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spektrall
Description
Spektrall: spektrall to plugin efektowy zaprojektowany do uzyskiwania nietypowej modulacji sygnału. powstał z inspiracji znanym efektem firmy native instruments. nie oferuje mozliwości oryginału, ale pozwala na całkiem interesującą manipulację dźwiękiem. sygnał jest filtrowany i dzielony na 8 niezależnych pasm. każde z nich przepuszczane jest następnie przez delay. mozliwe jest regulowanie opóźnienia poszczególnych pasm, sprzeżenia zwrotnego i rezonansu filtrów.
najciekawsze efekty powstają z przetworzenia brzmień perkusyjnych /loopy/ , suchych, rytmicznych i mało zmodyfikowanych fragmentów. interesujace rzeczy dzieją sie także z głosem. W sumie poza brzmieniami 'eksperymentalnymi' można traktować spektrall'a jako udziwniony flanger/chorus, phaser, metalizer, rezonator itd. przeznaczony jest zasadniczo dla twórców "poszukujących" i wielbicieli pokrętnych dźwięków. 16 wbudownych presetów obrazuje różne możliwe kierunki wykorzystania tej wtyczki.
free vst plugin, pc
Tymek Borowski - muzyka, eksperyment, technologia.
najciekawsze efekty powstają z przetworzenia brzmień perkusyjnych /loopy/ , suchych, rytmicznych i mało zmodyfikowanych fragmentów. interesujace rzeczy dzieją sie także z głosem. W sumie poza brzmieniami 'eksperymentalnymi' można traktować spektrall'a jako udziwniony flanger/chorus, phaser, metalizer, rezonator itd. przeznaczony jest zasadniczo dla twórców "poszukujących" i wielbicieli pokrętnych dźwięków. 16 wbudownych presetów obrazuje różne możliwe kierunki wykorzystania tej wtyczki.
free vst plugin, pc
Tymek Borowski - muzyka, eksperyment, technologia.
Category
Keywords
Date
Jan 16, 2007
Contact name
Email
Link ID
17140
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16 In 8 Out Crossfade (Modular):
16 In 8 Out Crossfade is a crossfade effect to be used in modular environments such as EnergyXT. Theres 16 inputs and 8 outputs so each 2 inputs is a crossfade and theres no need to automate anything. This crossfade effect is great for live performances when using an effect on every 2nd channel so you can fade the effects in when they are needed.
16 In 8 Out Crossfade Features
Simple to use
The inputs can also be used as a volume faders
Speed controls can be automated
Great for live performances
free vst plugin, pc.
Atom Splitter Audio - Audio Synths And Effects
16 In 8 Out Crossfade is a crossfade effect to be used in modular environments such as EnergyXT. Theres 16 inputs and 8 outputs so each 2 inputs is a crossfade and theres no need to automate anything. This crossfade effect is great for live performances when using an effect on every 2nd channel so you can fade the effects in when they are needed.
16 In 8 Out Crossfade Features
Simple to use
The inputs can also be used as a volume faders
Speed controls can be automated
Great for live performances
free vst plugin, pc.
Atom Splitter Audio - Audio Synths And Effects
Category:
2. Easy#oboe o1
Easy#oboe o1:
Realistic Oboe
ADSR - Vibrato - Tunning
6 voices - 16 Patches
free vst plugin, pc.
Virtual Software Instruments, Synthesizer, VST, Midi, Virtuell Instruments
Realistic Oboe
ADSR - Vibrato - Tunning
6 voices - 16 Patches
free vst plugin, pc.
Virtual Software Instruments, Synthesizer, VST, Midi, Virtuell Instruments
Category:
Wheel of Fortune:
Algorithmic musicsystems as VSTi for Windows(tm) by H.G. Fortune.
- 128 patches including 32 by Tim Conrardy
- Instant transposition via keyboard.
Kara Music Production is a musical collaboration project over the internet.
free vst plugin, pc.
Algorithmic musicsystems as VSTi for Windows(tm) by H.G. Fortune.
- 128 patches including 32 by Tim Conrardy
- Instant transposition via keyboard.
Kara Music Production is a musical collaboration project over the internet.
free vst plugin, pc.
Category:
Normalizer denormals eliminator:
denormalisation is an issue with some audio hosts that don't switch off the plugin's audio task when the song is stopped or a track contains silence (or with instruments: no key is pressed while a sound decays).
The problem happens when the CPU (precisely: the floating point unit (FPU) inside of it) detects extremely small numbers and wishes to process them with the same precision as usual. Then it switches into 'denormal' mode which is another way of representing small floating point numbers with the available bit range.
Converting between the two states takes a lot of time for the FPU and thus might cause heavy load jumps.
Some algorithm such as delay lines and filters are prone to denormalisation as they work with feedback structures.
Here, if an impulse is followed by absolute silence, the resulting signal gets smaller and smaller but in theory, it can never reach zero.
In practice, there is an internal threshold of the FPU that switches to denormal mode to carry on processing those small numbers (which might not be of any use for proper operation).
Currently, the Pentium 4 processor seems highly addicted to denormalisation. It turned out that its threshold is actually very much higher than of former Pentium types.
Plugins that used to work fine with older CPUs might slow down the entire system when used with a P4.
But other FPUs might as well suffer from denormalisation issues.
Most developers are aware of denormalisation although the methods to avoid it are many. Some algorithms ask for the current FPU status from time to time, reacting to it by changing small values to zero.
Other developers prefer adding an an extra signal to the audio which is carried along the entire process of the plugin, thereby forcing it to remain above the internal threshold.
Should the input become silent, the additional noise will still keep the whole thing from denormalizing.
All the digitalfishphones plugins actually work this way, and so does the normalizer.
Normalizer usage:
Fill the first insert slot with this plugin. Put the plugin that's supposed to cause denormalisation into the second slot.
The normalizer plugin lets you choose between two methods: adding AC or DC signal.
Here, AC is a square wave ringing at the nyquist frequency (half the sampling rate, e.g. 22.05kHz).
Choose this method whenever the following plugin does not apply intensive low-pass filtering, thereby eleminating our injection noise.
In that case, the DC method could be used. It just adds a static offset to the signal. This DC level (when set pretty low) should be no issue with further processing of the resulting output.
No matter which method you choose from, the noise floor should be lower than the lowest value that your D/A converter can handle.
And in fact, a level of about -300 to -200dB is usually enough. Sometimes you can even go much lower.
You will have to experiment with the proper level because the internal working of the faulty plugin is most certainly unknown to us.
The more stages it involves, the more complex the whole thing is.
free vst plugin. pc, mac
denormalisation is an issue with some audio hosts that don't switch off the plugin's audio task when the song is stopped or a track contains silence (or with instruments: no key is pressed while a sound decays).
The problem happens when the CPU (precisely: the floating point unit (FPU) inside of it) detects extremely small numbers and wishes to process them with the same precision as usual. Then it switches into 'denormal' mode which is another way of representing small floating point numbers with the available bit range.
Converting between the two states takes a lot of time for the FPU and thus might cause heavy load jumps.
Some algorithm such as delay lines and filters are prone to denormalisation as they work with feedback structures.
Here, if an impulse is followed by absolute silence, the resulting signal gets smaller and smaller but in theory, it can never reach zero.
In practice, there is an internal threshold of the FPU that switches to denormal mode to carry on processing those small numbers (which might not be of any use for proper operation).
Currently, the Pentium 4 processor seems highly addicted to denormalisation. It turned out that its threshold is actually very much higher than of former Pentium types.
Plugins that used to work fine with older CPUs might slow down the entire system when used with a P4.
But other FPUs might as well suffer from denormalisation issues.
Most developers are aware of denormalisation although the methods to avoid it are many. Some algorithms ask for the current FPU status from time to time, reacting to it by changing small values to zero.
Other developers prefer adding an an extra signal to the audio which is carried along the entire process of the plugin, thereby forcing it to remain above the internal threshold.
Should the input become silent, the additional noise will still keep the whole thing from denormalizing.
All the digitalfishphones plugins actually work this way, and so does the normalizer.
Normalizer usage:
Fill the first insert slot with this plugin. Put the plugin that's supposed to cause denormalisation into the second slot.
The normalizer plugin lets you choose between two methods: adding AC or DC signal.
Here, AC is a square wave ringing at the nyquist frequency (half the sampling rate, e.g. 22.05kHz).
Choose this method whenever the following plugin does not apply intensive low-pass filtering, thereby eleminating our injection noise.
In that case, the DC method could be used. It just adds a static offset to the signal. This DC level (when set pretty low) should be no issue with further processing of the resulting output.
No matter which method you choose from, the noise floor should be lower than the lowest value that your D/A converter can handle.
And in fact, a level of about -300 to -200dB is usually enough. Sometimes you can even go much lower.
You will have to experiment with the proper level because the internal working of the faulty plugin is most certainly unknown to us.
The more stages it involves, the more complex the whole thing is.
free vst plugin. pc, mac
Category:
5. spattime 88
S p a t T i m e 8 8
Eight channels Time-Stretch :
- octophonic wav file player (eight mono files) with start and end loop points
- speed variation from 25 % to 400 %
- inertia setting for slow variations
Two modes :
- "poly" : each channel is controlled separately which makes temporal shifts
- "mono" : the eight channels are linked
free vst plugin, pc.
Eight channels Time-Stretch :
- octophonic wav file player (eight mono files) with start and end loop points
- speed variation from 25 % to 400 %
- inertia setting for slow variations
Two modes :
- "poly" : each channel is controlled separately which makes temporal shifts
- "mono" : the eight channels are linked
free vst plugin, pc.
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