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Synaptricity
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Description
Synaptricity \sih-nap-TRIZ-uh-tee\ n: the art of merging creative and analytical powers to engineer audio products that spark the mind and electrify the senses. Synaptricity is a Digidesign Development Partner specializing in the creation of innovative, state-of-the-art, creativity-driven real-time plug-ins for Pro Tools.
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Date
Jul 21, 2007
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Link ID
18157
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Sonnox Oxford Plugins: Sonnox Oxford evolved out of a group of dedicated audio professionals who first worked together in the early 1980s. Having spent many years designing analogue and digital consoles for a leading British manufacturer, five engineers started a new Company in 1988 which was called Oxford Digital. Over the subsequent years the team slowly expanded, until in 1993 it became Sony Oxford.
One of Sony Oxford's major product designs was the OXF-R3 Digital Mixing Console, or 'Oxford Console' as it's often called. This huge undertaking, a no compromise high end digital audio system, was conceived by Oxford Digital in the late 1980s and productised for release by Sony in the mid 1990s. Virtually everything, including audio DSP chips and software design tools were designed at Oxford since, at that time, it was impossible to buy DSP technology with enough power.
As times and techniques moved on, and technology became cheaper with increasing power, we began to focus on how we could leverage the Oxford technologies into audio workstations. We became a development partner with DigiDesign and began work in order to create the Oxford EQ for Pro Tools. At the same time, we started work on the infrastructure for our e-commerce scheme which would be instrumental for sales and registration of our new software products ...
One of Sony Oxford's major product designs was the OXF-R3 Digital Mixing Console, or 'Oxford Console' as it's often called. This huge undertaking, a no compromise high end digital audio system, was conceived by Oxford Digital in the late 1980s and productised for release by Sony in the mid 1990s. Virtually everything, including audio DSP chips and software design tools were designed at Oxford since, at that time, it was impossible to buy DSP technology with enough power.
As times and techniques moved on, and technology became cheaper with increasing power, we began to focus on how we could leverage the Oxford technologies into audio workstations. We became a development partner with DigiDesign and began work in order to create the Oxford EQ for Pro Tools. At the same time, we started work on the infrastructure for our e-commerce scheme which would be instrumental for sales and registration of our new software products ...
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Trillium Lane Labs is a leading developer of audio software for professionals in the recording and post-production industries. Trillium Lane Labs is a Digidesign development partner for the Pro Tools digital audio workstation on Macintosh and Windows platforms.Trillium Lane Labs, Pro Tools, Digidesign, TL Space, convolution reverb, TL EveryPhase, phaser, TL Metro, TL InTune, TL MasterMeter, TL Fauxlder, plugin, DAW, RTAS, TDM
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3. Duy
DUY was established in 1972 as a manufacturer of audio hardware.
From 1972 to 1987 DUY designed and manufactured music synthesizers, drum
machines, audio compressors, limiters, mixing consoles, and samplers.
Two of DUY´s most outstanding developments were the world´s
first digital drum machine and one of the very first
polyphonic synthesizers (see photo).
The ALFA1024 was a hybrid synthesiser equipped
with 32 digital oscillators, 8 voices analog
processing and a 1024 notes sequencer.
The system was controlled by an on-board
Rockwell 6502 CPU with 32K of RAM. It was 1983.
IN 1986 DUY created its first recording studio.
Initially conceived for the produccion of music , it
attracted the advertising agencies and film production
companies. Advertising was a flourishing business at that
time in Barcelona ..;
All those early developments and experience have evolved into the current line of DUY´s software products, which are currently being used by producers like David Reitzas, Mutt Lange, Chris Porter, Jean-Michel Jarre, Mike Hedges, Chris Porter or Spike Stent, who record artists like Celine Dion, Madonna, The Corrs, U2, Frank Sinatra, Barbra Streisand, Robbie Williams, Texas, George Michael, and a very long list continues.
From 1972 to 1987 DUY designed and manufactured music synthesizers, drum
machines, audio compressors, limiters, mixing consoles, and samplers.
Two of DUY´s most outstanding developments were the world´s
first digital drum machine and one of the very first
polyphonic synthesizers (see photo).
The ALFA1024 was a hybrid synthesiser equipped
with 32 digital oscillators, 8 voices analog
processing and a 1024 notes sequencer.
The system was controlled by an on-board
Rockwell 6502 CPU with 32K of RAM. It was 1983.
IN 1986 DUY created its first recording studio.
Initially conceived for the produccion of music , it
attracted the advertising agencies and film production
companies. Advertising was a flourishing business at that
time in Barcelona ..;
All those early developments and experience have evolved into the current line of DUY´s software products, which are currently being used by producers like David Reitzas, Mutt Lange, Chris Porter, Jean-Michel Jarre, Mike Hedges, Chris Porter or Spike Stent, who record artists like Celine Dion, Madonna, The Corrs, U2, Frank Sinatra, Barbra Streisand, Robbie Williams, Texas, George Michael, and a very long list continues.
Category:
4. URS Plugins
URS Plugins Unique Recording Software Home Page.URS A series, URS N seriesURS, Plugins, Unique Recording Software, URS Plugins, Neve, API
Category:
5. Waves
Waves is the leading creator of psychoacoustic tools and audio plugins for enhanced acoustic performance.Musicians II, Musicians, Diamond, Transform, Renaissance Maxx, 360° Surround Tools, Gold, Platinum, Masters, IR-1 Convolution Reverb, IR-360 Surround, IR-L, L3, MaxxBass 103 ...
Waves began in October 1992 with the introduction of the first audio plug-in, the Q10 Paragraphic equalizer. The Q10 broke new ground in three major areas. First, it was the debut of the audio signal processor plug-in, a tool commonly used today. Second, its graphic user interface gave users unprecedented control and eliminated the requirement for a DSP engineering background since it automated the filter coefficient calculations. Finally, the revolutionary Q10 offered sound quality equal to or better than many of its hardware counterparts ...
Waves began in October 1992 with the introduction of the first audio plug-in, the Q10 Paragraphic equalizer. The Q10 broke new ground in three major areas. First, it was the debut of the audio signal processor plug-in, a tool commonly used today. Second, its graphic user interface gave users unprecedented control and eliminated the requirement for a DSP engineering background since it automated the filter coefficient calculations. Finally, the revolutionary Q10 offered sound quality equal to or better than many of its hardware counterparts ...
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