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the parker leon fan page
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This page is home to resources of all kinds relating to my favorite jazz drummer, Leon Parker. Besides his incomparable skills on the kit, what I like about Parker is his musical vision. Simply put, he combines musical traditions--jazz, African, Latin, and others--with innovation. So many of today's jazz musicians fall into one of two categories. They're either "neotraditionalists," such as Wynton Marsalis, who would like nothing more than to turn back the clock to the "golden years" of jazz of the 1940s, 50s, and 60s. Or, they are in the less well-known population of the "avant-garde," whose music is innovative and perhaps interesting, but its abandonment of traditional musical forms makes it inaccessible noise to the ears of most people. To me, Leon Parker combines the best of both worlds: his music has a fresh, interesting sound, but it's rooted in rhythmic grooves that make it accessible: it don't mean a thing if it ain't got that swing.
Born: August 21, 1965, in White Plains, New York.
Leon Parker consistently shows that less is more by making a great deal of music on a greatly reduced drum set sometimes consisting only of a snare drum, bass drum and a cymbal. Parker started playing drums when he was three and became serious when he was around 11. At 15 he playing in a local youth jazz band, and two years later, he started studying classical percussion. After graduating from high school, Parker moved to New York City, taking lessons with Barry Harris and freelancing ...
Born: August 21, 1965, in White Plains, New York.
Leon Parker consistently shows that less is more by making a great deal of music on a greatly reduced drum set sometimes consisting only of a snare drum, bass drum and a cymbal. Parker started playing drums when he was three and became serious when he was around 11. At 15 he playing in a local youth jazz band, and two years later, he started studying classical percussion. After graduating from high school, Parker moved to New York City, taking lessons with Barry Harris and freelancing ...
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Feb 28, 2006
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Other links at Drums & Percussion > drummers, percussionists
Drummer Sylvia Cuenca's website features sound bites, itinerary, projects, biography equipment and drum set-up.
SYLVIA CUENCA is an active young drummer on the New York jazz scene who is contributing outstanding performances in a variety of situations. Recently, she has been performing extensively with trumpet legend Clark Terry as part of his quintet. This group performs annually at the Village Vanguard and the Blue Note in New York City, on the Royal Caribbean and the S.S. Norway jazz cruises as well as many clubs, concerts and jazz festivals. In addition to working with Clark Terry, Ms. Cuenca has performed with artists such as trombonist Al Grey, saxophonists Red Halloway, Jimmy Heath and Frank Wess, to name a few.
Other achievements include several tours of Europe and the United States with saxophonist Joe Henderson. Since 1987, this quartet performed at the Taxi International Jazz Festival in Milano, Italy, the Brecon Jazz Festival in England, the Viersen Jazz Festival and the Burghausen Jazz Festival in Germany, as well as many concerts in Norway, Denmark, Sweden, Austria, Belgium, England, Switzerland and France. In a trio setting, she performed with Joe Henderson and Charlie Haden in 1989 and also with Joe Henderson and George Mraz in 1994.
As a sideman, Ms. Cuenca has performed and toured with such jazz luminaries as Eddie Henderson, Gary Bartz, Kenny Drew, Jr., John Hicks, George Cables, Marian McPartland, Jon Faddis, Frank Foster's Loud Minority Big Band, Ed Cherry, Bootsie Barnes Kenny Barron, Hilton Ruiz, Dave Valentin, Michael Brecker, Ray Drummond, Ralph Moore, Regina Carter, Richie Cole, Billy Taylor, James Spaulding, Emily Remler, Valery Ponomarov, Houston Person, Mulgrew Miller, Lew Tabackin, Lou Soloff, Jon Hendricks, Etta Jones, Helen Merrill, Dianne Reeves, Dave Stryker, Stan Getz, Nicholas Payton, Joshua Redman, Vincent Herring, Jesse Davis, Mingus Big Band, The Boys Choir of Harlem and the European based Vienna Art Orchestra, as well as her recordings as a leader, The Crossing and Exit 13 ...
SYLVIA CUENCA is an active young drummer on the New York jazz scene who is contributing outstanding performances in a variety of situations. Recently, she has been performing extensively with trumpet legend Clark Terry as part of his quintet. This group performs annually at the Village Vanguard and the Blue Note in New York City, on the Royal Caribbean and the S.S. Norway jazz cruises as well as many clubs, concerts and jazz festivals. In addition to working with Clark Terry, Ms. Cuenca has performed with artists such as trombonist Al Grey, saxophonists Red Halloway, Jimmy Heath and Frank Wess, to name a few.
Other achievements include several tours of Europe and the United States with saxophonist Joe Henderson. Since 1987, this quartet performed at the Taxi International Jazz Festival in Milano, Italy, the Brecon Jazz Festival in England, the Viersen Jazz Festival and the Burghausen Jazz Festival in Germany, as well as many concerts in Norway, Denmark, Sweden, Austria, Belgium, England, Switzerland and France. In a trio setting, she performed with Joe Henderson and Charlie Haden in 1989 and also with Joe Henderson and George Mraz in 1994.
As a sideman, Ms. Cuenca has performed and toured with such jazz luminaries as Eddie Henderson, Gary Bartz, Kenny Drew, Jr., John Hicks, George Cables, Marian McPartland, Jon Faddis, Frank Foster's Loud Minority Big Band, Ed Cherry, Bootsie Barnes Kenny Barron, Hilton Ruiz, Dave Valentin, Michael Brecker, Ray Drummond, Ralph Moore, Regina Carter, Richie Cole, Billy Taylor, James Spaulding, Emily Remler, Valery Ponomarov, Houston Person, Mulgrew Miller, Lew Tabackin, Lou Soloff, Jon Hendricks, Etta Jones, Helen Merrill, Dianne Reeves, Dave Stryker, Stan Getz, Nicholas Payton, Joshua Redman, Vincent Herring, Jesse Davis, Mingus Big Band, The Boys Choir of Harlem and the European based Vienna Art Orchestra, as well as her recordings as a leader, The Crossing and Exit 13 ...
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The website of drummer Scott Amendola. View his biography, discography, performance schedule, photos, download MP3s, and other fun stuff.
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Hello, and welcome to the Russ T. Blades website! Russ is a drummer who has worked with the likes of Vince Martell (Vanilla Fudge) , Joe Lynn Turner (Rainbow), and the Andrew Pearson Band. He also had his own original band, Blades. Russ has traveled to many parts of the world making music, and has produced music for the soap opera 'General Hospital.' He is a melodic player known for his groove and creating an "envelope" of sound around the band. Right now he is a involved with The Vince Martell Band.
Russ T. Blades, AKA Russell Taubner was born May 17, 1952 in Manhattan, NY approx. 5:15PM.
The 4th of 5 children, Russell was artistic and sports minded. He moved from The Bronx to Bergenfield, NJ when he was 3. Having blown out his knee when he was 8, art grew in importance.
A fan of Sam Cooke at an early age, the arrival of The Beatles was a true wake up call. They brought out his true love of music. Having come from a non-musical family, they became his musical family.
At first Russ thought of studying guitar, but drums became his instrument. Starting at age 12 he studied drums for two years with Dennis DeLuca, a brilliant marching band writer. But his refusal to teach match grip, and his less than foward look to the evolving music scene, stopped Russ from studying with him.
As with a great number of musicians, Russ continued on self-teaching himself with his ears. Studying Ringo, and Dino Danelli (Rascals), Russ played with local bands. When he was 16 he formed a Jimi Hendrix type 3-piece band with a phenomenal 15 year-old guitarist Eddie Caldron, and bassist Kevin Katzel. Playing 3-piece gave him great freedom to be creative. When Eddie got in trouble with the law, Russ continued on forming one of the area's first two lead guitar bands, called Silk.
It was through this band Russ met guitarist/singer/songwriter Rick Blakemore. Russ's belief was that the combination of drums and guitar was the basis of Rock 'n Roll's spirit. Rick and Russ shared a facination with guitarist Jeff Beck's guitar work, and would go to every show they could when Jeff was in the area. After Rick briefly filled in with Silk, Russ went on to join a band Rick was in, called Legs ...
Russ T. Blades, AKA Russell Taubner was born May 17, 1952 in Manhattan, NY approx. 5:15PM.
The 4th of 5 children, Russell was artistic and sports minded. He moved from The Bronx to Bergenfield, NJ when he was 3. Having blown out his knee when he was 8, art grew in importance.
A fan of Sam Cooke at an early age, the arrival of The Beatles was a true wake up call. They brought out his true love of music. Having come from a non-musical family, they became his musical family.
At first Russ thought of studying guitar, but drums became his instrument. Starting at age 12 he studied drums for two years with Dennis DeLuca, a brilliant marching band writer. But his refusal to teach match grip, and his less than foward look to the evolving music scene, stopped Russ from studying with him.
As with a great number of musicians, Russ continued on self-teaching himself with his ears. Studying Ringo, and Dino Danelli (Rascals), Russ played with local bands. When he was 16 he formed a Jimi Hendrix type 3-piece band with a phenomenal 15 year-old guitarist Eddie Caldron, and bassist Kevin Katzel. Playing 3-piece gave him great freedom to be creative. When Eddie got in trouble with the law, Russ continued on forming one of the area's first two lead guitar bands, called Silk.
It was through this band Russ met guitarist/singer/songwriter Rick Blakemore. Russ's belief was that the combination of drums and guitar was the basis of Rock 'n Roll's spirit. Rick and Russ shared a facination with guitarist Jeff Beck's guitar work, and would go to every show they could when Jeff was in the area. After Rick briefly filled in with Silk, Russ went on to join a band Rick was in, called Legs ...
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Percussionist and drummer Bobby Sanabria's website features reviews, sound bites, itinerary,biography, historical photo gallery, essays, cds, Afro-Cuban profiles.
Bobby Sanabria has performed and recorded with a veritable who's who in the world of Jazz and Latin music as well as his own critically acclaimed ensemble Ascension. His diverse recording and performance experience includes work with such legendary figures as Dizzy Gillespie, Tito Puente, Paquito D'Rivera, Charles McPherson, Mongo Santamaria, Ray Barretto, Larry Harlow, Candido Camero, Marco Rizo, Luis "Perico" Ortiz, Chico O'Farrill, Henry Threadgill, and the pioneering godfather of Afro-Cuban Jazz, Mario Bauza.
Bobby was born and raised in the "Fort Apache" section of New York City's South Bronx to Puerto Rican parents. Inspired and encouraged by Maestro Tito Puente (another fellow New York born Puerto Rican) Bobby "got serious" and attended Boston's Berklee College of Music from 1975 to 1979, where he obtained his Bachelor of Music degree. Here he received the prestigious Faculty Association Award for his work as an instrumentalist. Since graduating from Berklee, Bobby has become a leader in the Afro- Cuban and Jazz fields as both a drummer and a percussionist as well as being recognized as one of the most articulate scholars of "la tradición."
He has been featured on numerous Grammy nominated albums, amongst them: The Mambo Kings movie soundtrack and numerous television/radio jingles and other movie soundtracks, He first received worldwide critically acclaim when he was with the legendary Mario Bauza and his Afro-Cuban Orchestra, with whom he recorded three Grammy nominated CDs ...
Bobby Sanabria has performed and recorded with a veritable who's who in the world of Jazz and Latin music as well as his own critically acclaimed ensemble Ascension. His diverse recording and performance experience includes work with such legendary figures as Dizzy Gillespie, Tito Puente, Paquito D'Rivera, Charles McPherson, Mongo Santamaria, Ray Barretto, Larry Harlow, Candido Camero, Marco Rizo, Luis "Perico" Ortiz, Chico O'Farrill, Henry Threadgill, and the pioneering godfather of Afro-Cuban Jazz, Mario Bauza.
Bobby was born and raised in the "Fort Apache" section of New York City's South Bronx to Puerto Rican parents. Inspired and encouraged by Maestro Tito Puente (another fellow New York born Puerto Rican) Bobby "got serious" and attended Boston's Berklee College of Music from 1975 to 1979, where he obtained his Bachelor of Music degree. Here he received the prestigious Faculty Association Award for his work as an instrumentalist. Since graduating from Berklee, Bobby has become a leader in the Afro- Cuban and Jazz fields as both a drummer and a percussionist as well as being recognized as one of the most articulate scholars of "la tradición."
He has been featured on numerous Grammy nominated albums, amongst them: The Mambo Kings movie soundtrack and numerous television/radio jingles and other movie soundtracks, He first received worldwide critically acclaim when he was with the legendary Mario Bauza and his Afro-Cuban Orchestra, with whom he recorded three Grammy nominated CDs ...
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5. numan elyer
Numan Elyer web site one of the best darbuka, doumbek players.
Numan is a multi-percussionist of Turkish origin and is now permanently based in London. His main instrument is the darbuka, although he is proficient in many others. He is a full-time musician who prides himself on his professionalism.
Numan is one of the pioneers of the new ‘all-finger’ style of darbuka playing and is fast gaining a reputation for himself in the UK. His range, ability and ear for all rhythms enables Numan to play many musical styles, not only those from the Middle East. As well as performing, he is a session player and teaches.
Instruments Played:
- Darbuka
- Frame Drum (def)
- Bongos
- Hand Cymbals
- Tambourine
- Davul
- Ghatam
- Djembe
Numan is a multi-percussionist of Turkish origin and is now permanently based in London. His main instrument is the darbuka, although he is proficient in many others. He is a full-time musician who prides himself on his professionalism.
Numan is one of the pioneers of the new ‘all-finger’ style of darbuka playing and is fast gaining a reputation for himself in the UK. His range, ability and ear for all rhythms enables Numan to play many musical styles, not only those from the Middle East. As well as performing, he is a session player and teaches.
Instruments Played:
- Darbuka
- Frame Drum (def)
- Bongos
- Hand Cymbals
- Tambourine
- Davul
- Ghatam
- Djembe
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