SBleepo2 is a VST simulation of the hardware-based Death Synth. It has its own sequencer, two oscillators, and about 15 combination metrics to join them. Oscillator A can be a live input or a square / saw, Oscillator B can be a square or saw. You can change pulse width, the frequency multiplier, the oscillator sync amount, and portamento. You can change the length of each sequencer, or how long they ring out for. You can adjust the volume of the entire mess (thank heavens!) You can set the number of measures before it "returns to 0." You can set the BPM.
There is also something called "Arpeggimonics," which might be a bit hard to explain. You can turn that off if you don't like it.
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The Hands Of Darkness: "Clenched" represents an innovative and highly esoteric concept culminated into tangible VST form. The idea? A software synthesizer for but one purpose, to create dark, unsettling, and intentionally malfunctioning-sounding textures. The Hands Of Darkness - "Clenched" is ideal if you're a noise artist, a soundtrack producer for horror films/games, an ambient/industrial/experimental music purveyor, or simply an aural marauding hobbiest looking for something completely different.
The Hands Of Darkness - "Clenched" is at heart a synthesizer consisting of three layered oscillators called Hands using abstract mathematics to form their wavetables. These Hands layers emit idiosyncratic tones which are sequentially molested by an entourage of onboard FX into menacing sounds. Using a series of dry/wet controls and numerous volume sliders, these Hands ultimately combine into one final synergy of delightful corruption. Create subtle warbly puddles of mercury, harsh abrasive fields of rust, or robotic cascades of binary dementia; ghostly drones or even morphing dissonant cavalcades. There is no end to the variety and insanity of The Hands Of Darkness - "Clenched".
Super Spook Keys: Designed to re-create the sound of a 'Theramin' and offering control either using a MIDI keyboard or using the mouse to drag the glowing spot across the 'chart' for more authentic 'Theramin' style play. ‘Super Spook Keys’ goes much further than the original ‘Spook Keys’ and includes the following features:
sine, sawtooth, triangle and pulse waves, plus simple wave shaping
variable key in and out response
humanising ‘vary’ control
variable LFO for vibrato and tremolo
pan, chorus (detuning), stereo spread and glide controls
addition of filtered noise to add a bit of grime
adjustable frequency range on main control
midi CC60 and CC61 for x and y on main control respectively
spring on or off function
new ‘gourmet’ interface design
filtered, ping-pong, stereo delay.
S A T Y R V A s y n t h:
Satyr is a massive Virtual Analog synth with comprehensive oscillator
waveshaping and modulation methods. It is inspired by the monster
modular synths of old and even though it is hardwired there are plenty
of different modulation possibilities. There are two oscillators with
variable waves, an additional sub osc and noise generator, ring modulation,
FM, amplitude modulation and sync, three ADSR time/level envelopes
(2 assignable) with delays and manual triggering, two variable lfos
with sample & hold and two filters. There is an internal clock for
BPM synced Lfos and sixteen different modulation destinations. There
are two filters, one 4-pole lowpass and one 2-pole multimode and they
can be in parallel or serial mode, among others. So as you can see
there is pretty much going on inside Satyr.
There are two versions of Satyr available: normal Satyr that is
4-note polyphonic and Satyr-8 that is 8-note polyphonic.
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