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running dogs guitars
Description
Running Dog Guitars:
My inspiration is drawn from the tradition of American lutherie, respecting the work of the past while progressing into the new century.
Body style, tonal properties, neck profile, and cosmetic appointments are chosen through consultation between you and luthier Rick Davis. One pair of hands then builds your guitar.
Select materials are used throughout. The woods are carefully chosen for your particular instrument, giving consideration to your preferences for tone and aesthetics. Each soundboard is carefully tap-tuned to give full voice to the instrument. Wooden bindings and wood-and-abalone rosettes complement and complete the body, fingerboard, and headstock. Inlays are hand-cut to your specification ...
My inspiration is drawn from the tradition of American lutherie, respecting the work of the past while progressing into the new century.
Body style, tonal properties, neck profile, and cosmetic appointments are chosen through consultation between you and luthier Rick Davis. One pair of hands then builds your guitar.
Select materials are used throughout. The woods are carefully chosen for your particular instrument, giving consideration to your preferences for tone and aesthetics. Each soundboard is carefully tap-tuned to give full voice to the instrument. Wooden bindings and wood-and-abalone rosettes complement and complete the body, fingerboard, and headstock. Inlays are hand-cut to your specification ...
Date
Jan 22, 2006
Contact name
Email
Link ID
12306
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Earl S Marsh, classical guitar maker, with respect to Torres, Hauser, Romanillos.
A great deal of consideration has been given to the construction methods and design styles used by Torres, Hauser and Romanillos in the making of my guitars.
Each guitar is individual in its own right yet each imparts the specific character, quality of sound, craftsmanship and ease of playing recognised in all Earl S Marsh guitars.
Only the best in materials selection for guitar construction is acceptable in order to attain all of the qualities expected of a fine concert guitar.
The ingredients used for the mix I suppose can be said to be pretty much the same across a very wide range of guitar makers all over the world. But the guitar with that little extra comes from the maker with good hands, good eyes, good ears and that extra special added ingredient: 'Passion'.
This is what makes Earl S Marsh instruments worthy of the title 'Concert Guitars', and provides for purity and clarity of tone, together with excellent balance and projection.
My preferred choice of wood for the ribs and the backs of my guitars is Indian rosewood but I have used other woods such as English walnut, Myrtle, Jaguar ear, Maple and Arpuda. My preference for the soundboard is the best European spruce. I source this from the Swiss/Italian Alps and only the tightest grained spruce is used for the strutting and bracing. On occasion I also use the best quality Western red cedar with either cedar strutting or spruce strutting ...
A great deal of consideration has been given to the construction methods and design styles used by Torres, Hauser and Romanillos in the making of my guitars.
Each guitar is individual in its own right yet each imparts the specific character, quality of sound, craftsmanship and ease of playing recognised in all Earl S Marsh guitars.
Only the best in materials selection for guitar construction is acceptable in order to attain all of the qualities expected of a fine concert guitar.
The ingredients used for the mix I suppose can be said to be pretty much the same across a very wide range of guitar makers all over the world. But the guitar with that little extra comes from the maker with good hands, good eyes, good ears and that extra special added ingredient: 'Passion'.
This is what makes Earl S Marsh instruments worthy of the title 'Concert Guitars', and provides for purity and clarity of tone, together with excellent balance and projection.
My preferred choice of wood for the ribs and the backs of my guitars is Indian rosewood but I have used other woods such as English walnut, Myrtle, Jaguar ear, Maple and Arpuda. My preference for the soundboard is the best European spruce. I source this from the Swiss/Italian Alps and only the tightest grained spruce is used for the strutting and bracing. On occasion I also use the best quality Western red cedar with either cedar strutting or spruce strutting ...
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2. deakon roads
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Australian made, Christopher Melville Custom Handmade Acoustic Guitars are instruments of the highest quality and are crafted to the precise requirements of each individual client.
People have often asked what made me start making guitars. The answer that springs to mind is connected to my upbringing. I loved playing the instrument but couldn’t afford a good one. So in 1988 I decided to have a go at making my own. As a child I had pretty much grown up in my Grandfather’s workshop, which was full of all kinds of wonderful and mysterious tools that he used to build or fix all kinds of things. Some people have begun playing an instrument at age 7. Me, I was building things! It was from him that I learned that if you couldn’t afford to buy it, then build it yourself, as he had built nearly every item of machinery in his workshop! I remember spending hours just playing with bits of wood & metal that my grandfather would help me fashion into a boat or plane etc. He was, you could say, my first mentor ...
People have often asked what made me start making guitars. The answer that springs to mind is connected to my upbringing. I loved playing the instrument but couldn’t afford a good one. So in 1988 I decided to have a go at making my own. As a child I had pretty much grown up in my Grandfather’s workshop, which was full of all kinds of wonderful and mysterious tools that he used to build or fix all kinds of things. Some people have begun playing an instrument at age 7. Me, I was building things! It was from him that I learned that if you couldn’t afford to buy it, then build it yourself, as he had built nearly every item of machinery in his workshop! I remember spending hours just playing with bits of wood & metal that my grandfather would help me fashion into a boat or plane etc. He was, you could say, my first mentor ...
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Catalog of stringed instruments designed and handcrafted by Linda Manzer.
I've been making guitars for 30 years.
I love what I do.
The most important thing to me is that the player is inspired by the guitar.
And plays it.
I've been making guitars for 30 years.
I love what I do.
The most important thing to me is that the player is inspired by the guitar.
And plays it.
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Custom rebuilding, refurbishing, and repairs,
Knee lever installs,
Technical support for all makes,
We stock and install all George “L” pickups,
Let us rebuild your old Sho-Bud or other brand to play like new.
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We also have previously owned steels in stock at reasonable prices.
Specializing in repairs, installs, and custom rebuilding for all makes.
Here at Simmons Pedal Steel Guitars, we lean on 40 years of experience and keep up with current technology.
Custom rebuilding, refurbishing, and repairs,
Knee lever installs,
Technical support for all makes,
We stock and install all George “L” pickups,
Let us rebuild your old Sho-Bud or other brand to play like new.
You may wish to convert an older double neck to an SD10 or 12 with pad on bottom neck.
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