extra comes from the maker with good hands, good eyes, good ears and that extra special added ingredient: 'Passion'.
This is what makes Earl S Marsh instruments worthy of the title 'Concert Guitars', and provides for purity and clarity of tone, together with excellent balance and projection.
My preferred choice of wood for the ribs and the backs of my guitars is Indian rosewood but I have used other woods such as English walnut, Myrtle, Jaguar ear, Maple and Arpuda. My preference for the soundboard is the best European spruce. I source this from the Swiss/Italian Alps and only the tightest grained spruce is used for the strutting and bracing. On occasion I also use the best quality Western red cedar with either cedar strutting or spruce strutting ...
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