The High Renaissance 16th Century: Biographies of composers of Early Music complementing Here Of A Sunday Morning the radio program.
With Josquin des Prés (died 1521) and Heinrich Isaac (died 1517) the two outstanding masters of the third generation of the Netherlands School, the influence of the Netherlanders extended over the whole of Europe. The contact of their art with the music of other nations, led to a variety of characteristic national genres: the glorious development of the social art of the madrigal, chanson and lied: the climax of Catholic and the rise of Evangelical church music: the independent development of domestic music for the organ, lute, clavichord, spinet and gamba, and of instrumental ensemble music: the development of the Venetian music for several groups of choirs and instruments, with its splendid ostentation, and the Golden Age of church and secular music in England (Thomas Tallis, Orlando Gibbons, Thomas Morley, John Dowland, William Byrd and many others) ...
The Renaissance was a time of rebirth and massive cultural upheaval. Artists of all kinds in western Europe became more aware of the classical past and the world beyond the narrow confines of medieval theology. Music was nonetheless influenced by the general receptivity to new ideas.
The Flemish composer Lassus and the Italian composer Palestrina were both masters of Renaissance polyphony, in which voice parts are given equal importance and share in the melody. Tomás Victoria, from Spain, was one to the great composers of counterpoint. And, in England, secular music flourished with Byrd, who wrote madrigals, instrumental works, and solo songs in addition to his church music.
The madrigal was one of the most influential and most popular forms of music during the Renaissance ...
The Early Renaissance 1350-1500: Biographies of composers of Early Music complementing Here Of A Sunday Morning the radio program.
Only a little later than the rise of the Ars Nova, but probably independently, a secular musical art of great vitality arose in Upper and Central Italy, linked with the growth of a vernacular literature, which had its centre in the Florence of Dante and his successors. The leading figure of this period was Francesco Landini (died 1397) who was a poet as well as a composer. This Italian style was imitated in Germany by Oswald von Wolkenstein, 'the last of the Minnesingers,' who had visited Italy in the entourage of King Rupert in 1401. In Germany, where the chief interest was given to polyphonic settings of folksongs, the Mastersingers flourished as a bourgeois echo of the Minnesingers ...
The Renaissance;
The Renaissance was a time of rebirth in learning, science, and the arts throughout Europe. The rediscovery of the writings of ancient Greece and Rome led to a renewed interest in learning in general. The invention of the printing press allowed the disbursement of this knowledge in an unprecedented manner. The invention of the compass permitted the navigation of the world's oceans and the subsequent discovery of lands far removed from the European continent. With Copernicus' discovery of the actual position of the earth in the solar system and Martin Luther's Protestant Reformation, the Catholic Church lost its grip on society and a humanist spirit was born. This spirit manifested itself in the painting and sculpture of Michelangelo, the plays of Shakespeare, and in both the sacred and secular dance and vocal music of the greatest composers of the era ...
Renaissance 1450-1600:
Introduction to the period from Essentials of Music linked to details on historical themes, musical context, style, and composer biographies.