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steve hackett
Description
Steve Hackett's career has been an on-going love affair with music. Over the last 24 or so years has continued to amaze and delight both his fans and his critics with the breadth and depth of the music that he has produced.
It began with various bands in which he was very much a session player - Canterbury Glass and Sarabande to name but two. Steve's first foray into the world of recording came however, when he joined the band Quiet World in 1970. In a recent interview he recalled the circumstances in which the album came to be recorded ...
This album, titled 'The Road', was released in 1970 by Dawn Records and was also reputedly re-issued by that label in Japan.
Steve's career with Genesis has been exhaustively covered elsewhere however it would be inappropriate not to say something about his time with that most influential and enduring of seventies superbands.
Steve joined in early 1971 as a replacement for founder member Anthony Phillips when Peter Gabriel answered his ad in Melody Maker ...
It began with various bands in which he was very much a session player - Canterbury Glass and Sarabande to name but two. Steve's first foray into the world of recording came however, when he joined the band Quiet World in 1970. In a recent interview he recalled the circumstances in which the album came to be recorded ...
This album, titled 'The Road', was released in 1970 by Dawn Records and was also reputedly re-issued by that label in Japan.
Steve's career with Genesis has been exhaustively covered elsewhere however it would be inappropriate not to say something about his time with that most influential and enduring of seventies superbands.
Steve joined in early 1971 as a replacement for founder member Anthony Phillips when Peter Gabriel answered his ad in Melody Maker ...
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Date
Dec 27, 2005
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1. greg douglas
Greg Douglass was born on October 11, 1949, in Oakland, California. He spent his formative years in Walnut Creek, California, a bucolic little suburban burg near Berkeley. Inspired by the British Invasion, surf music, and his rampaging hormones, he took up guitar at thirteen. After working in several local bands, Greg finally settled into The Virtues, a top 40 cover band that wore matching gold suits and played Beatles songs.
In 1967, the Summer of Love, The Virtues traded in their matching suits for long hair and Levis and became Country Weather. Armed with original material and an attitude, they became an irregular opening act at the Fillmore West and the Avalon Ballroom, opening for acts like Ten Years After, Sly and the Family Stone, and Greg's No. 1 personal guitar hero, Jeff Beck.
Douglass remembers: "Here I was, learning how to play guitar in front of huge crowds, and having to follow Jeff Beck to boot. It wasn't tough being humble."
Country Weather dissipated in 1972, and drummer Bill Baron and Greg formed Mistress, a power trio that also included Brian Kilcourse on bass, vocals, and songwriting. It was the first time Greg acted as the frontman for a group, and word began to spread about this hotshot from the East Bay. (Greg's long-time association with Terry & the Pirates and the late, great guitarist John Cipollina also blossomed during this period.)
The band performed a string of still-legendary live shows and recorded an album at Wally Heider's Studio in San Francisco, produced by the late, great Mallory Earl. The completed album was passed on by every record label it was presented to. (The same album was recently released on the German label, Taxim, as Greg Douglass and Mistress: Free Flyte, and is garnering great reviews and sales twenty-three years after its creation.) ...
In 1967, the Summer of Love, The Virtues traded in their matching suits for long hair and Levis and became Country Weather. Armed with original material and an attitude, they became an irregular opening act at the Fillmore West and the Avalon Ballroom, opening for acts like Ten Years After, Sly and the Family Stone, and Greg's No. 1 personal guitar hero, Jeff Beck.
Douglass remembers: "Here I was, learning how to play guitar in front of huge crowds, and having to follow Jeff Beck to boot. It wasn't tough being humble."
Country Weather dissipated in 1972, and drummer Bill Baron and Greg formed Mistress, a power trio that also included Brian Kilcourse on bass, vocals, and songwriting. It was the first time Greg acted as the frontman for a group, and word began to spread about this hotshot from the East Bay. (Greg's long-time association with Terry & the Pirates and the late, great guitarist John Cipollina also blossomed during this period.)
The band performed a string of still-legendary live shows and recorded an album at Wally Heider's Studio in San Francisco, produced by the late, great Mallory Earl. The completed album was passed on by every record label it was presented to. (The same album was recently released on the German label, Taxim, as Greg Douglass and Mistress: Free Flyte, and is garnering great reviews and sales twenty-three years after its creation.) ...
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2. al di meola
The Official Website of Al Di Meola: Al Di Meola holds the most prestigious guitar awards (of any guitarist in the world) from the highest rated guitar poll in the world, Guitar Player Magazine. He has been known throughout the world for the past two and a half decades as one of the most prominent virtuosos in the contemporary instrumental jazz field.
Al Di Meola's highly celebrated career has spanned a wide range of emotions into a unique style embodying the artists world inspired influences. From the velocity and heat of his early solo efforts to the challenge and triumph of the "Di Meola / McLaughlin / De Lucia (Guitar Trio)", from the Brazilian explorations of “Cielo e Terra” and “Soaring Through A Dream” to the global romanticism and Tango inflection of Al's acoustic group "World Synfonia" (self titled debut) and the 2nd "World Sinfonia" recording Heart of the Immigrants.
From the beginning of his solo career, where records like "Land of the Midnight Sun", "Elegant Gypsy" and "Casino", were amongst the highest selling records of any instrumental artist at that time. Al Di Meola continues to make, with respect, startling achievements in music pioneering while the decline of U.S. radio continues to elude most interesting contemporary music ...
Al Di Meola's highly celebrated career has spanned a wide range of emotions into a unique style embodying the artists world inspired influences. From the velocity and heat of his early solo efforts to the challenge and triumph of the "Di Meola / McLaughlin / De Lucia (Guitar Trio)", from the Brazilian explorations of “Cielo e Terra” and “Soaring Through A Dream” to the global romanticism and Tango inflection of Al's acoustic group "World Synfonia" (self titled debut) and the 2nd "World Sinfonia" recording Heart of the Immigrants.
From the beginning of his solo career, where records like "Land of the Midnight Sun", "Elegant Gypsy" and "Casino", were amongst the highest selling records of any instrumental artist at that time. Al Di Meola continues to make, with respect, startling achievements in music pioneering while the decline of U.S. radio continues to elude most interesting contemporary music ...
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Pierre Bensusan, guitarist:
Some guitarists have become fluent in the musical language of their time and place. Of these men and women, there are some who take in music from beyond their own surroundings and give birth to new musical ideas, brave compositions, and inventive playing styles. Most rare, however, are those artists who do all these things and continue to listen to their hearts, who compose beyond the limitations of their instrument, and who improvise without fear. Rare indeed, Pierre Bensusan is a guitarist, a composer, a man who constantly explores the depth of his own voice. In doing so, his music, (or as he says, his work) seems to come from a source much greater than the hands and voice of one man.
If “world music” is music that pays tribute to the spirit of a collection of human beings through distinct rhythms, traditional instruments and harmonic colors, Pierre Bensusan can be recognized as one of the most eloquent and diverse world musicians of our time. In his solo concerts that could last nearly 3 hours, Bensusan weaves together the music from so many lands and so many times in history, no list of reasonable length here would suffice. And for each piece Bensusan describes as being influenced by “a man from Iraq”, or the middle-ages, or the essence of the Brazilian culture, each piece is informed by much more. None can be isolated as simply “Brazilian” or “French”; rather, they represent our world in its current state, a world sharing itself, fusing cultures together in ways we have never experienced ...
Some guitarists have become fluent in the musical language of their time and place. Of these men and women, there are some who take in music from beyond their own surroundings and give birth to new musical ideas, brave compositions, and inventive playing styles. Most rare, however, are those artists who do all these things and continue to listen to their hearts, who compose beyond the limitations of their instrument, and who improvise without fear. Rare indeed, Pierre Bensusan is a guitarist, a composer, a man who constantly explores the depth of his own voice. In doing so, his music, (or as he says, his work) seems to come from a source much greater than the hands and voice of one man.
If “world music” is music that pays tribute to the spirit of a collection of human beings through distinct rhythms, traditional instruments and harmonic colors, Pierre Bensusan can be recognized as one of the most eloquent and diverse world musicians of our time. In his solo concerts that could last nearly 3 hours, Bensusan weaves together the music from so many lands and so many times in history, no list of reasonable length here would suffice. And for each piece Bensusan describes as being influenced by “a man from Iraq”, or the middle-ages, or the essence of the Brazilian culture, each piece is informed by much more. None can be isolated as simply “Brazilian” or “French”; rather, they represent our world in its current state, a world sharing itself, fusing cultures together in ways we have never experienced ...
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Costas Andreou creates soundscapes balancing between improvisation and composition. He mixes in real time the sounds of fretted and fretless electric bass with loops, electronics, sound fields and collages. He has collaborated with musicians, actors, dancers and visual artists, surrounding actions, emotions and structures with sounds and audio environments.
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5. chris michie
Lead guitarist, singer, songwriter Chris Michie has recorded or toured with Van Morrison, Link Wray, Stevie Wonder, Boz Scaggs, Jerry Garcia, The Pointer Sisters, Jesse Colin Young, and Maria Muldaur. He has shared the stage with Neil Young, B.B. King, Albert King, Big Mama Thornton, Buddy Guy, Taj Mahal, Paul Butterfield and Elvin Bishop.
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