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troy stetina
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Official site of Troy Stetina, guitarist and instructional author for Hal Leonard Corp -- the largest music print publisher in the world. Learn guitar right, from beginner to pro. Free guitar lessons, advice, masterclasses, instructional methods and music by renown guitarist and author Troy Stetina.
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Mar 1, 2005
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1. remi boucher
Remi Boucher: classical guitar:
Classical Guitarist Rémi Boucher was born in 1964 in Rouyn-Noranda (Québec Canada). He studied the classical guitar at the Montreal Conservatory with Jean Vallières and afterwards completed his studies in Spain (with J. Henriquez, J. L. Rodrigo, V. Mikulka, David Russell, M. Barrueco), in Belgium at the Royal Conservatory of Antwerp with (V. van Puijenbroeck) and in Switzerland at the Basel Academy with O. Ghiglia. He is now living in Austria. Those travels would not have been accomplished without the aid of the "Conseil des Arts et des Lettres du Québec" and the Canada Council, which not only offered him many grants, but the Sylva Gelber Award, making Rémi Boucher the first guitarist in 30 years to win this honor! In addition to his many national and international prizes, in less than 18 months, Rémi Boucher has conquered Europe, America and Asia winning at the unanimously
the first prize in five of the most important international music competitions. (Alessandria in Italy, Andrès Segovia in Palma de Mallorca in Spain, Havana in Cuba, Mauro Guiliani in Turin, and Fernando Sor in Roma).
With such success, he was invited by many major symphonic orchestras giving him the opportunity to perform up to ten of the greatest guitar concertos and having the privilege to play under the direction of Leo Brouwer, the famous Cuban composer.
His love and relationship with other cultures, and his interest in all kinds of instruments, helped him to discover new technical possibilities which allow him to enlarge the capabilities of the instrument. A pioneer in that domain, he collaborates closely with composers to create a repertory that serves these new musical possibilities. To study those techniques Rémi Boucher has also created a series of his own compositions and a new technical method. His most recent success was the result of seven years collaboration with his favorite composer and pianist Canadian Jacques Marchand ...
Classical Guitarist Rémi Boucher was born in 1964 in Rouyn-Noranda (Québec Canada). He studied the classical guitar at the Montreal Conservatory with Jean Vallières and afterwards completed his studies in Spain (with J. Henriquez, J. L. Rodrigo, V. Mikulka, David Russell, M. Barrueco), in Belgium at the Royal Conservatory of Antwerp with (V. van Puijenbroeck) and in Switzerland at the Basel Academy with O. Ghiglia. He is now living in Austria. Those travels would not have been accomplished without the aid of the "Conseil des Arts et des Lettres du Québec" and the Canada Council, which not only offered him many grants, but the Sylva Gelber Award, making Rémi Boucher the first guitarist in 30 years to win this honor! In addition to his many national and international prizes, in less than 18 months, Rémi Boucher has conquered Europe, America and Asia winning at the unanimously
the first prize in five of the most important international music competitions. (Alessandria in Italy, Andrès Segovia in Palma de Mallorca in Spain, Havana in Cuba, Mauro Guiliani in Turin, and Fernando Sor in Roma).
With such success, he was invited by many major symphonic orchestras giving him the opportunity to perform up to ten of the greatest guitar concertos and having the privilege to play under the direction of Leo Brouwer, the famous Cuban composer.
His love and relationship with other cultures, and his interest in all kinds of instruments, helped him to discover new technical possibilities which allow him to enlarge the capabilities of the instrument. A pioneer in that domain, he collaborates closely with composers to create a repertory that serves these new musical possibilities. To study those techniques Rémi Boucher has also created a series of his own compositions and a new technical method. His most recent success was the result of seven years collaboration with his favorite composer and pianist Canadian Jacques Marchand ...
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2. paul geremia
For almost forty years, Paul Geremia has survived solely by the fruit of his musical labours. Having abandoned all other means of support in 1966, he has been travelling far and wide ever since, performing in every capacity from street singing to club and concert bookings, throughout the U.S.A., Canada and Europe.
In the years since, Geremia has built a reputation as a first rate bluesman, songwriter, a "scholar" of early jazz and blues, and one of the best country blues fingerpickers ever with his tools - six and twelve-string guitars, harmonica, piano and a husky soulful voice - and with an innate sense of the humour as well as the drama of the music, he keeps traditional blues fresh and alive with his performances.
Combining his interpretation of the earlier music of people like Blind Lemon Jefferson, Robert Johnson, Blind Willie McTell, Scrapper Blackwell and Blind Blake, with his original compositions, he has created a style which is very much his own and which has received accolades in the U.S.A. and Europe, too numerous to mention.
Geremia's background isn't typical for a bluesman. He is a third generation Italian-American who, as he laughingly puts it, "was born in the Providence River Delta". Growing up in a family that moved across the country and back numerous times weaned his appetite for music, history and travel, which served him well later on.
During the sixties, Paul noticed that the music he had enjoyed playing on harmonica (his first instrument) was now referred to as "Folk Music" and was enjoying popularity. During his short time in agriculture college, he was mostly occupied with learning guitar and hitch-hiking to where the music was. He soon left college and hit the road permanently. He found paying gigs in coffee houses and "basket houses" in cities and at college campuses and made occasional forays South and West in search of the music he loved and what gigs he could find ...
In the years since, Geremia has built a reputation as a first rate bluesman, songwriter, a "scholar" of early jazz and blues, and one of the best country blues fingerpickers ever with his tools - six and twelve-string guitars, harmonica, piano and a husky soulful voice - and with an innate sense of the humour as well as the drama of the music, he keeps traditional blues fresh and alive with his performances.
Combining his interpretation of the earlier music of people like Blind Lemon Jefferson, Robert Johnson, Blind Willie McTell, Scrapper Blackwell and Blind Blake, with his original compositions, he has created a style which is very much his own and which has received accolades in the U.S.A. and Europe, too numerous to mention.
Geremia's background isn't typical for a bluesman. He is a third generation Italian-American who, as he laughingly puts it, "was born in the Providence River Delta". Growing up in a family that moved across the country and back numerous times weaned his appetite for music, history and travel, which served him well later on.
During the sixties, Paul noticed that the music he had enjoyed playing on harmonica (his first instrument) was now referred to as "Folk Music" and was enjoying popularity. During his short time in agriculture college, he was mostly occupied with learning guitar and hitch-hiking to where the music was. He soon left college and hit the road permanently. He found paying gigs in coffee houses and "basket houses" in cities and at college campuses and made occasional forays South and West in search of the music he loved and what gigs he could find ...
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Guitarist Paul Jackson Jr. keeps an intense, breakneck schedule. In addition to the demands of being a Grammy nominated solo artist, Jackson is a highly in-demand sideman and session player. In the two years since he released The Power of the String, his last Blue Note recording, the popular guitarist performed in the television special Diva Las Vegas (behind Cher, Shakira, Mary J. Blige and Whitney Houston, with whom he toured throughout the Nineties), participated in the Billboard Awards tribute to Jam Master Jay, composed music for the film Undercover Brother with Stanley Clarke, and contributed to the TV hit Cedric the Entertainer. In the midst of all that activity, the deeply spiritual Jackson continues to seek quiet time in which to listen to the “still small voice” of God. Those moments played a key role in the creation of his sixth solo album, so it was only “super” natural that he titled the extraordinary project, Still Small Voice.
A great benefit of being on the short list of top-flight versatile session and live performance musicians is forging relationships with the best producers and performers in his chosen genres. His 1996 classic Never Alone/Duets featured high profile collaborations with legendary pals Kirk Whalum, Joe Sample, Jeff Lorber, Earl Klugh, Ray Parker Jr. and Gerald Albright, while The Power of the String included guest spots by Boney James, Mervyn Warren and Patrice Rushen. Some of the contributing “voices” to the new project are Lorber (who also co-produced “Sportsman Park” with Jackson), Albright, bassist and fellow Houston tour member Ricky Minor, electric piano/keyboard greats Rushen, Billy Preston, Ricky Peterson and Brian Culbertson, the Earth, Wind & Fire horn section (Ray Brown, Gary Bias and Reggie Young) with the addition of Patches Stewart and Andy Wiener, and percussionist Sheila E. Jackson produced six tracks on his own, and tandem on others with Alan Abrahams, Brian Culbertson and James Reese (a songwriter and friend from Jackson’s childhood growing up in South Central L.A.) ...
A great benefit of being on the short list of top-flight versatile session and live performance musicians is forging relationships with the best producers and performers in his chosen genres. His 1996 classic Never Alone/Duets featured high profile collaborations with legendary pals Kirk Whalum, Joe Sample, Jeff Lorber, Earl Klugh, Ray Parker Jr. and Gerald Albright, while The Power of the String included guest spots by Boney James, Mervyn Warren and Patrice Rushen. Some of the contributing “voices” to the new project are Lorber (who also co-produced “Sportsman Park” with Jackson), Albright, bassist and fellow Houston tour member Ricky Minor, electric piano/keyboard greats Rushen, Billy Preston, Ricky Peterson and Brian Culbertson, the Earth, Wind & Fire horn section (Ray Brown, Gary Bias and Reggie Young) with the addition of Patches Stewart and Andy Wiener, and percussionist Sheila E. Jackson produced six tracks on his own, and tandem on others with Alan Abrahams, Brian Culbertson and James Reese (a songwriter and friend from Jackson’s childhood growing up in South Central L.A.) ...
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The official homepage for the guitarist, John Petrucci.john petrucci, guitar, Ernie Ball, Musicman, Dream Theater, Liquid Tension Experiment, Mike Portnoy, Jordan Rudess, John Myung, James LaBrie, progressive rock, shred, Mesa Boogie, Images and Words, When Dream and Day Unite, Awake, Scenes from a Memory, Falling into Infinity, Change of Seasons, Rock Discipline, Wild Stringdom
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5. tony rice
Tony Rice has long been one of bluegrass’s best-loved guitarists. From his
stint with JD Crowe’s New South and the David Grisman Quintet, to his solo albums and those with the Tony Rice Unit,
the Rice Brothers, and Rice, Rice, Hillman & Pedersen, he has created a body of work that is at once progressive and
grounded in tradition. His unmistakable approach to flat-picking - fluid, economical, and always inventive - redefined
the guitar’s role in bluegrass. Beyond that, his timing, good taste, and sophisticated harmonic palette unveiled a new
avenue of acoustic music: a subtle fusion of bluegrass, jazz, and folk music that he deems 'spacegrass.'
stint with JD Crowe’s New South and the David Grisman Quintet, to his solo albums and those with the Tony Rice Unit,
the Rice Brothers, and Rice, Rice, Hillman & Pedersen, he has created a body of work that is at once progressive and
grounded in tradition. His unmistakable approach to flat-picking - fluid, economical, and always inventive - redefined
the guitar’s role in bluegrass. Beyond that, his timing, good taste, and sophisticated harmonic palette unveiled a new
avenue of acoustic music: a subtle fusion of bluegrass, jazz, and folk music that he deems 'spacegrass.'
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